R. Lyon

Julieta Aranda, Fia Backström, R. Lyon
ШєƖ⊂σṃє ʈσ ʈңє ďσẘ␤σαď ρα⅁є ғσΓ ʈңє Ĥ∪ṃαи 尺єαďαӸє Ƭƴρє ↁє√єƖσρєď ℁ ραΓʈ ℉ 〞尸Γσ₠§§㏌⅁〞 αиď ʈңє Ᏻ␄ңє ιи§ʈįʈ∪ʈє ⅂į♭ΓαΓƴ’§ 〞єиď(§) θғ Ƭңє ⅂į♭ΓαΓƴ єχңį♭įʈįσи Ƭңє Ĥ∪ṃαи 尺єαďαӸє Ƭƴρє ʪ α ғΓєє ďσẘ␤σαďαӸє αиď є℁ƴ ʈσ ㏌§ʈαƖƖ Ⱪєƴ♭σαΓď ρƖ㎍㏌ ғσΓ ᗰα⊏ ʈңαʈ ㏚σď∪₠§§ ң∪ṃαи-σ␤ƴ ΓєαďαӸє ʈєχʈ ℁ ƴσ∪ ʈƴρє․ ШσΓď§ ẘΓįʈʈєи ʈңʪ ẘαƴ αΓє įƖƖє⅁įӸє ʈσ α∪ʈσṃαʈį⊂ §єαΓ⊂ң ㏚σ₠§§є§ αиď ďαʈα ṃٱи㏌⅁ σρєΓαʈįσ觧․ ␟є įʈ ғσΓ ␙αįʪ˛ ẘє♭ρα⅁є§˛ ғα₠♭σσʞ ρσ§ʈ§˛ єʈ⊂․ ιʈ ʪ ΓєαďαӸє ♭ƴ ң∪ṃαи§ σи αƖṃσ§ʈ αиƴ ďį⅁įʈαƖ ďє√į₠ αиď ρƖαʈғσΓṃ Ƭңє ғįƖє ʪ θρєи Ƨσ∪Γ₠˛ αиď ∪ρďαʈє§ ẘįƖƖ ♭є ρσ§ʈєď ℁ ʈңєƴ σ⊂℆Γ. www.humanreadabletype.com

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Julieta Aranda, Fia Backström, R Lyon
The Goethe Institute Library Catalog as Raw Database Processed and Printed

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“You who listen to me are in a better position to judge about the French Revolution than I am. Your descendants will be even in a better position than you, for they will learn what you think I think, and yet another intermediate will be added to the chain. And in time…there will come a generation…which will see the French Revolution not as it happened, nor as they would like it to have happened, but as it would have happened, had it taken place in the days of the Machine.” E.M. Forster wrote his one work of dystopian science fiction, The ...

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During the final weeks of March 2014, Jeremy Couillard’s spinning painting, When Appropriate, Use Metaphors That Represent Concrete, Familiar Ideas, twirled silently in our closed and locked shipping container, only visible to the public via live-stream on our web site. When Appropriate… was the first installment of Where 4, a group show celebrating constraint that was staggered across March, April, and May. Couillard created When Appropriate… under the overt constraints entailed by a commissioned artwork. We asked him to make one of his motor-powered, rotating circular paintings, but with added parameters for a specific point of reference: the spinning color-wheel ...

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Where 5 began with a proposition that Tyler Coburn write a speculative press release for an exhibition he would have enjoyed – but one that nevertheless did not exist. Where took the theme of Coburn’s imagined exhibition and produced three experiments. For the first, Where opened its shipping container “to anyone, to do anything” from September 12 – October 12, 2014. For the second, Where initiated a handwritten letter campaign to established commercial galleries. For the third, Where organized a dinner at one such gallery, David Lewis, entirely comprised of edible parasites. The theme and speculations proposed in Coburn’s press release were ...

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Where 6: “Prediction,” with Sarah Meyohas Bitch Coin Release Party: Sunday, February 15th, 2015 8pm Trinity Place, 115 Broadway, New York, NY We rarely have an opportunity to invite our colleagues to as well-appointed an affair as will transpire on the evening of Sunday, Feb. 15 at Trinity Place in Lower Manhattan. This turn-of-the-century bank can easily be navigated by the landmark of Zucotti Park across the street. Our splendid event celebrates the launch of “BitchCoin,” a digital currency developed with Sarah Meyohas, a young artist who, fresh out of Wharton Business School, headed straight into Yale’s MFA program. BitchCoins can be bought online with ...

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