PUBLICATIONS

Contemporary aesthetic practices operate with the fabric of reality as interferences that open up interstices of problematization and place the world in work. The singularity of a proposal lies in the part of reality in which it is inscribed and in the procedures of its inscription: the more subtle and precise these are, the greater its critical power and the greater the impact of its effects. This is the perspective in which Lygia Clark’s final and most radical work, Estruturação do self (Structuring of the Self), is focused. An experimental practice that is inscribed in the spectator’s subjectivity and, more ...

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Ina Blom is a Professor at the Institute of Philosophy, Classics, History of Art and Ideas at the University of Oslo, where she also got her Ph.D (The Cut Through Time. A Version of the Dada/Neo-Dada Repetition. UiO, 1999). Her fields of research and teaching are modernism/avant-garde studies and contemporary art and aesthetics, with a particular focus on media art practices and media aesthetics. A former music critic, she has also worked extensively as an art critic and curator, contributing to Artforum, Parkett, Afterall, Frieze and Texte zur Kunst. Recent books include On the Style Site. Art, Sociality and Television ...

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John Roberts is Professor of Art and Aesthetics at the University of Wolverhampton. He is the author of a number of books including The Art of Interruption: Realism, Photography and the Everyday (Manchester University Press, 1998), The Intangibilities of Form: Skill and Deskilling in Art After the Readymade (Verso, 2008) and The Necessity of Errors (Verso, 2011). He has also contributed to various journals including Radical Philosophy, New Left Review, Oxford Art Journal, Historical Materialism, New Literary History, Third Text and Manifesta. In 2008 John Roberts was invited to give a lecture at MACBA in the context of the seminar The ...

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The standards of scholarship prevailing in the social sciences of management are indicative of an atrophy of the critical function. This results in a kind of tribalized authoritarianism, a dispersed oligarchy of the gatekeepers in which the congeniality of ideas and findings with their own have replaced judgments based on the quality of argument and evidence. The authors in this volume turn to the practice of practical criticism to destabilize authority in the social sciences of management, and to assert that it must be possible for criticism of scholarly outputs – particularly those of established authority-figures – to be heard ...

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Ana Janevski is currently Associate Curator at the Museum of Modern Art, New York. From 2007 to 2011 she held the position of curator at the Museum of Modern Art in Warsaw, Poland, where she curated, among many other projects, the large-scale exhibition As Soon As I Open My Eyes I See a Film on the topic of Yugoslav experimental film and art from the sixties and seventies. She also edited a book with the same title. Janevski has also co-curated with Pierre Bal-Blanc the performance exhibition The Living Currency and the first extensive show about experimental film in Yugoslavia ...

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Stephen Melville is Professor of History of Art at the Ohio State University and has published widely on contemporary art as well as on issues in contemporary theory and historiography. With Philip Armstrong and Laura Lisbon he curated the major exhibition of contemporary painting As Painting: Division and Displacement (Wexner Center for the Arts, Columbus, Ohio, 2001). His publications include As Painting: Division And Displacement (exhibition catalogue, MIT Press 2001), and Seams: Art As A Philosophical Context (New York: Gordon and Breach, 1996). He is currently completing a book on Hegel and contemporary art. In 2007, Stephen Melville was invited to ...

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While attention paid to the Israeli geography of imagination, used to configure and dismantle Palestinian territory through the “separation barrier,” has been profoundly significant, what this text addresses is not only the physical border but the cultural and historical borders that [im]mobilize particular identities and social forms. “Why Didn’t You Knock?”. Securing the Self from Security presents the different notions around the “separation barrier” and how it reveals the Israeli geography of imagination, of territorial expansion, of cutting and crisscrossing through Palestinian villages and towns, among other relevant issues.

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Accelerationism is the name of a contemporary political heresy: the insistence that the only radical political response to capitalism is not to protest, disrupt, critique, or détourne it, but to accelerate and exacerbate its uprooting, alienating, decoding, abstractive tendencies. Since the 2013 publication of Williams’s and Srnicek’s #Accelerate: Manifesto for an Accelerationist Politics, the term has been adopted to name a set of new theoretical enterprises that aim to conceptualise non-capitalist futures outside of traditional marxist critiques and regressive, decelerative or restorative solutions. #ACCELERATE presents a genealogy of accelerationism, from Marx to the present day. At the forefront of the energetic contemporary debate ...

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People sometimes get irritated if you ask them the same question again, especially if it happens in the same conversation. Yet sometimes they provide different answers immediately, or let’s say two minutes after the first (think of the Oracle in The Matrix, or Bill Clinton during his trial). However, when there are forty years in between two identical questions, there’s a big chance of getting the same answer. This does not a priori mean that nothing has changed or that things have remained the same…

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Sahar Muradi and Zohra Saed are two Afghan American poets. This is a lyrical conversation between Sahar who returned to retrace footsteps in Afghanistan and Zohra who remained ensconced in longing for mythic cities of her birth.   As a prelude to the 2012 exhibition, dOCUMENTA (13) and Hatje Cantz published a series of notebooks, 100 Notes – 100 Thoughts, that comprised facsimiles of existing notebooks, commissioned essays, collaborations, and conversations. A note is a trace, a word, a drawing that all of a sudden becomes part of thinking, and is transformed into an idea. This publication project follows that path, presenting the mind ...

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Dear David I have been re-reading our letters. And what an interesting discussion we had this week, about the writing that one does for a singular reader; the ‘one other’ with whom one is thinking. So there has been much dialogue about representation; about performance, and sentiment and sincerity, each thinking to the self through thinking with a companion. And our question returns, often enough, to this: what limits are placed on thought, in the moment that it aspires to be understood from outside itself? This is not a lover’s discourse; it is though interested, and it is interested in the ...

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24/7: Late Capitalism and the Ends of Sleep explores some of the ruinous consequences of the expanding non-stop processes of twenty-first-century capitalism. The marketplace now operates through every hour of the clock, pushing us into constant activity and eroding forms of community and political expression, damaging the fabric of everyday life. Jonathan Crary examines how this interminable non-time blurs any separation between an intensified, ubiquitous consumerism and emerging strategies of control and surveillance. He describes the ongoing management of individual attentiveness and the impairment of perception within the compulsory routines of contemporary technological culture. At the same time, he shows that human ...

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In 1985, the French philosopher Jean-François Lyotard curated a groundbreaking exhibition called Les Immatériaux at the Centre Pompidou in Paris. The exhibition showed how telecommunication technologies were beginning to impact every aspect of life. At the same time, it was a material demonstration of what Lyotard called the post-modern condition. This book features a previously unpublished report by Jean-François Lyotard on the conception of Les Immatériaux and its relation to postmodernity. Reviewing the historical significance of the exhibition, his text is accompanied by twelve contemporary meditations. The philosophers, art historians, and artists analyse this important moment in the history of media and theory, and reflect on the new material conditions brought ...

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6PM YOUR LOCAL TIME (#6pmylt) is a networked, distributed, one night contemporary art event taking place simultaneously in different locations, coordinated from one central venue and documented online via a web application. The project, conceived by Fabio Paris for the Link Art Center and developed in collaboration with Abandon Normal Devices (AND) and Gummy Industries, is an OPEN FORMAT and can be used by other organizations and individual curators to set up other #6pmylt events. The Link Art Center itself organized the first two events: 6PM Your Local Time UK, curated in collaboration with AND and coordinated from Furtherfield Commons, London, involving ...

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Part of JRP|Ringier’s innovative Documents series, published with Les Presses du Réel and dedicated to critical writings, this publication comprises a unique collection of interviews by Hans Ulrich Obrist mapping the development of the curatorial field–from early independent curators in the 1960s and 70s and the experimental institutional programs developed in Europe and the U.S. through the inception of Documenta and the various biennales and fairs–with pioneering curators Anne D’Harnoncourt, Werner Hoffman, Jean Leering, Franz Meyer, Seth Siegelaub, Walter Zanini, Johannes Cladders, Lucy Lippard, Walter Hopps, Pontus Hulten and Harald Szeemann. Speaking of Szeemann on the occasion of this legendary ...

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Neoliberalism—the doctrine that market exchange is an ethic in itself, capable of acting as a guide for all human action—has become dominant in both thought and practice throughout much of the world since 1970 or so. Its spread has depended upon a reconstitution of state powers such that privatization, finance, and market processes are emphasized. State interventions in the economy are minimized, while the obligations of the state to provide for the welfare of its citizens are diminished. David Harvey, author of ‘The New Imperialism’ and ‘The Condition of Postmodernity’, here tells the political-economic story of where neoliberalization came from and ...

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A conversation with Diedrich Diederichsen about non-human labor, time and value. Made in the context of Resonance at Goethe-Institut in New York. (fall 2013)

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A double is haunting the world–the double of abstraction, the virtual reality of information, programming or poetry, math or music, curves or colorings upon which the fortunes of states and armies, companies and communities now depend. The bold aim of this book is to make manifest the origins, purpose, and interests of the emerging class responsible for making this new world–for producing the new concepts, new perceptions, and new sensations out of the stuff of raw data. A Hacker Manifesto deftly defines the fraught territory between the ever more strident demands by drug and media companies for protection of their patents ...

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Throughout a large part of the 1980s, Félix Guattari, known for his collaborations with Gilles Deleuze and his experimental and groundbreaking practices in psychotherapy, decides to shift his experimental work into a different medium of artistic and creative thought practice: the world of science fiction. Part self-analysis, part cinematic expression of his theoretical work, Guattari’s screenplay merges his theoretical concepts with his passion for comic books, free radio movements, and film. So begins Guattari’s journey to write a screenplay wherein a group of squatters makes contact with a superior intelligence coming from the infinitely small Universe of the Infra-quark (UIQ). ...

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Coinciding with A Rehearsal, OUTPOST Gallery, March 2014 the publication features contributions from Maia Conran, Daniel Kelly, Fay Nicolson, Patrick Staff and Cara Tolmie alongside a commissioned text by Jamie Sutcliffe.

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German cinema is best known for its art cinema and its long line of outstanding individual directors. The double spotlight on these two subject has only deepened the obscurity surrounding the popular cinema. A Second Life performs a kind of archaeology on a period largely overlooked: the first two decades of German cinema. This collection of essays by established authors refocuses the terms of a debate that will develop in the years to come concerning the historical and cultural significance of popular cinema in Wilhelmine Germany.

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As the physical world degrades and so corrodes the credibility of institutions that enable consumption, the status quo in the global north goes virtual. Within a short time, we’ve witnessed a rapidly increasing capacity to design, simulate and conjure a virtual perception of reality with exactitude and definition. Our ability to simulate reality has come to match our ability to record it. We’re able to simulate and produce a photographic image of an object without any need for the object itself. The same goes for retouched images and the act of retouching. As a result, images no longer need to ...

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In the last five years, the urban computing field has featured an impressive emphasis on the so-called “real-time, database-enabled city” with its synchronized Internet of Things. Julian Bleecker and Nicholas Nova argue to invert this common perspective and speculate on the existence of an “asynchronous city”. Through a discussion of objects that blog, they forecast situated technologies based on weak signals that show the importance of time on human practices. They imagine the emergence of truly social technologies that through thoughtful provocation can invert and disrupt common perspectives.

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Fokus Grupa, Elvis Krstulović, Iva Kovač, et alJoško Pajer
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Fokus Grupa is an artist collective based in Rijeka, Croatia, founded by Iva Kovač and Elvis Krstulović in 2009. Borrowing their name from a contested research method, used equally for independent research as for PR purposes, they point to the social, economical and political frames of the art field. Their practice is collaborative and interdisciplinary, and it includes art, design and curating. Artistic strategies they use take political shape, without becoming a representational form of ‘political art’. Fokus Grupa concentrates on the relations between art and its public manifestations, in terms of working culture, aesthetics, and social and economic exchange values. Their work investigates ...

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Invited to Stockholm in spring of 2015 to work with the graduating MA and BA students of the Royal Institute of Art on “making a publication,” the two foreign editors of A:Art (Stuart Bailey and Angie Keefer) instead found themselves swept into the death throes of a decades-old struggle between rival institutions over the current identity and possible future of a national art scene. The book is a chronological account of events that unfolded among the Academy, the art school, its students, assorted government ministries, and the Swedish press, with accompaniment from various outside texts, including Raymond Williams’ Keywords, an ...

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