Economics

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ADM XI is an independent research platform for experimental algorithmic trading engineering. The novelty and the singularity of its approach lays on the exploitation of the artist legendary vision and know-how, to create innovative and counter-intuitive strategies of investment and speculation. These uncanny strategies challenge the neoclassical economics dogma. The platform gave birth to a collection of heretic, irrational and experimental operating trading algorithms. These algorithms are released to compete with each other on a marketplace hosted and organized by RYBN.ORG. Within this contest, benefits are no longer driven by the prices and other economic instruments, but rather, by living organisms ...

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“…And I was like—yes it is! Part of my broader project as an artist is thinking about how the term climate change can be redefined and expanded to enable people to understand its relevance. So climate change is redefined as an issue of inequality, or social justice, and also urban design and planning. So if I go by that broader definition, I don’t see why I should exclude those things here.” Amy Howden-Chapman in conversation with the Newspaper Reading Club, 2015

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Åzone Futures Market is a Guggenheim online exhibition that enables you to take a position on the future of a world increasingly shaped by emerging technologies. New technologies are challenging our social foundations and destabilizing the ethics, practices, institutions, and worldviews that have structured our collective experience for centuries. The accelerating rate of this flood of transformations exceeds the limits of our capacity to understand the consequences and to create the lives we want to live. We need new cultural forms to help make sense of the situation. The Guggenheim is testing a new exhibition architecture in the form of an online ...

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What is BitchCoin? BitchCoin is a digital currency backed by the photography of Sarah Meyohas at a fixed exchange rate of 1 BitchCoin to 25 square inches of photographic print. This rate of exchange will not change, even if the value of the photography increases. As her work changes in value over time, so will the relative value of BitchCoin. How did BitchCoin get started? BitchCoin is the focus of “Where 6,” an exhibition on prediction at Where, a gallery and publishing house headquartered in a shipping container in Brooklyn. Where invited Sarah Meyohas to “mine” her coins in the gallery and design ...

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This issue loops around NUMBERS and was produced in the ambient glow of a reprogrammed electronic scoreboard clock which first appeared in Venice one year ago. Bulletins this time arrive from Angie Keefer, John Dewey and James Mclellan, James Langdon, Rosie Cooper, Mathew Kneebone, Philip Ording, David Foster Wallace, David Reinfurt, Cory Arcangel, Justin Warsh, Perrine Bailleux, Byron Cook and Tauba Auerbach, Dan Fox, Katherine Pickard, and Vincenzo Latronico.

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DataArbitrage is a program that generates money by selling your personal data and uses that money to purchase fake social media accounts. DataArbitrage then sells the data from the fake social media accounts,buys new social media accounts and commences a process of data arbitrage whose result is the dilution of useful data due to the overabundance of fake personal information! … Through DataArbitrage, we can undermine the value of data, until it becomes too uncertain and too costly for companies to collect and understand. When the cost to collect a terabyte of data surpasses its value, then the data economy will stop ...

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A major new manifesto for a high-tech future free from work Neoliberalism isn’t working. Austerity is forcing millions into poverty and many more into precarious work, while the left remains trapped in stagnant political practices that offer no respite. Inventing the Future is a bold new manifest0 for life after capitalism. Against the confused understanding of our high-tech world by both the right and the left, this book claims that the emancipatory and future-oriented possibilities of our society can be reclaimed. Instead of running from a complex future, Nick Srnicek and Alex Williams demand a postcapitaiist economy capable of advancing standards, ...

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“Seeing the future ≠ changing the future.”

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On February 12, 2017, following Mark Fisher’s untimely death, at a memorial service at Goldsmiths University of London speakers paid tribute to Mark’s life, and confronted the loss of an irreplaceable, galvanizing cultural figure.

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k.r.u.ž.o.k., Nataša Bodrožic, Irena Boric, et alIvana Meštrov, Nataša Bodrožic, Irena Boric, The Bureau of Melodramatic Research, Clare Butcher, Jasmina Cibic, Sebastian Cichocki, [8 More...]
Politics of Feelings/Economies of Love emerged out of a reading initiative by a group of cultural workers, artists and curators, gathered under the name k.r.u.ž.o.k. (kružok stands for an intimate social circle). The publication brings about a set of reflections on the possible relation between ideology and social emotions, sexuality and nationalism, love and emotional community within nationalist and/or market fundamentalism. In attempts to find out how these issues were tackled in film, visual arts and architecture, we are trying to draw some new lines of understanding love as a tissue in which political, social, ideological and economic meanings are inscribed. This publication is ...

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Neoliberalism as a wealth redistribution imperative has made property ownership impossible or unprofitable for much of society. Whether in the form of mortgages or rent, we are consigned to living in conditions of perpetual debt. Real Estates: Life Without Debt explores the moral, political and economic ramifications of property and ownership in neoliberal debt economies, and asks what role the architect might play in addressing widening social and spatial inequality in the built environment.

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Real Flow is an ongoing collaboration between Diann Bauer, Victoria Ivanova, Christopher Kulendran-Thomas and Suhail Malik. We do R&D of finance and art. Real Flow offers tailor-made financial solutions for contemporary art by crossing the now wholly permeable and artificially-maintained barriers between art’s markets, markets in general, and art’s flexible and porous semantics. Re-engineering the artwork’s commodity form, this venture tactically integrates art into its diverse channels of exhibition, circulation, and marketization. Financialization’s futurity is operationalized by Real Flow to reconstitute art’s future present and open up new vistas through and beyond capital. The first iteration of it as a project is the inaugural exhibition at K. (formerly P!) at 334 Broome st ...

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The first issue of The Distance Plan journal outlines an idea: that distance is a useful metaphor for talking about climate change. It contains essays, an interview and artworks which speculate on the possibilities, and implications, of this image of distance. Published at a time when popular awareness of climate change – particularly in the context of the arts – was significantly underrepresented, this journal primarily sought to heighten visibility and stimulate discussion.

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The Distance Plan, Journal Issue 2, 2014 ‘Seven Conversations,’ The Distance Plan Journal’s second issue, is intended as a place to record the shifts in dialogue and language related to art and climate change. The texts span a range of subjects; each includes someone involved in the arts: writers, curators, artists, teachers. Our hope is that by cataloguing our communities’ changing concerns when it comes to talking about climate change we can play the role of witnesses, help to sustain the momentum which already exists towards combating this problem, and motivate each other to move the discussion forward. These conversations ...

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The Distance Plan, Journal Issue 3, 2015 ‘Climate and Precarity’, The Distance Plan Journal’s third issue, sets out to survey how migration, environmental crisis and climate activism are debated in relation to capitalism and its alternatives. Taking Judith Butler’s notion of precarity – the destruction of the conditions of liveability – as a starting point, the issue brings together texts and artist pages that speak about the relationship between ecological and economic precarity. A recurring question is how climate change is most effectively represented as an issue of social justice, and the role of artists and thinkers in developing a critical ...

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This issue features artist pages by Louise Menzies and Michala Paludan, an essay by Lina Moe on the closure of New York’s L Line, and, through our ongoing Climate Change & Art: A Lexicon, surveys the language currently surrounding anthropogenic climate change. Through proposing neologisms and promoting less well-known terms, we wish to propel interdisciplinary discussion, and by extension accelerate the pace of action. Through this lexicon we propose that the science around climate change is developing so rapidly that we need new language to articulate its processes and effects. The lexicon is also based on the recognition that evolving science ...

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Succinct, accessible, and authoritative, Thomas Piketty’s The Economics of Inequality is the ideal place to start for those who want to understand the fundamental issues at the heart of one the most pressing concerns in contemporary economics and politics. This work now appears in English for the first time.

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The Funambulist Pamphlets is published as part of the Documents Initiative imprint of the Center for Transformative Media, Parsons The New School for Design, a transdisciplinary media research initiative bridging design and the social sciences, and dedicated to the exploration of the transformative potential of emerging technologies upon the foundational practices of everyday life across a range of settings. Volume 04_Legal Theory compiles blog posts by Léopold Lambert (and guest posts by Costas Douzinas and Recetas Urbanas) on: Architecture and the Law: An Epistolary Exchange With Dr. Lucy Finchett-Maddock — Remus Has to Die — Trapped in the Border’s Thickness — ...

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Dear Kris, first I would like to thank you for participating to Unfold as our third guest curator with The Economy is Spinning, a multi-faceted curatorial project on the language of finance and its irrationality. Your Unfold#3 is in fact connected to the exhibition of the same name you have just curated for Onomatopee in Eindhoven and which, as is the case with all Onomatopee’s projects, will also produce a publication. With Unfold the process of translation and transmigration between the exhibition and the publication expands and takes over the space of the digital folder. Could you describe this three-folded relation between the exhibition, the folder and ...

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Where 6: “Prediction,” with Sarah Meyohas Bitch Coin Release Party: Sunday, February 15th, 2015 8pm Trinity Place, 115 Broadway, New York, NY We rarely have an opportunity to invite our colleagues to as well-appointed an affair as will transpire on the evening of Sunday, Feb. 15 at Trinity Place in Lower Manhattan. This turn-of-the-century bank can easily be navigated by the landmark of Zucotti Park across the street. Our splendid event celebrates the launch of “BitchCoin,” a digital currency developed with Sarah Meyohas, a young artist who, fresh out of Wharton Business School, headed straight into Yale’s MFA program. BitchCoins can be bought online with ...

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