Sculpture

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The Renaissance Society presents a new, site-specific installation by Gabriel Sierra, the Bogotá-based artist’s first solo show in the United States. Sierra is intrigued by the language of man-made objects and the dimensions of the spaces in which we live, work, and think. His practice employs a variety of techniques – from sculpture and spatial interventions to performance and texts – to examine how the human body functions in relation to its environment. Originally trained in architecture and design, Sierra’s work draws on the history of Latin American Modernism. His project at the Renaissance Society consists of a group of constructions to ...

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Dear_Tony (2013) is an unauthorized, distributed retrospective of the public sculptures of Tony Smith by Christian de Vietri and A.E. Benenson. Addressed as much to the deceased sculptor and his practice as our contemporary audience, Dear_Tony rethinks the artist’s historic investigations into modular construction, phenomenology, and public space within the contexts of digital fabrication, interactivity, and networked communication. At the same time, Dear_Tony is a means to reflect on the form of the retrospective and how its requirements may be adapted to contemporary conditions of viewership. Dear_Tony consists of a digital sculpture by Christian de Vietri, which is composed of extractable models ...

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Hailed simultaneously as a provocateur, prankster and tragic poet of our times, Italian artist Maurizio Cattelan has created some of the most unforgettable images in recent contemporary art–most notoriously with “The Ninth Hour,” his 1999 sculpture of Pope John Paul II struck by a meteorite. Cattelan’s subjects range widely, being derived from popular culture, history and organized religion; while bold and irreverent, the work is also deadly serious in its scathing cultural critique. Maurizio Cattelan: All accompanies the Guggenheim Museum’s retrospective survey of the artist. For the exhibition, the museum has devised a site-specific installation intended to sidestep the totalizing ...

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The development of sculpture in outer space.

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Elie Ayache’s response to artist RH Quaytman’s 2012 show Point de Gaze, Chapter 23 reflects on line, perspective, and the limits of the gallery space.

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