Multi is a (very) simple application for making and sending faces. Working from a limited stock of punctuation glyphs, Multi tirelessly assembles various configurations.
Launch Multi. Tap the screen anywhere to stop. Tap again to start. Tap and drag on the right side to adjust the speed (a line appears under your finger — up for faster, down for slower).
Save a particular face by pressing and holding your finger on the screen until you see a flash (like a screenshot). Continue holding down to text it to a friend.
Italian designer Enzo Mari spent the year 1957 drawing an apple. The result, ...
An essay on the artwork of Ivana Spinelli, published on the occasion of her solo show Contropelo at Gallleriapiù, Bologna (January 23 – March 28, 2020).
Ivana Spinelli suggests a different look into the signs that are deposited in our collective memory as decorative elements lacking of any linguistic value. All of a sudden, those inscriptions manifest themselves as a code composed by discrete elements that can be used to form words and sentences, and take concrete shape as sculptural matter.
– Claudio Musso
“The communist question was badly formulated because, to start with, it was framed as a social question, that is, as a strictly human question. Despite that, it has never ceased to trouble the world. If it continues to haunt it, that’s because it doesn’t stem from an ideological fixation but from a basic, immemorial, lived experience: that of community—which nullifies all the axioms of economy and all the fine constructions of civilization. There is never community as an entity, but always as an experience of continuity between beings and with the world.”
Border walls always create differences, but not necessarily the ones that were intended. Architecture critic and journalist Ian Volner recounts his experience along some of history’s most significant boundaries.
In this interview by Léopold Lambert, Mpho Matsipa describes the spirit and contents of the exhibition she curated in 2018. Entitled “African Mobilities: This is not a Refugee Camp Exhibition,” this powerfully-curated gathering of artworks provides the bases of a conversation about the notions of mobilities and temporalities in the context of the African continent, from the mind-expanding maps of the Chimurenga Library and the cartographic entanglements by Dana Whariba, Thembinkosi Goniwe and Nolan Oswald Dennis to the futurist vision of Olalekan Jeyifous and Wale Lawal.
Mpho Matsipa received her PhD in Architecture from UC Berkeley. She is Adjunct Assistant Professor ...
Following the collapse of the Soviet Union, a “global” art world began to form. Sure, there were already a number of world’s fairs and established international biennials, but this would be different. From the 1990s onward, national boundaries would dissolve, centers and peripheries would level out, and the internet would host worldwide cultural exchange. In many ways this really did happen, but some other things also happened. As people and ideas began to move across borders, money did too. Faced with an unmanageable planetary scale, capital became a more efficient regulator of flows than laws or nations. Suddenly, capital rose ...
Episode 22: Pearls of Wisdom (Disputaziuns Susch, The Magicians of the Mountains)
This episode has Mark Sadler and Jörg Heiser sharing pearls of wisdom concerning the grammar of painting, architecture of philosophy and notions of freedom. And suddenly, the horizon is opening up wide.
Disputaziuns Susch, from the beginning in 2017, has been a multi-disciplinary annual endeavor, bringing together scholars and artists, philosophers and authors, neuroscientists and historians – thinkers who will be asking questions and counter questions – in its 2019’s editions circling around the possibilities for universal truths versus a relative view of human temporality and finitude, rational thinking and ...
In this recording of the November 2019 launch event for Agnès Gayraud’s Dialectic of Pop, Robin Mackay and the author discuss the major themes of the book.
An essay on the artwork of Ivana Spinelli, published on the occasion of her solo show Contropelo at Gallleriapiù, Bologna (January 23 – March 18, 2020).
From TIFF files to TED talks, from book sizes to blues stations—the term “format” circulates in a staggering array of contexts and applies to entirely dissimilar objects and practices. How can such a pliable notion meaningfully function as an instrument of classification in so many industries and scientific communities?
Comprising a wide range of case studies on the standards, practices, and politics of formats from scholars of photography, film, radio, television, and the Internet, Format Matters charts the many ways in which formats shape and are shaped by past and present media cultures. This volume represents the first sustained collaborative effort ...
The idea of making use of spaces, transforming existing ones, creating new ones, making a living and a change, very much carries through the following pages. The importance to have, maintain, and organise places, frameworks, and opportunities that allow a continuity to negotiate and fight over common grounds. Making spaces vibratory. To imagine a restaurant or a nightclub in Manchester or London in the 1930s as a business proposition but at the same time as a safe space in which to conspire to liberate Africa; to imagine a restaurant as an art gallery—while working as a waitress—and proceeding to turn ...
Grounded Urban Practices
→ are projects, initiatives or offices who use space as a key agent of change
→ are rooted in communities, social movements or local areas
→ are critical of the status quo
→ experiment with legal, financial and organizational models as well as strategies, methods and tools
A wave of Grounded Urban Practices has emerged in Cairo after the 2011 revolution and in Amsterdam/Rotterdam during the 2008-2012 financial crisis. After almost a decade of experimental research and interventions challenging business-as-usual spatial production, many GUPs in both contexts face several difficulties today. In Egypt, the regime has managed to restore order, while in ...
The 2019/20 issue of The Serving Library Annual is entirely devoted to the late Italian designer, artist, inventor and polymath Bruno Munari. The core of the annual is the first English translation of Obvious Code, the 1971 collection of Munari‘s own writings, sketches and poems about his own work, published by arrangement with Corraini, who issued the book’s anastatic edition in 2017. It includes iconic design objects such as the Abitacolo, ground-breaking artworks such as his 1952 series of hand-made projection slides, and little known rhymes about the art market, as well as an original piece from his “unreadable books” ...
Computer Program as an Artefact
At first, the computer program is neutral and exists only in terms devoid of any reference other than to itself. The program is its function. It is a tool. It does something; it instructs a computer to perform a task. Its working is often imperceptible beyond the surface of its interface – screen based or physical – the material extension to the inner depths of its digital structure, the code. Focusing solely on a functional aspect of software limits our engagement with its wider assemblage of connotations beyond technical analysis. Beyond the functional and ostensible neutrality ...
It’s so amazing how a single piece of music can become so powerful in so many different versions
That’s the case with “This Woman’s Work” by the great Kate Bush, which was released over 20 years ago and still going strong!
She had success with it in 1988 when John Hughes used
it in a critical scene in his
She’s Having a Baby
and again when it was released as a single in 1989.
Then Maxwell released his amazing male version of the song, which led to its use in the incredible
dance tribute to breast cancer awareness on
So You Think You Can Dance
Countless dance acts have ...
Urgency Reader is a quick assembling of texts, risograph printed in Pawtucket, RI, and bound as a book at the last minute to launch at the Odds and Ends Art Book Fair at Yale University Art Gallery on December 6, 2019. Suggested topics from the open call included ⊹urgency, ⊹craft ⊹queerness ⊹gender ⊹transformation ⊹kinship ⊹race ⊹survival ⊹post-apocalyptic practice ⊹futurity ⊹pedagogy ⊹surveillance capitalism ⊹death of capital ⊹radical publishing ⊹decolonization ⊹augmentation ⊹resistance ⊹sci-fi ⊹collective care ⊹joy
Inspired by Omnibus News #1 (1969), Assembling (1970–87), and other assembling publications, Urgency Reader is an experiment in publishing as a gesture of call and response: the ...