As many of us are currently confined at home in many places of the world, and while we keep in our minds and in our hearts those who have no choice but to be at risk from the ongoing worldwide pandemic, because they’re doctors, nurses, cashiers, workers, homeless, incarcerated, or in any other precarious situation, we wanted to provide you with a daily podcast to use this time to reflect and organizing without talking about the pandemic itself — there might be already enough about it.
The concept is very simple. Every day, we ask one person the same question: “what is for you a moment of true decolonization?” The answer can be a historial moment or something they witnessed; something heroic and grandiose, or rather discreet and mundane; a durable blow to the structures of colonialism or a short instant of liberation.
We thank you for listening and wish you and your loved ones the very best wherever you are.
In contrast to current ‘roadmaps’ to recovery, this re- port rejects the notion that “the economy” should be the object of coronavirus response, and that the project is one of recovery, resilience, or return. Instead, we argue that the task at hand is nothing short of reconstructing society through two great transformations. First, we must make it possible to both respond swiftly to all emerging pandemics with all of the resources at our disposal. Second, we must enable society to shift seamlessly in and out of periods of social distancing with policies that promote social solidarity and economic security for ...
Sixth and final episode of an experimental virtual lecture, talk show, and Sunday sermon, with a dose of group karaoke thrown in! Using Prem Krishnamurthy’s P!DF, v.6.0.0 as a score, this episode explores the sections called “My Favorite Things”. It features special guests and contributors American Artist, Ane Hjort Guttu with Daisuke Kosugi, Ayana Jamieson, Brian O’Doherty, Catherine Ince, Christopher Kulendran Thomas, Colleen Asper,
Connie Samaras, Emily Smith, Harold Offeh, James Wines, Jeffrey Weiss, Karel Martens, Leslie Hewitt, Martin Beck,
Paul O’Neill, Pierre Leguillon, Shelley Streeby, Wong Kit Yi, and others.
This document in front of you is the result of a conversation over lunch, which took place in the early days of Corona in Berlin. Back then, we were simply wondering: in a time in which people are, either by policy or good faith, forced to restrict their spatial radius of interaction to a bare minimum, how do we actually deal with food? Not only in the sense of what we choose to eat conceptually, but how we choose it, literally. Where do we get it, how do we prepare it, and what does something essential like food mean to ...
Austerity and Utopia is the first in a series looking at other potential narratives for mapping our current landscape through redefining the social, political and economic terms of engagement. It was planned a long time before the pandemic. Our current situation was unimaginable just a few months ago, but that it was not easily predictable does not mean that there were no elements pointing to a possible crisis of this nature. Yet the collective search for measures of care and climate justice in the attempt to redefine the neoliberal understanding of austerity and utopia – two major points of the ...
SOCIÉTÉ DES AMIS
DE LA PARRHÈSIA
SOCIÉTÉ DES AMIES
This issue compiles a series of perspectives on art-making and curating that consider forms of production through contemporary digital networks as well as increased reliance on digital technologies. We consider the issue as a much-needed start to discuss curating under digital conditions on our platform. Each interview, artwork, and article thinks through contemporary practices that rework or examine what the relationship of place, automation, labour, and archives have in relation to technological effects in production under neoliberalism. Four interviews focus on art practice and digital art-making and also how the digital is an asset in the making and production of ...
How do we transition to solar power while avoiding the disproportionate impacts we see with our energy systems today? Dustin Mulvaney highlights some of the social and environmental consequences of scaling up the solar industry.
A truly next-level Princely Persian Mayday PlaguePod as we bring together Omnicide author Jason Bahbak Mohaghegh and our favourite Geistig Lego™ AGI engineer Reza Negarestani. Lisa Blanning joins us with a special selection of COVID tracks, Amy Ireland jacks in from the Pandemonium Matrix to discuss viral demonology, and we talk coronamania and oil futures, and find out what our guests’ favourite Britney tracks are. With a taste of a poison paradise, could this be the night that someone—while being considerate to their housemates—finally defeats CoronaQuest…?
With the third symposium Women on Earth we were seeking to understand the relations between feminism and species coexistence. The issue of nature—and of all that is naturalized or deemed unnatural by hegemonic discourses and policy—is of particular importance to gender issues, as is science. But a scientific and technical approach to the climate emergency cannot be accurate without taking into consideration how gender, racial, and economic violence foster our emergent ecocides, nor by how women—often poor and Indigenous women—are overwhelmingly at the forefront of this violence as the very first recipients of. What kind of political and cultural transformation ...
The plot of her undoing begins with his dominion. It begins in the fifteenth century with a papal bull, with a philosopher at his desk, pen in hand, as he sorts the world into categories of genus and species. It begins with a bill of sale, with a story in the newspaper that enumer-ates her crimes, with a note appended to the file: she answers questions easily, but appears stupid; it begins with a wanted poster that reduces the history of her life to a single word—condemned. The plot of her undoing begins with a man in his study writing ...
Urgency Reader 2: Mutual Aid Publishing During Crisis began with a 10-day open call that was announced on March 18, 2020 in response to the COVID-19 pandemic. The call for work was motivated by two desires:
1—to collectively document some of the extraordinary conditions, dynamics, and emotions being experienced while in quarantine, and 2—to provide some relief to artists and writers impacted by the crisis, in both creative and monetary forms. How might publishing as artistic practice embody communal care?
More than 100 artists and writers submitted work, mostly generated during quarantine. Contributors were compensated a total of $2,295, using funds from ...
“Both embracing and eliding the experience of mediation, (video game environments stage) worldliness for us as a mobile task to explore and engage with, with our eyes, hands, brains, and bodies all participating in seeing and/as doing… Life can thus (also) be redescribed as an ongoing process of navigating between cinema and photography, with image-making becoming a mode of world-making, for gamers and non-gamers alike.”
From an Area of the Republic of Cyprus in which the Republic of Cyprus Does Not Exercise Effective Control
The succinct collection of objects gathered here share an important provenance, hailing from the Turkish Republic of Northern Cyprus, an area of the Republic of Cyprus in which the Republic of Cyprus does not exercise effective control. Associated primarily through this common point of origin, they are also remarkable in their presumed anonymity: each was manufactured on an assembly line through a combination of untraceable labor and a myriad collection of unidentifiable tools. Although generic in appearance, a closer look reveals ...
Berkeley-based writer and co-host of the wildly popular anti-corruption podcast TrueAnon, LIZ FRANCZAK joins New Models for a cathartic reflection on pandemic politics and the pros, cons, and probability of popular revolt. This conversation was recorded March 25th.
The Hershey fonts are a collection of vector fonts developed c. 1967 by Dr. Allen Vincent Hershey at the Naval Weapons Laboratory, originally designed to be rendered using vectors on early cathode ray tube displays. Decomposing curves to connected straight lines allowed Hershey to produce complex typographic designs. In their original form the font data consists simply of a series of coordinates, meant to be connected by straight lines on the screen.
SIL Open Font License