is a digital lending platform for independent ebooks and iOS software across art, architecture and design. Participating publishers include: Strelka Institute
, Hatje Cantz
, Architectural Association
, Triple Canopy
, Fundación Cisneros
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, K. Verlag
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, A.R.T. Press
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I’ve been looking for queer typography. Is anyone else out there? Who else is searching? I wonder if this is even a valid question. Looking for queer anything often feels lonely. The word queer resists definition, sometimes aligned with ideas about rejection, refusal, deviating from the expected, away from the normative. It’s certainly a political word, one that’s taken on expansive qualities throughout its history, qualities that aren’t necessarily confined to gender and sexuality…
Originally delivered as a talk at the Type Directors Club “Type Drives Communities” Conference, February 2021.
Beyond the Threshold: Women, Houses and Cities offers a revised account of the history of architecture and urban planning through the contributions of the women who have been silenced in our general histories. Its frame of reference is the built environment, from design to politics, from architecture to urban planning – thus, the house and the city, the private and the public. The first as a metaphor for architecture and the second as a synthesis of people’s actions. Taking a feminist approach entails a necessary deconstruction of dominant historiography, revealing the false neutrality and universality found in the transmission of ...
With anchors in feminist theory, queer discourse, and digital politics, Really Fake rescues “fakeness” from the morass of “fake news” and rejuvenates “fake” as a material and tactical reality. This book treats fakeness as a media object itself: “Fakes” are things that travel and circulate through our bodies, sociality, and the technologies that envelop them. Punctuated with anecdotes, experiences, poetry, stories, and a strong feminist ethic and ethos of care, intimacy, and collectivity, Really Fake offers a series of entry points into reframing the debates of fakeness beyond polarized positions of performative outrage.
In recent decades digital devices have reshaped daily life, while tech companies’ stock prices have thrust them to the forefront of the business world. In this rapid, global development, the promise of a new machine age has been accompanied by worries about accelerated joblessness thanks to new forms of automation. Jason E. Smith looks behind the techno-hype to lay out the realities of a period of economic slowdown and expanding debt: low growth rates and an increase of labour-intensive jobs at the bottom of the service sector. He shows how increasing inequality and poor working conditions have led to new ...
This collection of writings from Bonaventure Soh Bejeng Ndikung presents, for the first time in one volume, essays and proposals edited anew. Ndikung’s expanded curatorial practice delineates the space of exhibition making as a space of critical thinking and of experimentation. By proximity, these texts echo each other, resonate with each other, interfere with each other, and present perspectives on the political, poetic, and philosophical potentials of exhibition making, beyond the tight corset of the discipline itself.
The Covid-19 pandemic has attacked not only our individual bodies, but our collective body as well. Through thirteen contributions by writers who are mostly from former socialist countries where the space of freedom is contracting once again, this special issue of e-flux journal asks what this collective body actually means, and what it has become.
These changes are not only happening in Europe’s former socialist countries. Something similar is also occurring in Greece and Turkey, where two essays in the issue originate. This is not to say that all is well elsewhere, that democracy is thriving in Western Europe and North ...
What About Support and What About Struggle is edited by L’Internationale Online and Jennifer Hayashida, as a collection of poetic responses on the most essential topic of today: how to survive un/natural catastrophes? Starting from a collective reading of Francis Marie Lo’s volume of poetry A Series of Un/Natural/Disasters (Commune Editions, 2016), poets and artists Napo Masheane, Léuli Eshraghi, Merve Unsal, tacoderaya, Lukaza Branfman-Verissimo and Fernanda Laguna have resituated its critique of catastrophe discourse in other urgent pasts and presents through variety of poetic, visual, discursive and audio formats. What are the poetics we are left with when the un/natural ...
Architect and writer KELLER EASTERLING joins New Models to speak about her recent book “Medium Design: Knowing How to Work on the World” (Verso, 2021), which invites us to expand our thinking about infrastructure from one of discrete things to the messy, polyvalent relations and conditions they share. Along the way we touch on the potentials of Web3 and ramifications of small changes at scale. / This conversation is presented as part of Stolbun Institute’s inaugural season, “Shadowlands.”
A unique blend of travelogue, photographs and poetry, A Stranger’s Pose draws the reader into a world of encounters haunted by the absence of home, estrangement from a lover and family tragedies. The author’s recollections and reflections of fragments of his journeys to African cities, from Dakar to Douala, Bamako to Benin, and Khartoum to Casablanca, offer a compelling and very personal meditation on the meaning of home and the generosity of strangers to a lone traveler. Inspired by the author’s own travels with photographers between 2011 and 2015, the Iduma’s own accounts are expanded to include other narratives about ...
Black artists of the avant-garde have always defined the future. Blackspace: On the Poetics of an Afrofuture is the culmination of six years of multidisciplinary research by trans poet and curator Anaïs Duplan about the aesthetic strategies used by experimental artists of color since the 1960s to pursue liberatory possibility. Through a series of lyric essays, interviews with contemporary artists and writers of color, and ekphrastic poetry, Duplan deconstructs how creative people frame their relationships to the word, “liberation.” With a focus on creatives who use digital media and language-as-technology—luminaries like Actress, Juliana Huxtable, Lawrence Andrews, Tony Cokes, Sondra Perry, ...
Sonic Continuum (Mar 2020 – July 2021) traces practices of world-making through sound, both as a force that constitutes the world and a medium for producing knowledge about it.
The two events (ArtSearch, March 2017 and Third Space Symposium, August 2017) from which these contributions are drawn took place at an exceptionally volatile moment in South African higher education. The Fees Must Fall movement which started in October 2015 while, on the one hand challenging tuition and tuition increases, highlighted on the other hand, the structural inaccessibility to higher education. Moreover, it brought into stark relief the legacies of racial privilege sedimented in institutional structures that had not been responsive to the growing urgency for transformation in art institutions and universities: its hiring practices, student recruitment, the curriculum, the ...
Like many musicians, I have been particularly interested in the music recording medium and its relationship to live performance. In its history, the format shifted from a document of an actual event (ie. a ‘record’) into an idealized construction.
Through the usage of various reverbs and spatialization, producers construct an artificial sound stage. Like the films of Georges Méliès, the medium places the listener in an idealized position, front and center before the theatrical stage, without the interference of other audience members, environmental sounds, or any hint of the quotidian function of music. Even in the ‘live recording’ (now a necessary ...
The touchscreen belongs to a century-long history of hands-on media practices and touchable art objects. This media-archaeological excavation examines the nature of our sensual involvement with media and invites the reader to think about the touchscreen beyond its technological implications. In six chapters, the book questions and historicizes both aspects of the touchscreen, considering “touch” as a media practice and “screen” as a touchable object.
Egress is the first book to consider the legacy and work of the writer, cultural critic and cult academic Mark Fisher.
Narrated in orbit of his death as experienced by a community of friends and students in 2017, it analyses Fisher’s philosophical trajectory, from his days as a PhD student at the University of Warwick to the development of his unfinished book on Acid Communism.
Taking the word “egress” as its starting point — a word used by Fisher in his book The Weird and the Eerie to describe an escape from present circumstances as experiences by the characters in countless ...