Collection: Bryce Wilner

Open Font License

When I type, sometimes, writing to somebody I’m not too interested in (or don’t have much to communicate to although I owe this person an email), I get some phrase that stays in my head a few seconds until it hazes to something as hard to recall as a dream. It may be the string “bbbbbbbbbbbb” that I press into my keyboard and stare through before I delete it from my screen and my brain. I can’t say whether the sound or the image of the string comes first; they seem to occur simultaneously and disappear in much the same way. And I can’t say with surety that the way the string looks influences how I pronounce it in my head. This sequence can loop for minutes before I remember where I am in my workflow and in my schedule. I raise my face out of the white text entry field into a desk space surrounded by printed paper and hand-written notes. And grinning like a tiger!

Scratching the Surface: Paul Soulellis

Paul Soulellis is a designer, writer, and educator. After spending twenty years working as a designer, fifteen of those years under his own studio, Soulellis Studios, Paul recently has shifted his work into a more expanded and experimental practice. In 2014, while part of the New Museum’s incubator, he started Counterpractice, his new design studio, and began publishing his now-ongoing project Library of the Printed Web. He also recently joined the faculty at RISD in their graphic design department. In this episode, Paul and I talk about the significance of blogging to his work, building new types of graphic design ...

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Monologue

Contributor Hannes Bajohr
Who am I? Can any one answer ever be definitive enough to define oneself? Monologue is a single, 120 page sentence attempt at answering this question. Culled from letters to Dan Savage’s queer advice column Savage Love, it creates a fraught song of myself, and a probing hyper-identity that contains multitudes.

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Making Room for Sound

How to approach the accessibility of new music to new audiences? How to entice people to get closer and discover without preconceptions or reluctance—but rather as a new form of participation and natural listening experience, what is often perceived as difficult music? What is the relationship of this music, if any, with contemporary arts in a way that it may grasp the attention and active involvement of the spectator and/or listener? Sound and music seem to have been underwhelmingly part of contemporary museums. However, they are shyly making their way in the area of contemporary art, often via visual artists keen ...

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From the Soundscape Meme to Self-Awareness

Taking the term soundscape as a starting point, this essay by José Manuel Berenguer addresses a number of concerns relevant to understanding the listening experience within art and everyday life. Tackling questions such as phenomenology, cognition, new media, aesthetics and the overlap between art and science, Berenguer engages in a critical analysis of recent sound art practices, using both significant historical examples and his own experience. Intermedia artist, composer, teacher, curator… The many labels that can be applied to the career of José Manuel Berenguer (Barcelona, 1955) reflect the multidisciplinary drive that has always guided his professional activities. Aside from producing ...

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Disobedient Electronics

This call for submissions was drafted the day after the 2016 U.S. election, partially as a response to the concept of “post-truth”: ‘relating to or denoting circumstances in which objective facts are less influential in shaping public opinion than appeals to emotion and personal belief’. While facts obviously still matter, the larger issue is that persuasion and creative communication is important. In some ways, progressive dialogue has stagnated in its own Facebook filter bubble and needs to refocus with its roots in direct action. Industrial design — and the creation of experimental electronic objects — is a useful tool to communicate ...

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dos episode 4: Mierle Laderman Ukeles: Maintenance Art

This episode of dos was recorded in The Classroom during the New York Art Book Fair, September 2017. dos focuses on conversations in, about, and with exhibitions. dos commissions and edits conversations between two visitors to an exhibition to emphasize subjective experience and meaning-making at large. dos conversations can be streamed, followed as an RSS feed, or accessed as a podcast. dos conjures their listeners as eavesdroppers and vicarious visitors who experience exhibitions on their own time, partaking in a continuum of physical experience and shared interpersonal thinking.

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Scratching the Surface: Rory Hyde

Contributors Jarrett Fuller, Rory Hyde
Rory Hyde is an architect, curator and writer based in London. His work is focuses on new forms of design practice, and redefining the role of the designer today. Currently, he’s Curator of Contemporary Architecture and Urbanism at the Victoria and Albert Museum and is the author of the book, Future Practice, a collection of interviews about the edge of architecture. In this wide-ranging conversation, Rory and I talk about his early career as an architect and interning at Volume magazine, the differences between practice and curation, and the types of design criticism he’s drawn to and wants to see ...

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Site Visit No. 3: Walking the Pedway with Kelly Bair

This episode of Site Visit was recorded live in the Chicago Cultural Center, which is currently playing host to the 2017 Architecture Biennial titled Make New History. On today’s Site Visit, Ashley, Erik and Kelly visit the Chicago Pedway, a complex network of underground tunnels, bridges and concourses, connecting an assortment of skyscrapers, transportation hubs, and department stores in the central business district of Chicago. Development of the Pedway began in 1951 and today it links more than 40 blocks and 50 buildings. As we discovered, there are many dead ends, construction zones, and closed corridors in the Pedway. However, we ...

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The Year in Sculpture

Artist conversation with Anne Libby and Matthew Schrader, on sculpture and public space in 2017.

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Voynich Botanical Studies

The strangeness and mystery of the Voynich Manuscript has inspired musicians and novelists. Not surprisingly, the document has also proved a springboard for visual artists, but the remarkable thing about the body of work made by Miljohn Ruperto and Ulrik Heltoft is how it doesn’t just feed o the manuscript’s secrets and complications but builds upon them to become something odd, fantastic and mysterious in its own right…

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Scratching the Surface: Sara De Bondt

Sara De Bondt is a designer, educator, and publisher. She runs her own independent design practice working with cultural clients and is the co-founder of Occasional Papers, a small publishing company focusing on publishing affordable books devoted to the histories of architecture, art, design, film, and literature. The Walker Art Center called Sara “the epitome of a cultural designer, combining a love of contemporary typography with a deep investigation into the history of graphic design. Through her design practice, which consists of client-based work, designing and editing books, and curating conferences, she is consistently contributing to the critical discourse.” In ...

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Fieldtalks

What would a conversation with a piece of asbestos, or a piece of plastic stranded on the shore of the Schuylkill River be like? And how could a conversation transpire, between things and researchers and other things, if they landed in the same place and found for themselves a common language? Imprinted by Philadelphia’s singular industrial and technological history, the soils, water systems, and infrastructures of the Delaware Valley tell a story of the Anthropocene, the contentious and debated terminology for this “new” and anthropocentric geological era in which human activities have forever altered Earth’s ecosystems. For the Anthropocene Campus Philadelphia ...

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