is a digital lending platform for independent ebooks and iOS software across art, architecture and design. Participating publishers include: Strelka Institute
, Hatje Cantz
, Architectural Association
, Triple Canopy
, Fundación Cisneros
, Inventory Press
, K. Verlag
, Paper Monument
, Left Gallery
, A.R.T. Press
, Black Archives
The following conversation between Holly Herndon, Tabea Nixdorff and Jonathan Zong occurred via Zoom on Tuesday, 29 September, 2020, at 16:00 Central European Time. We were in Berlin, Arnhem, Cambridge (MA), and Ghent (NY). This is the second publication of Version Space, a series of pamphlets transcribing conversations among artists and graduate students in visual art regarding Artificial Intelligence and related topics, produced in collaboration with Library Stack and funded by the Artistic Research program of the Sandberg Instituut.
“At the heart of this book is a simple and profound proposition: to ‘do’ architecture is to immerse oneself in a conflictual process of material production—participation is not a productive encounter of multiple practitioners and stakeholders, but a set of conflicts, negotiations, maneuvers, and swindles between and within a multiplicity of agents, human and nonhuman alike—equally including architects, clients, financiers, and builders, say, but also silicon, plastic, concrete, each with its conflicting aims and different material means to achieve them. Every building is thus the materialization of such encounter. So, despite the hubris of the field, none of the parties ...
We had the great pleasure of being joined by techno-animist and Turner Prize-winning artist Mark Leckey. We discuss UK Bikelife; commodity fetishism and how trainers and fashion are tokens of class with magic-like attributes; the repertory of spells the left still has against KeK’s Meme Magic; TechGnosis and conspiritualism in the age of Elon Musk. AND Lana Del Rey’s White Dress! You won’t want to miss this!
Earth and Beyond in Tumultuous Times offers a critical exploration of the Anthropocene concept. It addresses the urgent geopolitical and environmental questions raised by the new geological epoch. How are we to rethink landscapes, such as river deltas, oceans, or outer space? How can we create spaces for resistance and utopic dreaming? This volume confronts these questions by charting how space and place are constructed, deconstructed, and negotiated by humans and non-humans under conditions of globally entangled consumption, movement, and contamination. The essays in this volume are complemented by artistic interventions that offer a poetics for a harmed planet and ...
We have never completely understood poetry. As a contemporary art publication, there’s no shortage of affection, admiration, or affinity for poetry, and e-flux journal has certainly published a few memorable poems over the years. But it always felt like a stroke of luck or a gift from the ether when someone brilliant would send us a poem. You won’t be surprised that this didn’t happen often. But now is the time to change that, and we’re honored to welcome Simone White as e-flux journal’s first ever poetry editor. Simone is the author of the collections or, on being the other ...
Design Struggles critically assesses the ways in which the design field is involved in creating, perpetuating, promoting and reinforcing injustice and inequality in social, political, economic, cultural and ecological systems. This book shows how this entanglement arose from Eurocentric and neoliberal thinking. The voices and practices represented here propose to question and disrupt the discipline of design from within, by problematizing the very notions of design. They aim to do so by generating new, anti-racist, post-capitalist, queer-feminist, environmentally conscious and community-based ideas on how to transform design. In this way, Design Struggles strives to forge sustainable, new practices within the ...
At the 8th edition of the MoneyLab conference, hosted by Aksioma – Institute for Contemporary Art, Nika Mahnič interviewed RYBN about their work as a part of the Tax havens: Normalized Grand Theft panel. RYBN is an artist collective formed in 1999 that has, over the past years, researched the economy and the global financial system in their contemporary manifestations, thus offering a privileged vantage point from which one can view the transformations brought about by cybernetics. In this interview, they delve into their background, their achievements in databasing, the golden passport phenomenon and why offshoring was and remains a ...
Following the e-publication Austerity and Utopia, L’Internationale Online presents a second collection of interventions to think through two apparently distant concepts. Artists, thinkers and researchers were invited to reflect on a dissimilar pair of themes as fertile ground for thought and proposition. With this new issue of Degrowth and Progress, we would like to pursue a path of reflection to interrogate the ambivalence of a possible progression of degrowth, and attempt to stage a bastard/hybrid scenario of speculative thought and action. This collection draws upon the complexity of ethical, ecological and political frameworks and reveals other perspectives on the current ...
Graphic communication designers, (in a ‘Western’ context) have historically foregrounded ideas of agency through the realms of aesthetics, expression and semiotics in clear response to the proliferation of services and industries that have required their expertise. Indeed, graphic communication designers have been busy, very busy, bringing organisation to complex information, alongside the shaping and interpretation of messages. More recently, the arrival of cultural and social contexts for communications, in response to ideas of personal cultural capital, (amongst others), has marked an interruption to the former process of design within which ideas translated into output so deftly.
Meanwhile, audiences following a cue ...
Until recently, there has been a subtle but firm stigma around speaking against the Machine. (Specifically, the Internet.) Since the successful counter-revolution of neoliberal capital, launched in the 1980s against the organicist counter-cultural experiments of the 1960s and 70s, any voices raised against the digital revolution have been dismissed as romantically nostalgic at best, and conservatively neo-Luddite at worst. (Never mind that Ned Lud’s followers, protesting against weaving machines at the beginning of the 19th century, were not necessarily our first “technophobes” but rather an activist group especially attuned to the economic consequences of out- sourcing labor to automated contraptions.) ...
Curator Eloise Sweetman and artist Isabelle Sully visit Transcorporealities at the Museum Ludwig in Cologne. After viewing the exhibition, they sit down and wait for a public performance to start. They talk about permeability, occupying space and time, passing through, and proper behavior. Dos adds another layer in light of the covid-19 pandemic experience in spring 2020.
In early 2020, as the COVID-19 pandemic swept the world and states of emergency were declared by one country after another, the global technology sector—already equipped with unprecedented wealth, power, and influence—mobilised to seize the opportunity. This collection is an account of what happened next and captures the emergent conflicts and responses around the world. The essays provide a global perspective on the implications of these developments for justice: they make it possible to compare how the intersection of state and corporate power—and the way that power is targeted and exercised—confronts, and invites resistance from, civil society in countries worldwide.
The Terraforming is the comprehensive project to fundamentally transform Earth’s cities, technologies, and ecosystems to ensure that the planet will be capable of supporting Earth-like life. Artificiality, astronomy, and automation form the basis of that alternative planetarity.
This short book was written in July 2019. It is is an opening brief and manifesto for The Terraforming urban design research programme at the Strelka Institute in Moscow. It is a narrowly targeted polemic against dominant modes of planetarity and a rejoinder to inadequacies seen in how critical philosophy and design seeks to confront them.
The title refers both to the terraforming that ...
This sourcebook is a gathering of documentation on the labeling of all the materials that have gone into the exhibition Blind Sensorium. Il paradosso dell’Antropocene in Matera at the “Domenico Ridola” National Museum of Archaeology and in the spaces of the former “Alessandro Volta” school, from 6 September 2019 to 8 March 2020.
The photographic images – which for the installation in Basilicata have been reproduced and printed in A4 and A3 format on specially prepared panels – are joined on these pages by the reproduction of materials contained in the “Domenico Ridola” Museum, which we have chosen as an integral ...
Amateur Cities and the Institute of Network Cultures are proud to present a feminist finance zine titled ‘Radical Care: Embracing Feminist Finance’. It is a cooperative future-thinking effort from the MoneyLab network, a collective of artists, designers, researchers, geeks and activists dedicated to the task of experimenting with more equitable, diverse, and sustainable futures for finance and economy.
The zine is a diverse collection of voices organized in three types of contributions: quickfire interviews (short reactions to big questions), double interviews (conversational long reads), and artworks (projects addressing discussed subjects visually).
Today we live in a world that is dominated by an ...