George Baker

New technological media such as film, photography and computers have altered the way we perceive possible relations between stillness and motion in the visual arts. Traditionally, cinema theory saw cinema and especially the ‘illusion of motion’ as part of the ideological swindle of the basic cinematic apparatus. This collection of essays by acclaimed international scholars including Tom Gunning, Thomas Elsaesser, Mark B.N. Hansen, George Baker, Ina Blom and Christa Blümlinger, starts out from a different premise to analyse stillness and motion as part of a larger ecology of images and media. They argue that the strategic uses of stillness and ...

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The work of Paul Chan (b. 1973) has charted a course in contemporary art as unpredictable and wide-ranging as the thinking that grounds his practice. “Paul Chan: Selected Writings 2000–2014” collects the critical essays and artists texts that first appeared in Artforum, October, Texte zur Kunst, and Frieze, among other publications, as well as never before published speeches and language-based works. From the comedy of artistic freedom in Duchamp to the contradictions that bind aesthetics and politics, Chan’s writings revel in the paradoxes that make the experience of art both vexing and pleasurable. He lays bare the ideas and personalities ...

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