Amanda Beech

Cover art
PublisherOnCurating.org2020
This issue compiles a series of perspectives on art-making and curating that consider forms of production through contemporary digital networks as well as increased reliance on digital technologies. We consider the issue as a much-needed start to discuss curating under digital conditions on our platform. Each interview, artwork, and article thinks through contemporary practices that rework or examine what the relationship of place, automation, labour, and archives have in relation to technological effects in production under neoliberalism. Four interviews focus on art practice and digital art-making and also how the digital is an asset in the making and production of ...
Cover art
PublisherGlass Bead2016
The first issue of this journal, as well as Glass Bead’s project at large, is directed towards rethinking art as a mode of rational thought. It starts from the assumption that any claim concerning the efficacy of art—its capacity, beyond either its representational function or its affectivity, to make changes in the way we think of the world and act on it—first demands a renewed understanding of reason itself. The site on which this issue focuses is Castalia, the fictional province imagined by Hermann Hesse in The Glass Bead Game (1943). Set in Central Europe some five hundred years in the future, ...
Cover art
PublisherUrbanomic2014
In an epic trawl through the heroic narratives of Hollywood action movies, TV crime drama, and their maverick protagonists, from The Maltese Falcon to Dexter via 24, Amanda Beech explores the depiction of law, violence, and the politics of contingency, and asks what the resolute actions of these heroes have to tell us about conceptions of the political force of culture.
Cover art
PublisherUrbanomic2009
In this 2009 conversation, artist Amanda Beech introduces her work, and discusses the relation between image, critique, and political agency in contemporary art, theory, and popular culture.
Cover art
PublisherUrbanomic2010
In this panel discussion held as part of The Real Thing at Tate Britain in 2010, participants explore the aesthetic, political, and philosophical questions raised by Speculative Realism
Cover art
PublisherUrbanomic2015
In this episode of Urbanomic’s Yarncast series, artist Amanda Beech discusses the compelling power of crime fiction, TV shows and movies, the materiality of language and image, and how her video work interrogates the subject-positions and theories of knowledge and power embedded in these popular narratives.

We use cookies to improve your experience on our site. Read our privacy policy to learn more. Accept

Join Our Mailing List