Kimberly Bradley

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This document in front of you is the result of a conversation over lunch, which took place in the early days of Corona in Berlin. Back then, we were simply wondering: in a time in which people are, either by policy or good faith, forced to restrict their spatial radius of interaction to a bare minimum, how do we actually deal with food? Not only in the sense of what we choose to eat conceptually, but how we choose it, literally. Where do we get it, how do we prepare it, and what does something essential like food mean to ...
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PublisherHatje Cantz2020
For quite some time now, ethnographic museums in Europe have been compelled to legitimate themselves. Their exhibition-making has become a topic of discussion, as has the contentious history of their collections, which have come about through colonial appropriation. Clearly, this cannot continue. That the situation can be different is something that Clémentine Deliss explores in her current publication. She offers an intriguing mix of autobiographically-informed novel and conceptual thesis on contemporary art and anthropology. Reflections on her own work while she was Director of Frankfurt’s Weltkulturen Museum (Museum of World Cultures) are interwoven with the explorations of influential filmmakers, artists ...

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