André Castro

Over 130 million images with the hashtag ‘selfie’ have been uploaded to the social media platform Instagram. In The Allure of the Selfie: Instagram and the New Self-Portrait, Brooke Wendt examines the significant hold that the ‘selfie’, or the digital self-portrait, has over self and society. Media theorist Vilém Flusser observed that society could become programmed to snap pictures for the sole benefit of cameras, as though under a ‘magical spell’, if photographs continued to be undecoded. Wendt examines this magical spell by analyzing users’ self-portraits on Instagram, one of the most popular contemporary platforms for image production. Marshall McLuhan’s reframing of ...
Privacy, copyright, classified documents and state secrets, but also spontaneous network phenomena like flash mobs and hashtag revolutions, reveal one thing – we lost control over the digital world. We experience a digital tailspin, or as Michael Seemann calls it in this essay: a loss of control or Kontrollverlust. Data we never knew existed is finding paths that were not intended and reveals information that we would never have thought of on our own.  Traditional institutions and concepts of freedom are threatened by this digital tailspin. But that doesn’t mean we are lost. A new game emerges, where a different set of rules ...
Richard Barbrook and Andy Cameron’s The Californian Ideology, originally published in 1995 by Mute magazine and the nettime mailinglist, is the iconic text of the first wave of Net criticism. The internet might have fundamentally changed in the last two decades, but their demolition of the neoliberal orthodoxies of Silicon Valley remains shocking and provocative. They question the cult of the dot-com entrepreneur, challenging the theory of technological determinism and refuting the myths of American history. Denounced as the work of ‘looney lefties’ by Silicon Valley’s boosters when it first appeared, The Californian Ideology has since been vindicated by the ...
MoneyLab is part of a global movement that demands the democratization of the design of our financial futures. Audacity is essential in times of crisis. And so we must engage constructively with hackers, entrepreneurs, and other creators who take up the call for economic alternatives. One first step is a map of the present: What works and what doesn’t? What is worth pursuing and what must be left aside? Which histories bear on the present moment? And what are the limits of our economic imagination? The MoneyLab Reader brings developments in crowdfunding, currency design, technologies of payment, and other economic ...
The Personal Portable Library in its most simple form is a hard drive or USB stick containing a large collection of e-books, curated, archived and indexed by an individual user. The flourishing of the offline digital library is a response to the fact that truly private sharing of knowledge in the online realm is increasingly made impossible. While P2P sharing sites and online libraries with downloadable e-books are precarious, people are led to an atavistic and reversalist workaround. The radical tactics of the offline: abandoning the online for more secure offline transfer. Taking inspiration from ancient libraries as copying centers ...
The Ends of the Internet is an investigation into all the reasons why the Internet, which has been with us for over thirty years, is now on the verge of disappearing. Originally conceived as a space of freedom, the Internet has become the world’s largest panopticon and freedom of expression is subject to surveillance and supervision on an unprecedented scale. The utopian theories of collective intelligence have been undermined by a growing tendency towards commercial exploitation. A small group of companies profit from the majority of online activities. Even the robustness of the Internet itself is now at stake, with ...
PublisherLiverpool Biennial2016
The noisy buzz of the mains electricity power supply has been one of our urban environment’s most persistent background noises. One day in 1996 Dr Catalin Grigoras realised that the electricity wasn’t just making noise, but in fact singing… The UK national electrical grid delivers power across the country. This mains power supply makes a constant humming sound, yet there are tiny changes to the frequency of this sound every second. Most recordings made in the UK have a trace of mains hum on them and this can be forensically analysed to determine the time and date they were made, and ...

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