Jodi Dean

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Capital at the Brink reveals the pervasiveness, destructiveness, and dominance of neoliberalism within American society and culture. The contributors to this collection also offer points of resistance to an ideology wherein, to borrow Henry Giroux’s comment, “everything either is for sale or is plundered for profit.” The first step in fighting neoliberalism is to make it visible. By discussing various inroads that it has made into political, popular, and literary culture, Capital at the Brink is taking this first step and joining a global resistance that works against neoliberalism by revealing the variety of ways in which it dominates and ...
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Publishere-flux2020
It’s yet uncertain what the lasting legacy of 2020 will be. “The tradition of the oppressed teaches us,” Walter Benjamin wrote in 1940, “that the ‘state of emergency’ in which we live is not the exception but the rule.” We already know that in the US, the summer of 2020 will be remembered for its sustained state of emergency, when we emerged from stratified isolation and convened, in the millions, in the streets to affirm that black lives matter, that black breath is stolen at an overwhelmingly higher scale by the pandemic and by the largely extralegal military organization known ...
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Publishere-flux2012
When Hurricane Sandy tore through the Eastern US on the eve of the presidential elections, it seemed that a certain fatigue had found a strange mirror image in the libidinal force of completely absurd weather patterns, that a tired resignation to a lack of options in the political sphere had actually mutated into an apocalyptic revolution in the atmosphere. It was as if a negative omen had come with the prospect that the next global insurgency could arrive by way of non-human forces altogether—totally external to markets, but also to people… Editorial Julieta Aranda, Brian Kuan Wood, Anton Vidokle Emancipation of the Sign: Poetry ...
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Publishere-flux2016
The choice of cover image for this issue of e-flux journal came down to two photos: a decrepit military airplane lingering in a remote gray field, evoking long forgotten battles of a distant war; and a picture of a DIY christmas tree, cheerfully constructed from a stack of worn car tires and painted lime green. The airplane was the more haunting of the two images, yet with all that is happening around us, we wanted to resist the sublime spectacle of decimation and consider some modest proposals about how affect, art, humor, and practical resourcefulness can provide solutions to seemingly ...
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Publishere-flux2017
Imagine a big roll call. Names of nations, creeds, and genders are called out. Everyone is supposed to join their kin. Several hours later the crowd is all divided up into groups and subgroups, all neatly arranged on a large grid. There is just one person left. And this person says, “Sorry guys, I’m with the universe. Where do I go?”… Editorial—“Strange Universalism” Hito Steyerl, Julieta Aranda, Brian Kuan Wood, Stephen Squibb, and Anton Vidokle Only Intelligent Planning Can Save Us Boris Buden and Darko Suvin The Color of Women: An Interview with YPJ Commanders Dilovan Kobani, Nirvana, Ruken, and Zerin Hito Steyerl and Rojava Film ...
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PublisherWhere2014
Where 5 began with a proposition that Tyler Coburn write a speculative press release for an exhibition he would have enjoyed – but one that nevertheless did not exist. Where took the theme of Coburn’s imagined exhibition and produced three experiments. For the first, Where opened its shipping container “to anyone, to do anything” from September 12 – October 12, 2014. For the second, Where initiated a handwritten letter campaign to established commercial galleries. For the third, Where organized a dinner at one such gallery, David Lewis, entirely comprised of edible parasites. The theme and speculations proposed in Coburn’s press release were ...

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