Harm van den Dorpel

Cover art
The year is 2250. The colony on the Moon is divided into debaucherous fascists and an underclass of mutants born without genitals. Follow Frank and Gerry, two mutant bros. By day, they’re forced to salvage through the remains of a porn-filled shuttle that crashed on the Moon’s dark side. By night, they plot their revenge.
Cover art
PublisherLink Editions2011
The last decade has seen an incredible growth in the production and distribution of images and other cultural artefacts. The internet is the place where all these cultural products are stored, classified, voted, collected and trashed. What is the impact of this process on art making and on the artist? Which kind of dialogue is going on between amateur practices and codified languages? How does art respond to the society of information? This is a book about endless archives, image collections, bees plundering from flower to flower and hunters crawling through the online wilderness.
Cover art
PublisherLink Editions2017
The first art movement to use collage to collapse together images and ideas, Dada also pioneered concepts, ideas, approaches and modi operandi that were later transfused into contemporary digital tools, becoming commonplace in the digital environment. To celebrate DADA 100, from 5 February 2016 to 5 February 201 7 the online platform and collaborative project Dadaclub.online shared high quality digital copies of original Dada artworks and magazine covers, inviting artists from all over the world to use them in their work. This book documents the project, presenting 148 remixes produced and shared by participants. Dada is nothing, enjoy Dada!
Cover art
By inserting the work of contemporary artists into global channels, E-State Realisms identifies the absence of critical contemporary art in the viral domain. Here artists are dealing critically with and not about the digital/IRL landscape. They are active players in the systems they critique. The neoliberal deregulation of capital as a state of exception exemplifies how corporations are currently privileged at the expense of citizens. Similar to offshore tax avoidance, the neoliberal art market stages artwork as a temporary home for accumulated wealth. This conflation places the voice of critique in a murky position. In order for Art to theoretically ...
Cover art
PublisherSchinkel Pavillon2018
The explosion of interest in cryptocurrencies and distributed computing since Bitcoin’s emergence in 2009 has led to experiments in alternative governance structures, financing, and peer-to-peer networking. This shift has seeded a cultural conversation that has inspired great creative production on both sides of the traditional ars/techne divide. Staged in the Schinkel Klause – the Schinkel Pavillon’s labyrinthine lower floor and a former GDR restaurant – this exhibition brings together works engaged with the culture around Bitcoin and blockchain, entertaining crypto as a possible new infrastructure for money, computing, and organizing. This includes artwork made by crypto builders, crypto experiments built by ...

We use cookies to improve your experience on our site. Read our privacy policy to learn more. Accept

Join Our Mailing List