Chris Evans

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PublisherThe Serving Library2012
This issue doubles as a catalog-of-sorts to Ecstatic Alphabets/Heaps of Language, a group exhibition curated by Laura Hoptman at The Museum of Modern Art, New York, from May 6 to August 27, 2012. It is a *pseudo*-catalog in the sense that, other than a section of images at the back, it bears no direct relation to the works in the exhibition. Instead, the bulletins extend in different directions from the same title, and could be collectively summarized as preoccupied with the more social aspects of Typography. In this way we hope to throw some *glancing* light on the exhibition. For ...
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PublisherThe Serving Library2015
Issue #9 tackles all manner of SPORTS. It kicks off with a commentary on New England Patriots controversial Quarterback Tom Brady in view of Ancient Greek ideas of heroism, and ends with seminal Liverpool FC manager Bill Shankly’s 1975 interview with Prime Minister Harold Wilson on the radio. In between, the issue slaloms around bodybuilding, bridge, ice hockey, tennis, darts, golf, reporting, running, drugs, rock climbing, basketball, and Pong.
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Newly published by ROMA Publications in a yearly format, this inaugural issue of The Serving Library Annual is realised in collaboration with Public Fiction, a journal and exhibition-maker based in Los Angeles. Public Fiction’s next project, which runs broadly concurrent to this new Annual’s lifespan, is named The Conscientious Objector — a multifaceted endeavour commissioned by West Hollywood City Council that unfurls in parts from September 2017 to April 2018. These bulletins have been conceived as one part: they deal with acts of civil disobedience and other forms of resistance, particularly in view of the relationship between entertainment and power. Contributors ...
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This year’s Annual is published in tandem with a long-term installation of The Serving Library’s collection of (mostly) framed objects at 019, an artist-run exhibition, performance and work space in a former welding factory in Ghent, Belgium. Apparently, the sole common denominator of the objects in the collection — which range from paintings, photographs, and record sleeves, to a can of green paint, a German car license plate, and an ouija board — is to have appeared as illustrations in an issue of The Serving Library Annual or one of its immediate antecedents, Bulletins of The Serving Library or Dot Dot ...

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