Irena Haiduk

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PublisherIrena Haiduk2013
Two figures go out into this world and traverse it: the explorer and the imposter. The explorer stands on terra firma, surveying the horizon that magnetically pulls him. Sometimes Fernweh (in German, “yearning for the faraway”) produces an explorer who never returns, but his traveling is still made possible by the knowledge that he could return at any time. The image of the explorer appends a few basic corollaries to the nature of the Western image and the way it renders history. This Western image is weightless, infinitely thin, hovering above everything, including history. It is reproducible on all channels, ...
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Archive pipe := 1996, December 31 Voice graft := Darby English Begin deposition Oral Report := tDLya00Ona4uTT Retrieval grounds := 2170 pollutant event Execute := Repressor cell for currency fetish in biotic slice
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PublisherYugoexport2013
An 80 point manifesto on polite art. Like every intimate dinner party, Bon Ton Mais Non requires one symphony orchestra, a pastry chef, a large mirror, and the fact of cannibal sirens. Second edition in print is available for purchase here.
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January 1st, 2021 marks the beginning of the Initiative for Trade Aesthetics (ITA), a long-term collaboration between Kunst Halle Sankt Gallen and the oral corporation Yugoexport. ITA kicks off with a publishing campaign grounded in an economic studio. By Fall 2021 ITA will publish the second collection of Irena Haiduk’s written work Studio Feelings as well as selections from her novel All Classifications Will Lose Their Grip. Jan 1, 2021: tDLya00Ona4uTT Winter Time Tale (from All Classifications Will Lose Their Grip) Feb 2, 2021: Dramatis Personae: Medusa (Studio Feelings End Papers Front) Mar 8, 2021: Carrier (Studio Feelings End Papers Back) Aug 12, 2021: Dream ...

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