Momoyo Homma

PublisherThe Funambulist2014
This discussion with Momoyo Homma about the work of artists/poets/philosophers/architects Arakawa (1936-2010) and Madeline Gins (1941-2014) took place in the Reversible Destiny Lofts Mitaka where the Tokyo part of the Arakawa/Gins office is situated. We begin by introducing their work through a biographic approach, then through our interpretations of the manifesto “We Have Decided Not to Die,” which fuels the creative process of the five architectural projects built in Japan and in the United States, as well as the multitude of non-built ones. We conclude the conversation by describing the space around us, one of the Reversible Destiny Lofts: its bumpy floor, its sphere ...
We have decided that the key notion emerging from this collection of texts should be political usefulness. Much more than convincing a liberal audience of the urgency of the political struggles showcased throughout these pages, our number one ambition consists in producing something useful, if not operative, for those who are fighting “on the ground.” This is why we tested this notion of usefulness by inviting twenty regular readers (many of whom are also contributors) of The Funambulist to pick one text in our first 22 issues that appears to them as being particularly politically useful, and to explain it ...

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