Sara Kaaman

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PublisherArteleku2009
Unlike any other form of music, improvised and noise music, nonetheless exists in capitalism. Since we cannot accept that noise or improvisation is by default anticapitalist music, then we need to look more closely at those resistances and tensions this music carries within itself – where it provides potential tools for capitalism and where it supplies means for getting out of it. This item is publicly available as part of the Library Stack Northampton Branch, and through NN Contemporary Art.
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Maryam Fanni and Sara Kaaman, are two thirds of the design collective MMS, along with Matilda Flodmark, collaborating since 2012 on investigations and writings on visual culture, graphic design, and historiography from feminist perspectives. MMS recently published Natural Enemies of Books: A Messy History of Women in Printing and Typography. In this episode, Jarrett is joined by Maryam and Sara to talk about the book, the ideas behind MMS, and seeking a more expansive view of design history and practice.
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Urgency Reader is a quick assembling of texts, risograph printed in Pawtucket, RI, and bound as a book at the last minute to launch at the Odds and Ends Art Book Fair at Yale University Art Gallery on December 6, 2019. Suggested topics from the open call included ⊹urgency, ⊹craft ⊹queerness ⊹gender ⊹transformation ⊹kinship ⊹race ⊹survival ⊹post-apocalyptic practice ⊹futurity ⊹pedagogy ⊹surveillance capitalism ⊹death of capital ⊹radical publishing ⊹decolonization ⊹augmentation ⊹resistance ⊹sci-fi ⊹collective care ⊹joy Inspired by Omnibus News #1 (1969), Assembling (1970–87), and other assembling publications, Urgency Reader is an experiment in publishing as a gesture of call and response: the ...

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