Adam Longenbach

Cover art
PublisherThe Avery Review2017
Shelby Doyle and Leslie Forehand argue for the “spinster” as a figure of feminist digital craft; Adam Longenbach surveys the “sixth façade” and the architecture of the aerial view; Shota Vashakmadze contemplates the sod house on the prairie; and Joseph M. Watson asks the question of who Frank Lloyd Wright’s “Usonia” was designed for.

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