Project Projects

PublisherSALT2015
Becoming Istanbul is a critical dictionary exploring the problematics of Istanbul. Made up of 152 entries focusing on transformations to the city, clichés used by observers to evaluate these transformations, and commonplace complaints and conditions, Becoming Istanbul invites the reader to question and critique popular discourses. This collection of original writings, seeking to examine Istanbul from different perspectives, has brought together a diverse selection of writers, including architects, musicians, urban planners, orchestral conductors, activists, sociologists, economists, film critics, authors, museum directors, geographers, reporters, anthropologists and historians.

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PublisherCCIndex
Contemporary Culture Index is divided into two sections. CCIndex infoweb provides an introduction to ccindex’s operations. Please access to find accretive information about the contents and periodicals indexed in ccindex’s database. CCIndex database is an online, open-access bibliographical database indexing international journals and periodicals. Areas covered are architecture, art, cinema, cultural studies, design, literature, music, philosophy, social sciences and photography.   This entry was included in Library Stack as part of a collection by Howie Chen.

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The e-publication Decolonising Archives aims to show how archives bear testimony to what was, even more so than collections. Archives present documents that allow one to understand what happened and in which order. Today Internet technology, combined with rapid moves made on the geopolitical chessboard, make archives a contested site of affirmation, recognition and denial. As such, it is of great importance to be aware of processes of colonialisation and decolonisation taking place as new technology can both be used to affirm existing hegemonic colonial relationships or break them open.

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Decolonising Museums is the second thematic publication of L’Internationale Online; it addresses colonial legacies and mindsets, which are still so rooted and present today in the museum institutions in Europe and beyond. The publication draws from the conference Decolonising the Museum which took place at MACBA in Barcelona, 27-29 November 2014 (among the contributors to this thematic issue, Clémentine Deliss, Daniela Ortiz and Francisco Godoy Vega participated at this seminar), and offers new essays, responding to texts published on the online platform earlier this year.

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The implications around climate change have far-reaching consequences but they can also have far-reaching benefits. The e-publication Ecologising Museums explores how museums and cultural institutions can face the issue not only head-on, but from all angles. To what degree are the core activities of collecting, preserving and presenting in fact attitudes that embody an unsustainable view of the world and the relationship between man and nature?

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PublisherSALT2016
The story of this publication goes back to a much earlier idea, that of preparing a booklet on Gülsün Karamustafa’s artistic practice in the context of the 3rd International Istanbul Biennial. The scope of the text, written by Deniz Şengel, was developed in 1992-1993 in collaboration with the artist. However, this work, prepared with meticulous attention to detail, was never published in book form. The project was revived for A Promised Exhibition held at SALT in 2013-2014, and the book has now been transformed into an e-publication that remains faithful to the structure prepared many years ago by Şengel, who passed away ...

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The importance of women’s rights have sprung up in movements across the globe in the past few years, exacerbated by increasing social, environmental, technological and political polarities. Feminisms is the sixth in a series of online publications published by L’Internationale Online. This publication examines how women, or those who identify as female have been addressing not only inequalities – in reproductive rights, sexual rights, and in the right to equal pay – but also how plural feminisms have been and are being consistently re-thought, and how art museums can work with and respond to issues surrounding women’s rights. Feminisms play a crucial ...

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PublisherSALT2015
For the first time in the forty years that have passed since its formation, the experience of the Global Tools counter-school has been brought together in book form, uniting the images and archive documents that were produced over the few short years of its existence. This volume is compiled to chronicle and evaluate the three years of seminar activity that took place between Florence, Milan and Naples in the early 1970s, bringing to a wider audience the story of this tentative attempt to realize an experimental dispersed educational program that would serve as an alternative to the university as an ...

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PublisherSALT2013
It Was a Time of Conversation is an archive and research project. It revisits the story of three exhibitions that took place in the first half of the 1990s in Turkey: Elli Numara: Anı Bellek II [Number Fifty: Memory/Recollection II], GAR [Railway Station] and Küreselleşme–Devlet, Sefalet, Şiddet [Globalization–State, Misery, Violence]. In 2012, SALT visualized the research in the form of an exhibition at SALT Galata in the Open Archive. This was followed by a more developed presentation of the exhibition at SALT Ulus in 2013. This publication, prepared in parallel with the exhibition, brings together texts by Ali Akay, Selim Birsel, Burak ...

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PublisherRivet2014
An exquisite corps text by Sara Nadal, Dushko Petrovich, Prem Krishnamurthy and Rivet. Made as third component of Hitting it off. Supported by ICI. (winter 2014)

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For many politicians and policy experts, ‘peace’ is a poorly defened word that has many meanings in different contexts. With this in mind, the Perpetual Peace Project brings various disciplines and communities together to explore 21st century international priorities and prospects for reducing geopolitical conflict. Organized around Immanuel Kant’s foundational essay ‘Perpetual Peace: A Philosophical Sketch’ (1795), the project nds its public form in a series of initiatives including symposia, exhibitions, a film, and this blank book that has been designed with your participation in mind. Kant’s text takes the form of an international treaty exploring the possibility of permanent peace ...

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PublisherSALT2013
Sarkis and “When Attitudes Become Form” is an oral history project by curator and art critic Nazlı Gürlek. It presents a compilation of three interviews conducted with Sarkis at his studio in Villejuif, Paris on three separate occasions in January 2011 and December 2012. The text is accompanied by photographs from the personal archive of the artist. Taking as its starting point the 1969 exhibition entitled When Attitudes Become Form, the publication creates a critically and intellectually fertile ground where Sarkis’ thought processes of the 1960s can be understood as part of the relationship between art and transformed production and exhibition ...

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The editorial board began discussing this e-publication in the aftermath of summer 2015. The decision to put together this fifth edition, titled “Subjects and Objects in Exile”, was prompted by the many tragic displacements, fates and deaths of those seeking asylum in Europe and elsewhere. These enforced mass exiles are the result of civil wars in Syria, Iraq and Afghanistan. The appalling and dehumanising management by European powers is having worrying economic, cultural, political and juridical implications. In this publication, we would like to address what has come to be called, not un-problematically we would argue, the European “refugee crisis”. ...

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PublisherInventory Press2015
This supplement to The Electric Information Age Book reproduces two rare interviews conducted by Steven Heller and Abbott Miller with graphic designer Quentin Fiore, the designer/co-author of The Medium is the Massage and War and Peace in the Global Village, in addition to a reprint of Fiore’s 1969 collage essay “The Future of the Book.”

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March 31, 1998: New York. Carlos Basualdo and Hans-Ulrich Obrist found the digital forum Union of the Imaginary (VOTI) in a meeting with Jordan Crandall. Later in the year Susan Hapgood is invited to help run the VOTI platform. Initially established as a permanent forum for the discussion of issues pertaining to curatorial practice in the context of contemporary society, over fifty arts professionals were invited to contribute to the forum by participating in themed conversations. This e-publication gathers together hundreds of e-mails mainly sourced from Robert Fleck Archives, Lannion; and Wolfgang Staehle, Walter Palmetshofer and Max Kossatz of The Thing. There ...

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