Sal Randolph

Many or most of the objects in the Library would be impossible to replace already, just a few years after they were made. Some were singular, or in editions of two or ten copies, others were print on demand but from sites and situations that have already disappeared. The Library is a document of a moment and a sensibility that seems simultaneously contemporary and historical—just by being gathered in this way, the manifold and subtle affects and design choices gather force and become expressive of a period. As I held the books I felt them slipping out of my grasp. ...
Urgency Reader is a quick assembling of texts, risograph printed in Pawtucket, RI, and bound as a book at the last minute to launch at the Odds and Ends Art Book Fair at Yale University Art Gallery on December 6, 2019. Suggested topics from the open call included ⊹urgency, ⊹craft ⊹queerness ⊹gender ⊹transformation ⊹kinship ⊹race ⊹survival ⊹post-apocalyptic practice ⊹futurity ⊹pedagogy ⊹surveillance capitalism ⊹death of capital ⊹radical publishing ⊹decolonization ⊹augmentation ⊹resistance ⊹sci-fi ⊹collective care ⊹joy Inspired by Omnibus News #1 (1969), Assembling (1970–87), and other assembling publications, Urgency Reader is an experiment in publishing as a gesture of call and response: the ...
Urgency Reader 2: Mutual Aid Publishing During Crisis began with a 10-day open call that was announced on March 18, 2020 in response to the COVID-19 pandemic. The call for work was motivated by two desires: 1—to collectively document some of the extraordinary conditions, dynamics, and emotions being experienced while in quarantine, and 2—to provide some relief to artists and writers impacted by the crisis, in both creative and monetary forms. How might publishing as artistic practice embody communal care? More than 100 artists and writers submitted work, mostly generated during quarantine. Contributors were compensated a total of $2,295, using funds from ...

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