Mariana Silva

Publishere-flux2019
The seventy-two dimensions of the universe are represented in a single vertebrate body: a snake coiled in a continuous circle, biting its own tail. This symbol was etched within The Enigmatic Book of the Netherworld, on the second shrine of a young king, Amen-tut-ankh, who, before he ascended, was once called Tutankhaten—the living image of Aten, the sun. The circled snakes (one rings around an etching of the mummified pharaoh’s head, the other around the feet) depict a confluence of the gods Ra and Osiris, light and death eternally returning, swallowed and reborn and always encircling night into day. Some historians ...
Publishere-flux2019
As we study the foundations of what we think we know, we might ask: What do we truly know? Mussolini’s regime banned not only words but five entire letters of the alphabet. In 2018, both “immortality” and “migration” were blocked indefinitely in web searches in China. How many letters or words, or even numbers, have been banned in the past? And among those, how many were never remembered again? In this issue of e-flux journal, Nikolay Smirnov examines the historical left-wing, Marxist splinter of Eurasianism and its merits in the face of contemporary neo-Eurasianist figures who have turned it towards nativist ...
Publishere-flux2019
In this issue of e-flux journal, Nikolay Smirnov examines the historical left-wing, Marxist splinter of Eurasianism and its merits in the face of contemporary neo-Eurasianist figures who have turned it towards nativist and right-wing agendas. Also in this issue, Khaled Saghieh, in the first essay of a series guest-edited by Marwa Arsanios, recounts the postwar intellectual debates of the 1990s in Beirut as a war of and on memory. A whole city can shift. The memory of what was, or what wasn’t, becomes an intellectual battlefield.
Publishere-flux2019
Defining the future is not easy. As we at e-flux journal look simultaneously backward and forward over our ten years of publishing, we wonder what lies ahead. This is issue #99 of the journal. Since we started with issue zero, this is actually our hundredth issue, amounting to nearly a thousand essays. Thinking ahead can be tricky, because the future always harbors a hidden object. Time does not move in one direction; it is not only the period we think we’re living in. Looking sideways, backward, at multiple shared timelines at once, we plan and we think ahead—but ahead of what? The restoration ...
PublishersSternberg Presse-flux2010
If all things in the world can be considered as sources of aesthetic experience, then art no longer holds a privileged position. Rather, art comes between the subject and the world, and any aesthetic discourse used to legitimize art must also necessarily serve to undermine it. Following his recent books Art Power and The Communist Postscript, in Going Public Boris Groys looks to escape entrenched aesthetic and sociological understandings of art—which always assume the position of the spectator, of the consumer. Let us instead consider art from the position of the producer, who does not ask what it looks like ...
Inhabitants is an online channel for exploratory video and documentary reporting. We produce and stream short-form videos intended for online distribution, with each episode focusing on a different topic. We have collaborated with institutions such as Haus der Kulturen Der Welt and the Max Planck Institute for the History of Science (Berlin), Museu Colecção Berado (Lisbon), Contour8 biennale (Belgium), and are currently collaborating with TBA21 for a video series on Deep Sea Mining. We are actively engaged with both artists and political agents on the ground, and are open to any inquires and suggestions. Our videos are free and intended for ...
Inhabitants is an online channel for exploratory video and documentary reporting. We produce and stream short-form videos intended for online distribution, with each episode focusing on a different topic. We have collaborated with institutions such as Haus der Kulturen Der Welt and the Max Planck Institute for the History of Science (Berlin), Museu Colecção Berado (Lisbon), Contour8 biennale (Belgium), and are currently collaborating with TBA21 for a video series on Deep Sea Mining. We are actively engaged with both artists and political agents on the ground, and are open to any inquires and suggestions. Our videos are free and intended for ...
PublishersSternberg Presse-flux2012
The internet does not exist. Maybe it did exist only a short time ago, but now it only remains as a blur, a cloud, a friend, a deadline, a redirect, or a 404. If it ever existed, we couldn’t see it. Because it has no shape. It has no face, just this name that describes everything and nothing at the same time. Yet we are still trying to climb onboard, to get inside, to be part of the network, to get in on the language game, to show up on searches, to appear to exist. But we will never get ...
PublisherHalmos2015
“You who listen to me are in a better position to judge about the French Revolution than I am. Your descendants will be even in a better position than you, for they will learn what you think I think, and yet another intermediate will be added to the chain. And in time…there will come a generation…which will see the French Revolution not as it happened, nor as they would like it to have happened, but as it would have happened, had it taken place in the days of the Machine.” E.M. Forster wrote his one work of dystopian science fiction, The ...
PublishersSternberg Presse-flux2017
It is often said that we no longer have an addressee for our political demands. But that’s not true. We have each other. What we can no longer get from the state, the party, the union, the boss, we ask for from one another. And we provide. Let’s see how need and care and desire and admiration have been cross-examined, called as witness, put on parole, made the subject of caring inquiry by e-flux journal authors since 2009.

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