Opened to almost any page, Eva Barto’s first publication, All in: An Anthology of Gambling reads as an accumulation of competing visual and textual registers. First, occupying the majority of each page, are enlarged reproductions of sixty-five texts concisely excerpted for this compendium and selected for their relevance to the notions of loss, profit, and play. Second, and indiscriminately obstinate in its placement, is the title of each excerpted book or essay placarded at the top of its respective page. This and the occasional inclusion of a bill from a publisher detailing the reproduction fee, often overlap with the facsimile ...