Chris Wu

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PublisherSculpture Center2019
Banu Cennetoğlu’s moving-image work 1 January 1970–21 March 2018 H O W B E I T Guilty feet have got no rhythm Ke iboynuzu AS IS MurMur I measure every grief I meet Taq u Raq A piercing Comfort it affords Stitch Made in Fall Yes. But. We had a golden heart. One day soon I’m gonna tell the moon about the crying game presents the totality of the artist’s visual archive from June 10, 2006, to March 21, 2018. The time span of the project is bookended by, at one end, Cennetoğlu’s engagement with The List (see pages 6–10 ...
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PublisherSculpture Center2019
In Practice: Other Objects presents new work by eleven artists and artist teams who probe the slippages and interplay between objecthood and personhood. From personal belongings to material evidence, sites of memory, and revisionist fantasies, these artists isolate curious and ecstatic moments in which a body becomes a thing or a thing stands in for a body…
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PublisherSculpture Center2020
Art has served belief for a very long time. In the wake of a vast historical trove of devotional objects, religious subject matter, pseudo-religious spectatorship, and trompe-l’oeil trickery, a broad swath of recent art based in trust, tenuous faith, or the suspension of disbelief fans out. Near the end of the last century, photo-documents asked viewers to believe that some of conceptual art’s most important gestures actually happened, while in the last twenty to thirty years works of autofiction, parafiction, and straight-up fiction have exploited our own skepticism and naivete by intentionally introducing the unbelievable into the realm of the ...
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Ming Romantic: Collected and Bound, 2nd Edition folds together reproductions of historical documents with contemporary texts to examine how Chinese typography can evolve through the use of digital tools and manipulation of form. The ebook also illustrates the design process of Ming Romantic, a display face reinterpreting a style of printed type originating in China’s Song and Ming dynasties. The typeface imagines how the character set could look when divorced from the effects of the brush. Ming Romantic comprises three sections: “Possibilities: Typographic Speciation”; “Translations—Putting It Together: Conversations about Language & Form, Ming Romantic, and It’s Our Ming”; and “Myths: Chinese ...
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PublisherSculpture Center2019
Searching the Sky for Rain came out of a series of conversations over the past decade with artists, thinkers, and colleagues on questions around representation and abstraction, identity and identification, inclusion and exclusion, visibility and non-visibility. The language used to discuss the exhibition deliberately rejected the terminology usually used by institutions to address social positions and particularities. The exhibition brings together works by artists who disregard the ways in which the art industry regulates, classifies, compartmentalizes, and essentializes difference into sanctioned categories. This multicultural “appropriation/misappropriation” is, according to Gloria Anzaldúa, “an attempt to control difference by allocating it to bordered-off ...

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