Joanna Zylinska

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2020
AI Art ultimately considers the socio-political and psycho-political stakes of redesigning the artistic apparatus, with all its production and display institutions – from art schools and artists’ studios through to galleries and festivals – for the public at large. in recognising that the reception of technological art, especially of the kind that uses or at least engages with al, requires some degree of technical competency, it asks what is being unveiled and obscured by the current artistic discourse around AI. Going beyond aesthetic experience and the sense of ‘fun’ that is often associated with technology-driven art, it considers art’s role ...
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Understanding how pasts resource presents is a fundamental first step towards building alternative futures in the Anthropocene. This collection brings together scholars from a range of disciplines to explore concepts of care, vulnerability, time, extinction, loss and inheritance across more-than-human worlds, connecting contemporary developments in the posthumanities with the field of critical heritage studies. Drawing on contributions from archaeology, anthropology, critical heritage studies, gender studies, geography, histories of science, media studies, philosophy, and science and technology studies, the book aims to place concepts of heritage at the centre of discussions of the Anthropocene and its associated climate and extinction crises ...
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Fantasies of the Library is a sequence of pages wherein the reader-as-exhibition-viewer learns, rather surprisingly—but with growing conviction—that the library is not only a curatorial space, but that its bibliological imaginary is also a fertile territory for the exploration of paginated affairs in the Anthropocene.
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Life typically becomes an object of reflection when it is seen to be under threat. In particular, humans have a tendency to engage in thinking about life (instead of just continuing to live it) when being confronted with the prospect of death: be it the death of individuals due to illness, accident or old age; the death of whole ethnic or national groups in wars and other forms of armed conflict; but also of whole populations, be they human or nonhuman. Even though Minimal Ethics for the Anthropocene is first and foremost concerned with life—understood as both a biological and ...
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PublisherFlugschriften2020
“Both embracing and eliding the experience of mediation, (video game environments stage) worldliness for us as a mobile task to explore and engage with, with our eyes, hands, brains, and bodies all participating in seeing and/as doing… Life can thus (also) be redescribed as an ongoing process of navigating between cinema and photography, with image-making becoming a mode of world-making, for gamers and non-gamers alike.”
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Photomediations: A Reader offers a radically different way of understanding photography. The concept of photomediations that unites the twenty scholarly and curatorial essays collected here cuts across the traditional classification of photography as suspended between art and social practice in order to capture the dynamism of the photographic medium today. It also explores photography’s kinship with other media – and with us, humans, as media. The term ‘photomediations’ brings together the hybrid ontology of ‘photomedia’ and the fluid dynamism of ‘mediation’. The framework of photomediations adopts a process- and time-based approach to images by tracing the technological, biological, cultural, social and political ...
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This volume gathers notable critics and philosophers to engage the predominant impasse of an emerging era of climate change and ecocatastrophic acceleration: that is, how conceptual and critical practices inherited from 20th century master-thinkers—who took no account of these emergences and logics—alter, adapt, mutate, or undergo translation at the current moment. Rather than assume that the humanities and philosophic practices of the past routed in the rethinking of language and power are suspended as irrelevant before mutations of the biosphere itself, Telemorphosis asks how, in fact, the latter have always been imbricated in these cognitive and linguistic practices and remain ...
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This binder is organized around eight topics, each offering a constellation of questions as a way to navigate our image-saturated world. The topics build on one another and shape a multidimensional perspective of photographs as objects and images, as agents of history and instigators of contemporary conversations. As imaging technologies evolve, so does our thinking around what we see—everything from a vintage black-and-white print to an image manipulated on a mobile device—and how we see. Hence, we draw on the work of artists, scholars, and teachers who urge us to look in-depth and with care, and offer myriad ways for ...

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