Following the collapse of the Soviet Union, a “global” art world began to form. Sure, there were already a number of world’s fairs and established international biennials, but this would be different. From the 1990s onward, national boundaries would dissolve, centers and peripheries would level out, and the internet would host worldwide cultural exchange. In many ways this really did happen, but some other things also happened. As people and ideas began to move across borders, money did too. Faced with an unmanageable planetary scale, capital became a more efficient regulator of flows than laws or nations. Suddenly, capital rose to become the primary form of representation and expression for the global community, and its flair for flexibility and recombination would even be mistaken as democratic, autonomous, and antiauthoritarian, sealing it in as a new form of sublime non-governance. Capital’s twin, the internet, would also democratize many scarce resources and forms of representation just as efficiently as it would mask its control by state agencies and some of the largest corporations in human history…

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