Where do artifacts go when they are destroyed? They enter a void of historical erasure, of fabricated narratives and convenient amnesia. We used to call that place a museum. But what happens when a museum is itself destroyed, when it is burned or looted, when icons and artifacts turn to dust or fall back into the hands of people? Can we still access them, and do we even want to? As Boris Groys points out in this issue:..

Editorial
Julieta Aranda, Brian Kuan Wood, Anton Vidokle

Becoming Revolutionary: On Kazimir Malevich
Boris Groys

The Insurgents, Part I: Community-Based Practice as Military Methodology
Nato Thompson

Visions of Eternity: Plastic and the Ontology of Oil
Amanda Boetzkes and Andrew Pendakis

The Bachelor Century: Single Sinners Seeking God’s Job
Jon Rich

We Are All Clitoridian Women: Notes on Carla Lonzi’s Legacy
Claire Fontaine

The Society Without Qualities
Lars Bang Larsen