By inserting the work of contemporary artists into global channels, E-State Realisms identifies the absence of critical contemporary art in the viral domain. Here artists are dealing critically with and not about the digital/IRL landscape. They are active players in the systems they critique. The neoliberal deregulation of capital as a state of exception exemplifies how corporations are currently privileged at the expense of citizens. Similar to offshore tax avoidance, the neoliberal art market stages artwork as a temporary home for accumulated wealth. This conflation places the voice of critique in a murky position. In order for Art to theoretically ...
Conversations brings together a broad range of dialogues between author Jan Tumlir and artist Jorge Pardo, which span a period of 20 years, beginning in 1999. They encompass contemporary art, design, publishing, and music, and connect the varied contexts of Los Angeles and Mérida, Mexico, where they took place. The result is a story of a unique intellectual friendship that has defined both of their thinking and practice.
Describing his work as “shaping space” Jorge Pardo has made work that moves freely across the notional disciplines of art, architecture, and design throughout his over thirty-year career. His constructions range from a ...
HOME COOKING is a digital artist-run space started in March 2020 featuring activities, movement, music, poetry, video, and more.
January 1st, 2021 marks the beginning of the Initiative for Trade Aesthetics (ITA), a long-term collaboration between Kunst Halle Sankt Gallen and the oral corporation Yugoexport. ITA kicks off with a publishing campaign grounded in an economic studio.
By Fall 2021 ITA will publish the second collection of Irena Haiduk’s written work Studio Feelings as well as selections from her novel All Classifications Will Lose Their Grip.
Jan 1, 2021: tDLya00Ona4uTT Winter Time Tale (from All Classifications Will Lose Their Grip)
Feb 2, 2021: Dramatis Personae: Medusa (Studio Feelings End Papers Front)
Mar 8, 2021: Carrier (Studio Feelings End Papers Back)
Aug 12, 2021: Dream ...
Archive pipe := 1996, December 31
Voice graft := Darby English
Oral Report := tDLya00Ona4uTT
Retrieval grounds := 2170 pollutant event
Execute := Repressor cell for currency fetish in biotic slice
A special programme series featuring exhibitions, projects, written works, performances, and set of e-dossiers marking Asia Art Archive's 15-year anniversary. The participants documented their process and each project has culminated in a set of print and download-on-demand e-dossiers.
The following was announced on the windows of a small blue house at dOCUMENTA (13):
The 60 wrd/min art critic is available. Reviews are free of charge, and are written here on Mondays, Wednesdays and Saturdays between the hours of 1 and 6 p.m. Lori Waxman will spend 25 minutes looking at submitted work and writing a 200-word review. Thoughtful responses are guaranteed. Completed reviews will be published in the Hessische/NiedersächsischeAllgemeine (HNA) weekly, and will remain on view here throughout dOCUMENTA (13).
This book collects together all 241 reviews written during the d13 performance, with an afterword by Carolyn Christov-Bakargiev.
LIST OF ARTIST ...
A children’s book on agriculture in Le Cateau brings together drawings by students from three classes at three different schools in the region to partner with Musée Matisse Le Cateau-Cambrésis, located in rural northern France.
At the invitation of Carrie Pilto, director of the museum, artist Harrell Fletcher joined by Nolan Calisch and Molly Sherman proposed instructions for children to illustrate a text on the agricultural history of the region. This book traces the first meeting between these artists and the inhabitants of Le Cateau and its environs, beginning a series of participatory projects initiated by Musée Matisse Le Cateau-Cambrésis.
Made on ...
A Disagreeable Object brings together 20 artists who employ and borrow from the methods and artistic practices that the Surrealists developed in the first half of the century. This is not an exhaustive survey, nor an attempt to re-consider our understanding of Surrealism as an historical movement. Rather, the exhibition offers a view of contemporary sculpture identifying influences and attitudes that have filtered through decades of cultural production. The works in A Disagreeable Object respond to a decidedly contemporary context…
As the physical world degrades and so corrodes the credibility of institutions that enable consumption, the status quo in the global north goes virtual. Within a short time, we’ve witnessed a rapidly increasing capacity to design, simulate and conjure a virtual perception of reality with exactitude and definition. Our ability to simulate reality has come to match our ability to record it. We’re able to simulate and produce a photographic image of an object without any need for the object itself. The same goes for retouched images and the act of retouching. As a result, images no longer need to ...
Fokus Grupa is an artist collective based in Rijeka, Croatia, founded by Iva Kovač and Elvis Krstulović in 2009. Borrowing their name from a contested research method, used equally for independent research as for PR purposes, they point to the social, economical and political frames of the art field. Their practice is collaborative and interdisciplinary, and it includes art, design and curating. Artistic strategies they use take political shape, without becoming a representational form of ‘political art’. Fokus Grupa concentrates on the relations between art and its public manifestations, in terms of working culture, aesthetics, and social and economic exchange values. Their work investigates ...
Invited to Stockholm in spring of 2015 to work with the graduating MA and BA students of the Royal Institute of Art on “making a publication,” the two foreign editors of A:Art (Stuart Bailey and Angie Keefer) instead found themselves swept into the death throes of a decades-old struggle between rival institutions over the current identity and possible future of a national art scene. The book is a chronological account of events that unfolded among the Academy, the art school, its students, assorted government ministries, and the Swedish press, with accompaniment from various outside texts, including Raymond Williams’ Keywords, an ...
“After Brad Troemel” (ABT) is an artist book conceived for the JstChillin exhibition “Read/Write” at 319 Scholes in Brooklyn in 2011. The book—originally published in a limited edition of 20—took as its conceptual core the characterization of artist Brad Troemel as a genius and a mastermind analyzed through the lens of conspiracy theory and amateur internet sleuthing. According to artist and writer Artie Vierkant, who wrote the introduction to this edition, ABT is not “about Brad Troemel, nor any of the myriad names or identities that are mentioned in its pages. ABT is about the construction of identity in a mediated ...
Two figures go out into this world and traverse it: the explorer and the imposter. The explorer stands on terra firma, surveying the horizon that magnetically pulls him. Sometimes Fernweh (in German, “yearning for the faraway”) produces an explorer who never returns, but his traveling is still made possible by the knowledge that he could return at any time. The image of the explorer appends a few basic corollaries to the nature of the Western image and the way it renders history. This Western image is weightless, infinitely thin, hovering above everything, including history. It is reproducible on all channels, ...
fifty five cent twix
they asked in a chorus at the lights.
how do we creepshow whe re in the money? new daddies abound. some kind of tif trick. -999999996666666
i know it’s time to true turn out around. it must be time for some kind. of refill. my period is here agin. ugh.
I’m finally running low
On marzipan Three fifty Ritter
Web based mobile app.
This sixteen page book is titled ‘Alif, after the first letter and numeral of the Arabic language, which are both written with a single stroke. The book contains a series of love poems possibly written by the seventh century arab poet Abu Nuwas, to his contemporary, the alchemist Jabir Ibn Hayyan. The poems are said to be carried out by the poet according to rigorous parameters set by the alchemist.