“While we have concerned ourselves specifically with the exploration of
fakeness in music, we readily admit that we are not experts on the matter.
In imagining our inability to reissue the gravestone of Alfred Schnittke, a
composer whose work we do not know intimately, it occurred to us to invite our Schnittke-adoring friend the composer and conductor William C. White to frame this work for our catalog. He is our first guest contributor; we thank him for his enthusiasm and attentiveness.”

—Fake Music Re-Anticipations

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