Books

Cover art for L‘Internationale Online

Series

L‘Internationale Online

Exhibition catalogs and newly commissioned essays from L'Internationale, a confederation of seven modern and contemporary art institutions: Moderna galerija (MG+MSUM, Ljubljana, Slovenia); Museo Nacional Centro de Arte Reina Sofía (MNCARS, Madrid, Spain); Museu d'Art Contemporani de Barcelona (MACBA, Barcelona, Spain); Museum van Hedendaagse Kunst Antwerpen (M HKA, Antwerp, Belgium); Muzeum Sztuki Nowoczesnej w Warszawie (Warsaw, Poland), SALT (Istanbul and Ankara, Turkey) and Van Abbemuseum (VAM, Eindhoven, the Netherlands). L'Internationale works with complementary partners such as Valand Academy (Gothenburg, Sweden) and the National College of Art and Design (NCAD, Dublin, Ireland) along with associate organisations from the academic and artistic fields. The confederation takes its name from the workers' anthem "L'Internationale", which calls for an equitable and democratic society with reference to the historical labour movement.

Cover art for Meson Press

Series

Meson Press

Meson press publishes research on digital cultures and networked media. Our open access publications challenge contemporary theories and advance key debates in the humanities of today. We combine a rigorous peer-review with hybrid formats and collaborative production methods. As a cooperative, meson press is organized in a participated setup. This allows scholars to take part in a publishing venture by academics for academics and for everyone else who is curious about theory. In the hybrid environment of today’s scholarly publishing, form follows function in a new manner. meson press books take pride in the haptic elegance of print and are designed to transfer this to a digital set-up. To ensure this, our print and digital editions have been developed in collaboration with the Berlin based book and web designers Torsten Köchlin and Silke Krieg. Meson press books are printed on-demand and distributed worldwide to be available far beyond Europe including the UK, US, and South America. Our digital editions are available for free download on the internet. To ensure the authors’ rights as well as the openness of published monographs, meson press is committed to publish under a Creative Commons CC-BY-SA license if possible. meson press is a cooperative initiated by Mercedes Bunz, Marcus Burkhardt and Andreas Kirchner, and grew out of the Hybrid Publishing Lab, Leuphana University of Lüneburg that looked into the effects of digitalization on academic communication and publishing. We are a founding member of ScholarLed, a consortium of Open Access Presses bringing together a group of scholar-led academic book publishers, and a member of the Radical Open Access Collective.

Aesthetics of the Commons

What do a feminist server, an art space located in a public park in North London, a ‘pirate’ library of high cultural value yet dubious legal status, and an art school that emphasizes collectivity have in common? They all demonstrate that art can play an important role in imagining and producing a real quite different from what is currently hegemonic; that art has the possibility to not only envision or proclaim ideas in theory, but also to realize them materially. Aesthetics of the Commons examines a series of artistic and cultural projects—drawn from what can loosely be called the (post)digital—that ...

African Cities Reader 3: Land, Property and Value

The third installment of the Reader explores the unholy trinity of land, property and value – the life force of cities everywhere. In this issue António Andrade Tomás reveals the vice and violence that permeate the act of securing land and home in Luanda; Andile Mngxitama challenges rhetoric that positions land theft in South Africa in the realm of material dispossessions and asks us to plumb deeper; Billy Kahora reflects on the state of the ‘estate’ of his Nairobi childhood; and a transformative vision for the Lagos National Theatre is presented in four conversations and seven performative pamphlets.

The Appearance of Black Lives Matter

“Police killings captured on cell-phone video or photographs have become the hallmark of United States visual culture in the twenty-first century. In this book, I examine this transformation of visual culture from the deaths of Eric Garner and Michael Brown in the summer of 2014 to the inauguration of Donald Trump in 2017. As a person designated “white” by the color line in the United States, I do so from the perspective of anti-antiblackness. I study the formation of the space of appearance, that space where we catch a glimpse of the society that is to come—the future commons or communism. ...
Cover art for Archaeology of the Digital

Series

Archaeology of the Digital

The Canadian Centre for Architecture is an international research institution and museum premised on the belief that architecture is a public concern. We produce exhibitions and publications, develop and share our collection as a resource, advance research, offer public programs, and host a range of other activities driven by a curiosity about how architecture shapes—and might reshape—contemporary life. As part of a multiyear project that includes three exhibitions on twenty-five seminal projects, the CCA and Greg Lynn are publishing a series of digital publications recording conversations with key architects. The epubs are heavily illustrated with photos, drawings, renderings, videos, PDFs and interactive 3D models.

Archivos fuera de lugar. Desbordes discursivos, expositivos y autorales del documento

En los últimos años, el lugar del documento y los archivos ha cobrado una fuerte dimensión pública y han suscitado importantes debates ético-políticos frente a aquellas posturas que los dimensionan únicamente en tanto mercancía o activo económico. De este modo, la segunda emisión del Encuentro Internacional Archivos fuera de lugar. Desbordes discursivos, expositivos y autorales del documento, realizado en el Museo Universitario Arte Contemporáneo en colaboración con Ex Teresa Arte Actual, convoca a la reflexión de diversos agentes vinculados con la práctica del archivo —desde el arte contemporáneo y otras prácticas que lo atraviesan— para exponer casos y posicionamientos concretos. Esta ...

Artists Re:Thinking the Blockchain

The blockchain is Janus-faced. On one side its traits of transparency and decentralization promise much in terms of fairness and accountability, but on the other its monetary roots born as a financial payment system, albeit grounded in open-source software, mean its implementations are often stridently capitalistic. Furthermore, those involved in its development seem to oscillate between radical ethical standpoints and reductionist technological determinism. The blockchain engenders what has been called a ‘digital metalism’1 with the ability, like a modern philosopher’s stone, to transmutate life through a distributed ledger. That such a pecuniary minded technology is being touted as a new ...

As It Once Was: The Art of Nation Building

Fokus Grupa is an artist collective based in Rijeka, Croatia, founded in 2012. Borrowing their name from a contested research method, used equally for independant research as for PR purposes they point to the social, economical and political frames of the art eld. Their practice is collaborative and inter- disciplinary, and they work across art, design and curating. Fokus Grupa concentrate on the relations between art and its public manifestations, in terms of working culture, aesthetics, and social and economic exchange values. Their work investigates the inherent power structures of the art system. To this effect, they explore its economic, ...

Bang Bros

The year is 2250. The colony on the Moon is divided into debaucherous fascists and an underclass of mutants born without genitals. Follow Frank and Gerry, two mutant bros. By day, they’re forced to salvage through the remains of a porn-filled shuttle that crashed on the Moon’s dark side. By night, they plot their revenge.
Cover art for Between Artists

Series

Between Artists

"Between Artists" is an ongoing series of books edited by Alejandro Cesarco and originally published by A.R.T. Press. They are based on artist to artist conversations. The conversation format permits a thorough and at the same time informal investigation of the artists’ practice and the larger social issues that inform it. By virtue of their clarity, personal focus, affordability, and innovative method of distribution, these books make possible the presentation of contemporary artists and their work to a wide readership. Since the first "Between Artists" books were released in 2005, they have gained a cult following, and a number of them have since become out of print.

Bread & Roses Catalog

Artists have continually questioned their status and place in society. The widespread vision of the artist as an outsider from the peripheries of social life, a utopia seeker, a celebrity selling works for millions or an erudite nonconformist who voices his or her opinions in the public debate, has spawned many myths concerning their privileges and obligations in the contemporary world. The exhibition formulates a question about the way artists define their status and position in the realm of an ever-widening economic gap: that of the possibility to reconcile dreams of social justice with the needmof artistic freedom and autonomy. At the same time, the show highlights the tension between artists’ rather ...

Capitalist Realism: Is There No Alternative?

Contributor Mark Fisher
It is easier to imagine the end of the world than the end of capitalism. After 1989, capitalism has successfully presented itself as the only realistic political-economic system – a situation that the bank crisis of 2008, far from ending, actually compounded. The book analyses the development and principal features of this capitalist realism as a lived ideological framework. Using examples from politics, film (Children Of Men, Jason Bourne, Supernanny), fiction (Le Guin and Kafka), work and education, it argues that capitalist realism colours all areas of contemporary experience, is anything but realistic and asks how capitalism and its inconsistencies ...

City as Commons

Commons is not something that just exists out there, nor is it something that is objectively present in certain resources or things. It is a relation of people with the conditions they describe as essential for their existence, collectively,” writes Stavros Stavrides, architect, activist, and author of Common Space: The City as Commons. Stavrides understands the creation, development, and maintenance of commons as a social practice that radically challenges capitalist values and hierarchical forms of social organization. Constructed in this way, urban spaces differ both from private enclosures and from public space as we know it: common spaces are permanently inviting ...

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