Contributor Tom Comitta
◯ is a supercut of all round counters found in Unicode typefaces. Composed first in the summer of 2011 and updated for this 2013 publication, ? presents these counters at 60pts and in Unicode order. The text begins with Basic Latin (0025), contains findings in the Private Use Area, and ends in the Variation Sectors Supp. Section (1F773).

Brazil

Contributor David Bennewith
Brazil is a font motivated by a tag seen on the wall of an Amsterdam fondue café toilet in 2010.

CC Accidenz Commons

Contributor Archetypo
CC Accidenz Commons was designed by Archetypo, a research and type design collective based in Germany and Chile. Archetypo designed the font under these basic premises: To establish a quality framework for a typeface based on the original design of Akzidenz Grotesk To improve the original canonic design that precedes Helvetica and optimize it for better Webfont visualizing To design a versatile text weight to be used in CC’s identity and logo, as well as in headlines, presentations, and other text applications “We wanted a new Akzidenz version with less contemporary expression,” Archetypo explained, “[while] trying to remain close with the original metal carving ...

Counter

Contributor Bryce Wilner
Counter is a font in one weight that assigns a number value to every keystroke in the order in which they appear on a U.S. Apple keyboard. Counter is available under Open Font License.

Dick Face

CIVIL WAR| HOLOCAUST|PHOTOGRAPHS BLOODY, SEVERED LIMBS PILED UP. BEAUTIFUL FOREST VIEWS, LIGHT CASCADING THROUGH THE FOLIAGE, BATHING THE SKULLS AND BONES HAPHAZARDLY SCATTERED ON THE GROUND. THE WHIPPED AND SCARRED BACK OF A BLACK SLAVE, SITTING DOWN LIKE RODIN’S THINKER. WOUNDED SOLDIERS, THEIR EXPOSED BONES MUSHROOMING WITH INFECTED, PROLIFERATING FLESH. LEVELED MAIN STREETS IN DESTROYED CITIES. POST-BATTLE LANDSCAPES WITH UNDEFINED HORSEMEN IN THE BACKGROUND, RIDING AMONG WASTED NATURE AND DEAD BODIES. THE CORPSES LAY WITH THEIR FEET BOOTLESS, THEIR ARMS AKIMBO, THEIR MOUTHS OPEN. WALT WHITMAN DESCRIBED PRISONERS OF THE CIVIL WAR: “CAN THOSE BE MEN—THOSE LITTLE LIVID BROWN, ASH ...

Dubai Font

In late April, the Emirate of Dubai announced the release of its eponymous typeface, designed in conjunction with Microsoft and Monotype, which is both openly downloadable and bundled with Microsoft Office. A strikingly generic sans-serif built for some 23 languages, the typeface is designed to be easily read on any screen, at any size. It is marketed (in the dramatic language of too-serious PR campaigns) as simultaneously urban, global, ancient and modern: it aims to synthesize Dubai’s architectural futurism with heritage characters both Latin and Arabic. Like its namesake, the Dubai font wants to be anything for everyone — the ...

Evening

Contributor Bryce Wilner
Evening is a font in one weight loosely drawn from lettering in Ian Hamilton Finlay’s book Evening Will Come They Will Sew the Blue Sail (Edinburgh: Graeme Murray, 1991). Evening is available under Open Font License.

Fälschungsershwerende Schrift

Contributor Bryce Wilner
Fälschungsershwerende Schrift is a font in one weight originally drawn by Karlgeorg Hoefer in 1978. This version is based on a specimen that was published with the essay “Fälschungsershwerende Schrift” by Benjamin Tiven.

Favorite Book

Contributor Bryce Wilner
Favorite Book is a font in one weight available under Open Font License.

Favorite Color

Contributor Bryce Wilner
Favorite Book is a font in one weight available under Open Font License.

Ferrite Core

Contributor Froyo Tam
Ferrite Core display typeface, by Froyo Tam. This Font Software is licensed under the SIL Open Font License, Version 1.1. This license is copied below, and is also available with a FAQ at: http://scripts.sil.org/OFL

Fontlab Font

Contributor Bryce Wilner
Fontlab Font is a font in one weight drawn from the default, placeholder characters in Fontlab Studio 5. Fontlab Font is available under Open Font License.

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