◯ is a supercut of all round counters found in Unicode typefaces. Composed first in the summer of 2011 and updated for this 2013 publication, ? presents these counters at 60pts and in Unicode order. The text begins with Basic Latin (0025), contains findings in the Private Use Area, and ends in the Variation Sectors Supp. Section (1F773).
bRAZIL: motivated by a tag seen on the wall of an Amsterdam fondue cafE toilet in 2010. Designed in collaboration with Bram van den Berg.
This work is licensed under an SIL Open Font License (OFL). For details see here http://scripts.sil.org/OFL
For a free printed type specimen, send a self addressed, return envelope to: Colophon, Willemsstraat 32, 1015 JD Amsterdam, The Netherlands.
CC Accidenz Commons was designed by Archetypo, a research and type design collective based in Germany and Chile. Archetypo designed the font under these basic premises:
To establish a quality framework for a typeface based on the original design of Akzidenz Grotesk
To improve the original canonic design that precedes Helvetica and optimize it for better Webfont visualizing
To design a versatile text weight to be used in CC’s identity and logo, as well as in headlines, presentations, and other text applications
“We wanted a new Akzidenz version with less contemporary expression,” Archetypo explained, “[while] trying to remain close with the original metal carving ...
CIVIL WAR| HOLOCAUST|PHOTOGRAPHS BLOODY, SEVERED LIMBS PILED UP. BEAUTIFUL FOREST VIEWS, LIGHT CASCADING THROUGH THE FOLIAGE, BATHING THE SKULLS AND BONES HAPHAZARDLY SCATTERED ON THE GROUND. THE WHIPPED AND SCARRED BACK OF A BLACK SLAVE, SITTING DOWN LIKE RODIN’S THINKER. WOUNDED SOLDIERS, THEIR EXPOSED BONES MUSHROOMING WITH INFECTED, PROLIFERATING FLESH. LEVELED MAIN STREETS IN DESTROYED CITIES. POST-BATTLE LANDSCAPES WITH UNDEFINED HORSEMEN IN THE BACKGROUND, RIDING AMONG WASTED NATURE AND DEAD BODIES. THE CORPSES LAY WITH THEIR FEET BOOTLESS, THEIR ARMS AKIMBO, THEIR MOUTHS OPEN. WALT WHITMAN DESCRIBED PRISONERS OF THE CIVIL WAR: “CAN THOSE BE MEN—THOSE LITTLE LIVID BROWN, ASH ...
In late April, the Emirate of Dubai announced the release of its eponymous typeface, designed in conjunction with Microsoft and Monotype, which is both openly downloadable and bundled with Microsoft Office. A strikingly generic sans-serif built for some 23 languages, the typeface is designed to be easily read on any screen, at any size. It is marketed in the dramatic language of too-serious PR campaigns) as simultaneously urban, global, ancient and modern: it aims to synthesize Dubai’s architectural futurism with heritage characters both Latin and Arabic. Like its namesake, the Dubai font wants to be anything for everyone — the Helvetica ...
ERNESTINE ECKSTEIN (1941–1992) was ahead of her time. As the lone Black lesbian at an early gay rights protest in front of the White House in 1965, her legacy is one of courage and unwavering resolve for the liberation of all peoples. She was a vice president and active member of the New York chapter of the Daughters of Bilitis (DOB), the first lesbian civil rights organization in the United States. She helped move the DOB away from the early homophile movement’s emphasis on medical legitimization and towards direct action in the form of protests and demonstrations which she described ...
Evening is a font in one weight loosely drawn from lettering in Ian Hamilton Finlay’s book Evening Will Come They Will Sew the Blue Sail (Edinburgh: Graeme Murray, 1991). Evening is available under Open Font License.
Fälschungsershwerende Schrift is a font in one weight originally drawn by Karlgeorg Hoefer in 1978. This version is based on a specimen that was published with the essay “Fälschungsershwerende Schrift” by Benjamin Tiven.
Ferrite Core display typeface, by Froyo Tam.
This Font Software is licensed under the SIL Open Font License, Version 1.1.
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