Artist Projects

PublisherRework2019
DE(WORK) is an installation on the Degrowth of Work. Technological development and globalisation have created an apparent decoupling of economic growth from material resource extraction. This has only been made possible by the increased abstraction of labour, and the spatial distance between sites of production and consumption. The installation, (DE)WORK, exposes the interdependencies between processes of material extraction, productive labour, and growth within the globalised economy. It presents raw data on economic and financial, environmental, and political metrics driving complex processes of deforestation as an example of material extraction – in an abstract and continuous flow, manicured live by an ...
PublisherNEWPALMYRA2015
NEWPALMYRA is: A Digital Archaeology project, collecting data from international partners, analyzing it, creating a reconstruction of Palmyra in virtual space, and sharing the models and data in the public domain. We are using digital tools to preserve the heritage sites being actively deleted by ISIS. A Cultural Development project, hosting live workshops and building a network of artists, technologists, archaeologists, architects, and others to research, construct models, and create artistic works. A Curatorial project, creating exhibitions and experiences in museums and institutions globally, celebrating the cultural heritage of Syria and the world through the lens of architecture embodying culture and power. Together with ...
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== is a work by New York based artist Matt Keegan and features newly commissioned essays, interviews between artists and editioned works. It consists of a book and five multiples by internationally known artists such as Liz Deschenes, Nikolas Gambaroff, James Richards, Kay Rosen and Erika Vogt. The ten critical texts regarding the five artists are from: – Sarah Charlesworth and Carter Mull for Liz Deschenes – Chris Kraus and Nora Schultz for Nikolas Gambaroff – Ed Atkins and Steve Reinke for James Richards – Alejandro Cesarco and Cary Leibowitz for Kay Rosen – Math Bass and John Miller for Erika Vogt The publication includes interviews by: – ...
◯ is a supercut of all round counters found in Unicode typefaces. Composed first in the summer of 2011 and updated for this 2013 publication, ? presents these counters at 60pts and in Unicode order. The text begins with Basic Latin (0025), contains findings in the Private Use Area, and ends in the Variation Sectors Supp. Section (1F773).
Publisheronestar press2008
ABOUT SENDING AND RECEIVING LETTERS Since I was very young, until my early thirties, I had serious problems in opening and reading any letters I received. Letters would stay on my table for weeks before I found the courage to open them, and during this time my sense of guilt would grow and grow. Most of the time, when I finally opened the letters, it was too late to answer them and my sense of guilt was worse than ever. I kept every single letter, from the first notes received from my mother, in I965, up to the time I left ...
Publisheronestar press2013
The following was announced on the windows of a small blue house at dOCUMENTA (13): The 60 wrd/min art critic is available. ­Reviews are free of charge, and are written here on Mondays, Wednesdays and Saturdays ­between the hours of 1 and 6 p.m. Lori Waxman will spend 25 minutes ­looking at submitted work and writing a 200-word review. Thoughtful responses are guaranteed. Completed reviews will be ­published in the Hessische/­Niedersächsische­Allgemeine (HNA) weekly, and will remain on view here throughout ­dOCUMENTA (13). This book collects together all 241 reviews written during the d13 performance, with an afterword by Carolyn Christov-Bakargiev. LIST OF ARTIST ...
Publisheronestar press2013
A children’s book on agriculture in Le Cateau brings together drawings by students from three classes at three different schools in the region to partner with Musée Matisse Le Cateau-Cambrésis, located in rural northern France. At the invitation of Carrie Pilto, director of the museum, artist Harrell Fletcher joined by Nolan Calisch and Molly Sherman proposed instructions for children to illustrate a text on the agricultural history of the region. This book traces the first meeting between these artists and the inhabitants of Le Cateau and its environs, beginning a series of participatory projects initiated by Musée Matisse Le Cateau-Cambrésis. Made on ...
A New Theory of Love — A table left in the middle of a dinner. The tablecloth wrinkled with scattered toy blocks. Fragments of a facade can be seen — interrupted, cut open and penetrated. Lampposts dot the surface — reminders of a street now emptied of cars. At the edge, a stairway is inhabited anew: a bathtub hangs from a landing, sofas are built onto a flight of steps, a television flickers. Underneath, a re- furbished entrance frays the threshold to an apartment. — Who has inhabited this common infrastructure ? What has happened to the stairway as we know ...
Publisheronestar press2009
Do you know that canvas you see in every permanent collection in every art museum around the world that has been slashed by an artist called Fontana? There are many of them, each a slightly different size, with a different length slash. When encountering them I peer through the slash to the dark shadow, ‘concetto spaziale’, adjusting my eyes to the light that reaches the gallery wall. I wonder how many canvasses Fontana slashed, and how they would look displayed from the longest to the shortest? The book aligns and extends these voids from page 1 to page 150. Daniel Eatock
Invited to Stockholm in spring of 2015 to work with the graduating MA and BA students of the Royal Institute of Art on “making a publication,” the two foreign editors of A:Art (Stuart Bailey and Angie Keefer) instead found themselves swept into the death throes of a decades-old struggle between rival institutions over the current identity and possible future of a national art scene. The book is a chronological account of events that unfolded among the Academy, the art school, its students, assorted government ministries, and the Swedish press, with accompaniment from various outside texts, including Raymond Williams’ Keywords, an ...
Printed Web Editions is a series of print-on-demand zines published by Paul Soulellis. Each zine features an individual artist’s work. All Printed Web Editions are 8.5 in. x 11 in., 72 pages + cover with a project statement by the artist. Works in the series include Molly Soda YouTube by Molly Soda, Sorry to dump on you like this.zip by Christopher Clary, Rafaël Rozendaal’s Abstract Browsing, and Clement Valla’s Three Digs A Skull.  

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