AUDIO

PublisherThe Funambulist2014
This conversation is an introduction to the research conducted by Greg Barton for his thesis at CCCP (Critical, Curatorial & Conceptual Practices) at Columbia University. This research is essentially focused on Diego Garcia island situated in the middle of the Indian Ocean, a territory that was never decolonized and remains under British sovereignty. The island hosts a US military basis that was used for its geographic location during the cold war, the first Gulf War, and now the so-called “war on terror.” Similarly to Guantanamo’s Camp Delta, a legal narrative had to be produced in order for the basis to operate ...

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PublisherThe Funambulist2014
Eve Bailey and I recorded this conversation in her studio in Crown Heights (Brooklyn) surrounded by her tools and artworks. We talk about her work that consistently engages the body to ‘conquer’ the sculptures she constructs with her own hands. We also discuss about how, despite the fact that her pieces are based on her own body, each body has a chance to appropriate them with no prejudice — their aesthetics allowing so — and eventually find a point of equilibrium, unique for each body. Toward the end of the podcast, she talks about her current research that explores association ...

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PublisherThe Funambulist2014
This discussion with Momoyo Homma about the work of artists/poets/philosophers/architects Arakawa (1936-2010) and Madeline Gins (1941-2014) took place in the Reversible Destiny Lofts Mitaka where the Tokyo part of the Arakawa/Gins office is situated. We begin by introducing their work through a biographic approach, then through our interpretations of the manifesto “We Have Decided Not to Die,” which fuels the creative process of the five architectural projects built in Japan and in the United States, as well as the multitude of non-built ones. We conclude the conversation by describing the space around us, one of the Reversible Destiny Lofts: its bumpy floor, its sphere ...

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PublisherThe Funambulist2015
This discussion with local architect Miloš Kosec about three (hi)stories of ruins in WWII Slovenia uses the structure of his Master thesis research about this topic. After an introduction about the sometimes problematic fascination one might develop for ruins, we begin our specific conversation with the example of the ruins of entire ethnic German areas in southern Slovenia emptied of their inhabitants after they were encouraged to move back to Germany by the Reich administration. The second example is found in the numerous medieval castles burnt by the partisans in their fight against the Axis in what appear to Miloš as a more ideological ...

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PublisherThe Funambulist2016
This conversation addresses an important aspect of Merve Bedir’s work (along with Jason Hilgefort at Land+Civilization Compositions) regarding the architectural and linguistic dimension of Turkish politics regarding the 2.5 million refugees the country currently “hosts” — the very notions of “host” and “guest” are the first things discussed here. Through the description of several sites of either appropriation or dispossession/detention by and of refugee bodies in Istanbul and in other regions of Turkey, we try to think of the architect’s political role and responsibility, remembering however that we must always doubt of our own actions when they have such drastic consequences. Merve ...

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PublisherRibbon Music2012
When John Maus (not to be confused with the John Maus of Walker Brothers fame) wasn’t playing keyboards for Animal Collective, Panda Bear, and Haunted Graffiti, he was writing and recording his own hermetic, experimental, and oftentimes misunderstood compositions. Drawing on artists like David Bowie, Scott Walker, and Joy Division, Maus’ swollen, distorted, and unabashedly strange debut, 2006’s Songs, was more or less reviled by any and all music critics within earshot. CMJ wrote, “It took this Ariel Pink cohort five years to write and record his debut album, and only five minutes to become more annoying than Ariel Pink.” ...

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PublisherThe Funambulist2017
This conversation was recorded with Hoda Katebi, the self-defined “sarcastic (& angry) Muslim-Iranian writer, photographer, and activist living in Chicago” behind the political fashion blog JooJoo Azad (“free bird” in Farsi) to be featured in The Funambulist 15 (Jan-Feb. 2018) Clothing Politics #2. In January 2017, a few days after the inauguration of the current U.S. President and the subsequent massive feminist protest, she wrote an article entitled “Please Keep Your American Flags Off My Hijab” about which we discuss in this interview, along with many other facets of her work with regards to clothing in relation to imperialism, capitalism ...

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PublisherThe Funambulist2017
This conversation with Myriam Dao, Nathalie Muchamad, Miki Nitadori & Ayomih intends to examine the specificity of anti-Asian in France. Although it was recorded in January 2017, it resonates with a particularly urgent echo today as, a few day ago, the French police killed Liu Shaoyo, a 56-year-old Chinese Parisian, in his own apartment, in front of his four (French) children. Far from the ‘simple’ observations of biased prejudices that characterize many conversations about racism deployed against Asian bodies, this conversation examines how this racism in France finds its roots deep into colonialism, in French “Indochina” (Viet Nam, Cambodia and Laos) of ...

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PublisherThe Funambulist2015
This conversation with two members of a relatively new whistleblowing platform — we called them Sarah and Cleo to preserve their anonymity — intends to present the latter. It allows people working on development projects in London to leak information that can be used by local inhabitant associations to organize in time their defense against their planned eviction. We discuss the platform both theoretically — the conceptual approach to disobedience will be presented in the next conversation with Elena Loizidou — and practically, through the perspective of (often young) architects working in development projects, and the ones of local associations through the workshops organized ...

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PublisherThe Funambulist2014
This podcast is the first one to have two guests, Miami-based artists, writers and editors Gean Moreno and Ernesto Oroza, for an account of their collaborative work manifested in several texts and exhibitions. This conversation focuses on their analysis of “Generic Objects” that allows the optimal function of globalized capitalism (containers, cranes, ships, highways, palettes, buckets, etc.) through a universal metric system, as well as a more local tinkering of these objects in Miami’s Little Haiti for a more local economic form. It concludes the short series of podcasts in Miami. Gean Moreno is an artist and writer based in Miami. His ...

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PublisherThe Funambulist2014
This podcast, recorded with the three founders of Demilit (Bryan Finoki, Nick Sowers, and Javier Arbona) is a precedent for Archipelago since it constitutes both a walk to examine the hyper controlled policed space of downtown Oakland and a receptacle for the echoes of Occupy Oakland that comes as interludes to our discussion. We observe objects and spaces that are produced by securitarian logic that often attempt to dissimulate their function by an aesthetic of the ordinary. Starting from Oakland City Hall where Occupy used to have its encampment, we spend the first part of the conversation around the administrative/corporate center of ...

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PublisherEditions Mego2009
Low art/high art — the culture world will have a hard time shaking off that distinction. Hecker’s artistic process on this album could be tracked down to it, too (or at least that’s what he wants us to believe): acid house on the one hand, modern composition on the other. However, his music has been working on that both-sides-of-the-fence mode from the beginning, as he has been using the raw power of electronic music in increasingly circumvoluted processes and formulas. Acid in the Style of David Tudor may be marginally easier to listen to than Sun Pandämonium or PV Trecks, ...

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PublisherThe Funambulist2016
“The definition of an ominous optimist is someone that goes through bad days in his life but is still optimistic for the future” says Mat Randol in “Ominous optimist ft. the solar system.” Such an affirmation synthesizes well the tone of this conversation with Mawena Yehouessi & Steffi Njoh Monny, respectively founder and editor-in-chief of the online platform Black(s) to the Future. In it, we discuss about the political role of science fiction and speculative visions for the African diaspora through humor and (terrestrial and extraterrestrial) gravity. Steffi Njoh Monny, as in Steffi Graf — same name, same date of birth, only twenty ...

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PublisherThe Funambulist2015
This conversation is the second one recorded live at Studio-X Amman Lab (the first one being with Rahel Aima & Ahmad Makia). Recorded with Dena Qaddumi, it attempts to propose a struggle narrative for Palestine that is not focused on Jerusalem to which many of us contribute, thus participating to a debate mostly focused on the 1967 war. By examining the spatial politics of Jaffa-Tel Aviv, Dena attempts to show that similar “ethonocratic” logic of segregation are also at work in an environment admittedly less militarized. This logic also incorporates the same capitalist mechanisms of gentrification at work in other cities ...

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PublisherBrigade Commerz2011
Original interviews with the artist. “I don’t have to know how to do a baby’s hands or a bleeding guy nailed to a piece of wood. I don’t need to know about any of this stuff. I can do mirror cubes. And that’s it. What a great idea…all I have to do is make sure they are interesting.” There is a democratising impulse in Robert Morris’ mirrored cubes. Liam Gillick’s work, however, is not a mirror of anything, but an attempt to look around the mirror. The key to this is the quality of interest and this often has to do ...

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PublisherInduction Burners2017
With Ajay Kurian and Darren Bader

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PublisherThe Funambulist2015
This conversation with Stéphanie Dadour evolves around her doctoral dissertation that studies architectural theory and practice in the end of 20th-century North America. We explore a particular chapter of this dissertation to continue a series started with Olivia Ahn and Karen Tongson, about the gendered spatial paradigm constituted by the American suburbia. Citing the works of Mary McLeod, Beatriz Colomina, Joel Sanders and other feminist/queer thinkers and architects, we address architectural elements proper to this paradigm, such as the lawn, the curtain, or the window as instances of gendered apparatuses. We conclude the conversation by examining anthropometric studies, as well ...

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PublisherThe Funambulist2015
This conversation with Fabiola López-Durán is primarily structured around her work exploring Le Corbusier’s eugenic ideology from 1925 Paris to 1941 Vichy. At a moment when many events and debates are organized around his paradigmatic work, the main critiques seem to focus on his personal political engagement and ideology without fully engaging with the work and its consequences. What Fabiola proposes in her work is to take his claims for the orthopedic power of architecture seriously, and look at the vision of society it is therefore promoting. Although Le Corbusier’s example might be canonical, her argument is that the entire modernist ...

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PublisherThe Funambulist2014
For Nikolaos Patsopoulos, the current situation in Europe is similar to the one in Russia right before the revolution and so should be the architecture that accompanies these shift of social paradigms. We discuss about the role of the architect in revolutionary movements, as (s)he has probably more to unlearn than to teach in this matter. For Nikolaos however, each body that modifies the way the built environment (in particular the street) operates politically can be called architect. We therefore spend the time to contrast these two figures sharing the same name of architect, one that contributes actively to the production of ...

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PublisherThe Funambulist2013
Each architecture that was thought as a physical implementation of private property contains already in itself the potential for containment in a legal situation like the one of quarantine. David Garcia talks about the origins of such a situation, its territorialization (lazaretto, Ellis Island etc.) as well as its application on bodies, but also on entire landscapes like in Chernobyl and Fukushima. We discuss about Michel Foucault’s definition of biopolitics through the historical example of the quarantined city that suffers from the plague, as well as David’s own architectural projects in response to the various problems tackle by quarantine. David Garcia ...

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PublisherMego2014
Articulação sees avant-garde electronic musician Florian Hecker continuing the collaborative work he began with author/philosopher Reza Negarestani on the 2012 album Chimerization. The album’s three lengthy pieces see different manipulations and the electronic processing of human voices reading texts by Negarestani that explore themes of nature and the culture man creates around it, interrupted and often side-lined by Hecker’s blasts of digital noise and skittering, computer-generated mayhem. Opening track “Hinge” features two stereo-panned readings by noted poet and sound artist Joan La Barbara, known for her groundbreaking work with the human voice as instrument. A second, much noisier track breaks ...

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PublisherSinkhole Audio2015
15 minutes, 51 seconds duration Performed by the artist and Cia Rinne, with birdsong recordings from the Tierstimmenarchiv (Animal Sound Archive) at the Museum für Naturkunde in Berlin selected by Dr Karl-Heinz Frommolt The analytical bibliographer charts the movements of books through time and space. Each copy of an edition makes its own journey, like a migrating bird. Only in the painstaking, scholarly work of bibliography is the homecoming of an entire edition possible. A copy of ‘Vögel vor der Kamera’ — birds on camera — is disbound. Artist Susanne Kriemann overprints the loose pages with large letterpress type. The letters H, O, ...

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