Essay

PublisherOUP Oxford2005
Neoliberalism—the doctrine that market exchange is an ethic in itself, capable of acting as a guide for all human action—has become dominant in both thought and practice throughout much of the world since 1970 or so. Its spread has depended upon a reconstitution of state powers such that privatization, finance, and market processes are emphasized. State interventions in the economy are minimized, while the obligations of the state to provide for the welfare of its citizens are diminished. David Harvey, author of ‘The New Imperialism’ and ‘The Condition of Postmodernity’, here tells the political-economic story of where neoliberalization came from ...
PublisherTriple Canopy2020
“A Cinder Block Falling on Concrete” consists of sounds and stories from Lawrence Abu Hamdan’s Earwitness Inventory, a personal library of sound effects related to the testimony of earwitnesses in criminal investigations. The objects in Earwitness Inventory are derived from interviews that Abu Hamdan has conducted with earwitnesses, as part of his work as a “private ear,” as well as transcripts from trials across the globe. (Multiple entries concern the reconstruction of Syria’s Saydnaya prison and the experiences of detainees, which Abu Hamdan undertook with the London-based research agency Forensic Architecture and Amnesty International from 2015 to 2017.) The library ...
A Euro Is A Euro Is A Euro: Fieldwork In European Realism appears in issue 2 of Fictional Journal (online only), and is reproduced in the PROPAGANDA pdf document. As a singular embodiment of matter and representation, the Euro-skulptur is as abstract as money, as tangible as cash. An essay and animations analyse the sculpture as a material symbol of the European Union. Euro cash is European Realism, it is a representation of things as they actually are, it is the sincere, un-idealised rendition of con- temporary life in the EU. we normally look at architecture, or more broadly at the built environment, ...
PublisherTriple Canopy2019
“How could my grandmother have made millions from the antiquated traditions and ridiculous superstitions that I’d been so desperate to abandon?” An essay on the monetization of traditional Chinese medicine and failed promises of diaspora. “Aconite, My Roots,” by Henry Zhang is part of Resentment, the twenty-fifth issue of Triple Canopy, that is devoted to reclaiming—if not recuperating—resentment, especially as harbored by those who are used to fits of anger and bitterness being indicted as unproductive, petty, selfish, even pathological.
PublisherStrelka Press2012
There are few things in urbanism today so unfashionable as the ceremonial public square. The vast, proverbially windswept plazas built under “really existing socialism” from the 1920s to the 1980s are widely considered to be useless spaces, designed to intimidate or at least impress. Yet if they are only of use to those in power, why is it they have been used so successfully in protest? From Petrograd in 1917 to Independence Square in Kiev during the Orange Revolution, these spaces have become focuses for mass protest. Beginning in Berlin’s Alexanderplatz, and taking in Warsaw, Ljubljana, Kharkov and Moscow, Owen ...
PublisherStrelka Press2012
Space is a technology. Buildings and the cities they inhabit have become infrastructural – mobile, monetized networks. For the world’s power players, infrastructure space is a secret weapon, and the rest of us are only just beginning to realize. If Victor Hugo came back to give a TED talk, he might assert that architecture, which he once claimed had been killed by the book, is reincarnate as something more powerful still – as information itself. If this space is a secret weapon, says Keller Easterling, it is a secret best kept from those trained to make space – architects. Meanwhile, ...
PublisherFall Semester2016
We have been forced to live together. We have been kindly invited to be with one another, side by side, mutually observing each other. I think we know the motives too, and recognize the consequences which have derived from forcing this collective, planetary understanding of what we are expected to be. Even so, we haven`t lost the desire to live together. To bring about this obligation, modernity led the individual to be engaged with his own identity and his own consciousness, and simultaneously, with a control of foreign powers. What we are looking at here, isn’t just the decisive disengagement with these forms ...
PublisherStrelka Press2018
AI plays a crucial role in the global cultural ecosystem. It recommends what we should see, listen to, read, and buy. It determines how many people will see our shared content. It helps us make aesthetic decisions when we create media. In professional cultural production, AI has already been adapted to produce movie trailers, music albums, fashion items, product and web designs, architecture, etc. In this short book, Lev Manovich offers a systematic framework to help us think about cultural uses of AI today and in the future. He challenges existing ideas and gives us new concepts for understanding media, ...
Ancestors and Algorithms appears online in Fictional Journal issue #2, and in the PROPAGANDA pdf document. In 2000, Dan Greaney, the writer of The Simpson’s cartoon, imagined Donald Trump as the president of the United States in the episode Bart to the Future, and he admits that the idea “was pitched because it was consistent with a vision of America going insane”1. The show creates an unimaginable scene, the embodiment of its viewer’s worst nightmare and hilarious fantasy that has since become reality…
Publisher[NAME]2017
“Police killings captured on cell-phone video or photographs have become the hallmark of United States visual culture in the twenty-first century. In this book, I examine this transformation of visual culture from the deaths of Eric Garner and Michael Brown in the summer of 2014 to the inauguration of Donald Trump in 2017. As a person designated “white” by the color line in the United States, I do so from the perspective of anti-antiblackness. I study the formation of the space of appearance, that space where we catch a glimpse of the society that is to come—the future commons or communism. ...
PublisherLink Editions2018
Digital technology has interfered in all the spheres, private, public and professional, of our society and shaped them. Artists have always used the techniques or technologies of their time to express themselves. To each appropriated innovation thus corresponds a range of works. Yet, it takes time for the art world to integrate new practices and new media. Impatient, the most fervent advocates of digital art have structured themselves into international communities by organizing dedicated events. Their practices have now matured and the public is culturally ready to welcome their creations as it already does in festivals. At the same time, ...
Napoléon was the first conqueror to “legalize” looting by forcing the vanquished to sign contracts surrendering historic art objects. The recent selling off and dispersal of the collection of Iraq Museum, was presented as the simple work of market forces, but it continues and extends Napoleonic forms of looting.

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