Exhibition Catalogs

2015
6PM YOUR LOCAL TIME (#6pmylt) is a networked, distributed, one night contemporary art event taking place simultaneously in different locations, coordinated from one central venue and documented online via a web application. The project, conceived by Fabio Paris for the Link Art Center and developed in collaboration with Abandon Normal Devices (AND) and Gummy Industries, is an OPEN FORMAT and can be used by other organizations and individual curators to set up other #6pmylt events. The Link Art Center itself organized the first two events: 6PM Your Local Time UK, curated in collaboration with AND and coordinated from Furtherfield Commons, London, involving ...

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PublisherOpen File2014
Coinciding with A Rehearsal, OUTPOST Gallery, March 2014 the publication features contributions from Maia Conran, Daniel Kelly, Fay Nicolson, Patrick Staff and Cara Tolmie alongside a commissioned text by Jamie Sutcliffe.

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Fokus Grupa is an artist collective based in Rijeka, Croatia, founded by Iva Kovač and Elvis Krstulović in 2009. Borrowing their name from a contested research method, used equally for independent research as for PR purposes, they point to the social, economical and political frames of the art field. Their practice is collaborative and interdisciplinary, and it includes art, design and curating. Artistic strategies they use take political shape, without becoming a representational form of ‘political art’. Fokus Grupa concentrates on the relations between art and its public manifestations, in terms of working culture, aesthetics, and social and economic exchange values. Their work investigates ...

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Karin Nygård, Ellef Prestsæter, Anna Prestsæter, et alMatthew Fuller, Scandinavian Institute for Computational Vandalism (SICV), Ellef Prestsæter, Karin Nygård, Institutt for Degenerert Kunst
PublisherBlaker gml. Meieri2015
THIRD REPORT Two of the protagonists of the final iteration of the exhibition project The Gutenberg Galaxy at Blaker were makers of books who have had a profound influence on the archival practice of Guttorm Guttormsgaard. They were also experts in the destruction of books. A friend of Asger Jorn (1914– 1973) once noted how the Danish artist “presented a danger to any book collection” as he used to tear out pages from books belonging to others in order to create his own. Jorn’s compatriot Rudolf Broby-Johansen (1900–1987) was also a notorious book slaughterer, leaving behind a trail of books full ...

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Fokus Grupa is an artist collective based in Rijeka, Croatia, founded in 2012. Borrowing their name from a contested research method, used equally for independant research as for PR purposes they point to the social, economical and political frames of the art eld. Their practice is collaborative and inter- disciplinary, and they work across art, design and curating. Fokus Grupa concentrate on the relations between art and its public manifestations, in terms of working culture, aesthetics, and social and economic exchange values. Their work investigates the inherent power structures of the art system. To this effect, they explore its economic, ...

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PublisherRenaissance Society2015
The Renaissance Society presents a new, site-specific installation by Gabriel Sierra, the Bogotá-based artist’s first solo show in the United States. Sierra is intrigued by the language of man-made objects and the dimensions of the spaces in which we live, work, and think. His practice employs a variety of techniques – from sculpture and spatial interventions to performance and texts – to examine how the human body functions in relation to its environment. Originally trained in architecture and design, Sierra’s work draws on the history of Latin American Modernism. His project at the Renaissance Society consists of a group of constructions to ...

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PublisherLink Editions2014
Born Digital is a benefit auction and an online exhibition made to support the activities of the Link Art Center on the online auction platform Paddle8. The event—the first with this focus taking place in Europe on this scale—includes more than 50 works kindly provided by 33 artists. For two weeks long, from April 15 to April 30, 2014, people and collectors are invited to visit the works and eventually to bid to support the artists and the organizers. The Link Art Center is the first Italian organization to collaborate with Paddle8, an online auction house that partners with non-profit organizations ...

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Artists have continually questioned their status and place in society. The widespread vision of the artist as an outsider from the peripheries of social life, a utopia seeker, a celebrity selling works for millions or an erudite nonconformist who voices his or her opinions in the public debate, has spawned many myths concerning their privileges and obligations in the contemporary world. The exhibition formulates a question about the way artists define their status and position in the realm of an ever-widening economic gap: that of the possibility to reconcile dreams of social justice with the needmof artistic freedom and autonomy. At the same time, the show highlights the tension between artists’ rather ambivalent ...

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PublisherThe Green Box2014
The comprehensive monograph “Tools and Orientations” by artist David Jablonowski is now available in the digital e-book format. Additional to a broad documentation, the e-book features video- and soundfootage that represents the media complexity of the artistic approach in its full scope. This book documents Jablonowski’s recent and early works, including his outstanding exhibition in the botanical garden of Münster in cooperation with Westfälischer Kunstverein in 2012. “Media are not making choices, humans are, but the scope of choices humans can make is determined by media.” – David Jablonowski. In his works, Jablonowski examines the surface and the evolution of contemporary communication ...

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PublishersLink EditionsAksioma2014
Curated by Valentina Tanni, Eternal September: The Rise of Amateur Culture is a group exhibition that explores the relationship between professional art making and the rising of amateur cultural movements through the web, an historical event that is triggering a big and fascinating shift in every field of culture, especially visual culture. The show includes the works of 15 authors (professionals and amateurs) and a series of special projects and collateral events taking place both offline and online.

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PublisherSternberg Press2015
This publication accompanies FUTURE LIGHT, including the exhibitions “Escaping Transparency” at the MAK Vienna, “Pauline Boudry / Renate Lorenz. Loving, Repeating” at Kunsthalle Wien as well as four off-site commissions within the framework of the VIENNA BIENNALE 2015: IDEAS FOR CHANGE (11 June−4 October, 2015).

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PublisherLink Editions2011
Produced as a catalogue for the exhibition Holy Fire: Art of the Digital Age (2008), this book is more than a simple catalogue. Along with the works of the 27 artists in the exhibition it features the editors’ essays along with a collective interview involving some of the most important representatives of the new media art world.
 Holy Fire is not a book on new media art, but an exploration of the contemporary art of the digital age, and a pamphlet against the new media art paradigm and the self-isolation in which these practices evolved in the last sixty years.
 In ...

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The exhibition “In the Heart of the Country” is the first comprehensive presentation of the international collection of the Museum of Modern Art in Warsaw. In a relatively short time—the Museum was established in 2005—the institution has acquired over 300 works. First and foremost, these are works purchased as part of the Ministry of Culture and National Heritage’s “International Collections of Contemporary Art” programme, as well as donations and temporary loans from artists, private individuals and businesses. Many of the collected works were commissioned by the Museum for its exhibitions and public projects (such as pieces by artists like Sanja Iveković, Zbigniew ...

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The intercalations: a paginated exhibition series is conceived as a curatorial-editorial space to both host and critically reflect on the collaborations among members and affiliates of the SYNAPSE International Curators’ Network of the Haus der Kulturen der Welt, Berlin, while enabling explorations of the book as a form of exhibition architecture in relation to other aesthetic practices in the Anthropocene. In addition to its function as a vehicle to document the collaborations of the SYNAPSE network, this book-as-exhibition series aims to expand the discourse of curatorial knowledge production within a broader multidisciplinary field of research and experimentation. The series gradually ...

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PublisherFridericianum2016
The origin of the word “hybrid” can be traced etymologically to two sources: Latin hybrida (mongrel, bastard) and Greek hybris(pride, arrogance). Unions between plants, human beings, animals and technologies give rise to flexible hybrids; organic and synthetic materials mutate into amorphous, indefinite beings. Neuroscience, bioengineering and science fiction enter into tacit relationships of complicity, blurring the once clearly delineated boundary between the natural and the artificial. For her first institutional solo exhibition in Germany, Anicka Yi compacts the ground floor of the Fridericianum into an expansive installation. With sculptural and video works produced specifically for the exhibition Jungle Stripe, she creates ...

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PublisherLink Editions2016
#LAYERS: the ways in which the complexity of the digital environment manifests itself. Code and interface, public and private, material and immaterial, visible and invisible; the layers in a digital image; the strata of time in the archives of digital memory. This booklet is the archive/catalogue of the exhibition REFRESH01 – #LAYERS, curated by Fabio Paris and produced by the Link Art Center, that took place at Spazio Contemporanea, Brescia, from October 22 to November 19, 2016.

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PublisherCleopatra's2010
Work by Andrei Koschmieder, Oliver Michaels and Damon Zucconi. curated by Jasmin Tsou

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Publisherdpr-barcelona2015
The Adhocracy READER, an e-Book that unfolds the issues that widens up and deepen the theoretical, historical and empirical theme of the exhibition Adhocracy ATHENS. The publication also tries to get rid from the assumption of what a catalog should be. It does not collect or list exhibited projects; but the ideas and texts which have inspired both the curators and practitioners of the selected projects. Adhocracy is a philosophy of action characterized by creative, flexible, purposeful attitude. Unlike bureaucracy and its fixed schemes, Adhocracy is adjustable to different challenges and situations. Adhocracy uses available systems in unimagined ways to face ...

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PublisherLink Editions2016
Surveillance, paranoia, invisibility & the internet How did the internet go from the utopian free-for-all, open source heaven, libertarian last frontier to the current state of permanent surveillance, exhibitionism and paranoia? This duplicity is the underlying thread that links the artists, activists, and researchers in The Black Chamber, an exhibition, a symposium, an urban intervention and a publication. Developed through ongoing research on these subjects by internationally renown artist duo Eva & Franco Mattes and researcher and curator Bani Brusadin, The Black Chamber aims at discussing the delicate and often awkward role of art and imagination in the age of mass surveillance, stressing ...

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PublisherKunsthalle Wien2015
The exhibition The Future of Memory is accompanied by an e-book, available as a free download here. The publication introduces essays by Clint Burnham, Michael Connor, and Nicolaus Schafhausen, alongside a detailed presentation of the works exhibited in the show, written by co-authors Marie Egger, Emilie Lauriola and Vanessa Joan Müller. Digital communication and virtual interlacing shape our world today and influence our collective memory. Remembering the past, experiencing the present and imagining the future all meld to become part of a seemingly equivalent imagery in digital space. The Future of Memory critically challenges constructions of reality and investigates the conditions ...

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Ellef Prestsæter, Karin Nygård, Anna Prestsæter, et alAdrian Johns, Johanna Drucker, Constant , Ina Blom, Jørn H. Sværen, José de Almada Negreiros, Sara Afonso Ferreira, Fernando Pessoa, [1 More...]
PublisherBlaker gml. Meieri2015
SECOND REPORT … but books have always been in motion. It has been argued that it was the portability of scrolls that made two nomadic tribes—Jews and Arabs—turn away from worshipping heavy images of God and instead devoted themselves to a book. Today, curiously, we tend to picture books as something heavy, something to worship in a nostalgic mode, or simply leave behind. Can we picture books differently? Exhibiting books is tricky. They tend to reduce to flat images of themselves when put inside display cases, and would rather be handled, entered, held open, paged through. In the archive kept in the ...

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PublisherSecession2014
There is something subtly mysterious about the films and photographs of the Danish artist Ulrik Heltoft. Drawing on literary narratives or scientific sources, his works often explore the conceptual and aesthetic potentials of specific technologies. Despite his experimental use of his media, his photography evinces a uniform clear and brilliant quality. For his exhibition at the Secession, Heltoft has created a new film titled Kabinet. It is based on a piece of social critique that has been adapted for the screen many times: Charles Dickens’s novella A Christmas Carol (1843), in which the confrontation with ghosts inspires the old and stingy ...

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PublisherThe Volume Project2016
The Lesson of Zoology first appeared in the trash heap of contemporary Lisbon. While researching the role of Lisbon’s Geographical Society in one of the first planetary colonizations, we happened upon an antiquarian bookshop with seemingly endless piles of natural history lithographs. Among them, The Lesson stood out as an especially compelling meta-image of just what a lesson is—an ordering of nature, by way of presentation, about who intended to possess the earth.

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PublisherJRP|Ringier2015
Vern Blosum does not exist. The story can be told simply: in 1961 an artist paints five canvases inspired by pages in a horticulture book; then came parking meters, water hydrants, and animals. Some of them were shown at Leo Castelli Gallery, sold to collectors and public institutions, included in seminal exhibitions or books on Pop art—a seemingly normal progression in an artist’s career, were it not for a rumor that emerged regarding his true identity. Alfred H. Barr, the legendary director of MoMA, started to worry about the rumor sometime in 1964 and, after extensive inquiries, came to the ...

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Karin Nygård, Ellef Prestsæter, Wolfgang Ernst, et alConstant , Guttorm Guttormsgaard
PublisherBlaker gml. meieri2015
FIRST REPORT This Report from the Gutenberg Galaxy is the first in a series of publications to be released in connection with the exhibition project The Gutenberg Galaxy at Blaker (2013–2015). The report is based on the project’s pilot show z(oo)m + – books in motion (Blaker gml. meieri, June 1–16 2013). The Gutenberg Galaxy at Blaker takes as its point of departure the so-called archive of the artist Guttorm Guttormsgaard, a collection of tens of thousands of objects he has collected with the intention of “documenting necessary impulses to keep one’s spirits up.” The archive is located in a former dairy ...

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