Exhibition Catalogs

2015
6PM YOUR LOCAL TIME (#6pmylt) is a networked, distributed, one night contemporary art event taking place simultaneously in different locations, coordinated from one central venue and documented online via a web application. The project, conceived by Fabio Paris for the Link Art Center and developed in collaboration with Abandon Normal Devices (AND) and Gummy Industries, is an OPEN FORMAT and can be used by other organizations and individual curators to set up other #6pmylt events. The Link Art Center itself organized the first two events: 6PM Your Local Time UK, curated in collaboration with AND and coordinated from Furtherfield Commons, London, involving ...

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Fokus Grupa is an artist collective based in Rijeka, Croatia, founded by Iva Kovač and Elvis Krstulović in 2009. Borrowing their name from a contested research method, used equally for independent research as for PR purposes, they point to the social, economical and political frames of the art field. Their practice is collaborative and interdisciplinary, and it includes art, design and curating. Artistic strategies they use take political shape, without becoming a representational form of ‘political art’. Fokus Grupa concentrates on the relations between art and its public manifestations, in terms of working culture, aesthetics, and social and economic exchange values. Their work investigates ...

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PublisherLisa Cooley2016
Active Ingredient brings together 22 artists working across a variety of media and disciplines to explore art’s tendency towards transformation, be it material, perceptual, or institutional. Taken from the language and practices of modern pharmacology, in which natural substances are decomposed to isolate useful properties that are then labeled and regulated once synthesized and mass-produced, Active Ingredient tests the conditions of artistic performativity, what it is that makes the work work. Insisting that spatial and institutional arrangements are at the heart of artistic meaning, artist and curator Alex Fleming takes his cue from Adrian Piper’s concept of catalysis, the insight ...

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Karin Nygård, Ellef Prestsæter, Anna Prestsæter, et alMatthew Fuller, Scandinavian Institute for Computational Vandalism (SICV), Ellef Prestsæter, Karin Nygård, Institutt for Degenerert Kunst
PublisherBlaker gml. Meieri2015
THIRD REPORT Two of the protagonists of the final iteration of the exhibition project The Gutenberg Galaxy at Blaker were makers of books who have had a profound influence on the archival practice of Guttorm Guttormsgaard. They were also experts in the destruction of books. A friend of Asger Jorn (1914– 1973) once noted how the Danish artist “presented a danger to any book collection” as he used to tear out pages from books belonging to others in order to create his own. Jorn’s compatriot Rudolf Broby-Johansen (1900–1987) was also a notorious book slaughterer, leaving behind a trail of books full ...

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Fokus Grupa is an artist collective based in Rijeka, Croatia, founded in 2012. Borrowing their name from a contested research method, used equally for independant research as for PR purposes they point to the social, economical and political frames of the art eld. Their practice is collaborative and inter- disciplinary, and they work across art, design and curating. Fokus Grupa concentrate on the relations between art and its public manifestations, in terms of working culture, aesthetics, and social and economic exchange values. Their work investigates the inherent power structures of the art system. To this effect, they explore its economic, ...

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PublisherRenaissance Society2015
The Renaissance Society presents a new, site-specific installation by Gabriel Sierra, the Bogotá-based artist’s first solo show in the United States. Sierra is intrigued by the language of man-made objects and the dimensions of the spaces in which we live, work, and think. His practice employs a variety of techniques – from sculpture and spatial interventions to performance and texts – to examine how the human body functions in relation to its environment. Originally trained in architecture and design, Sierra’s work draws on the history of Latin American Modernism. His project at the Renaissance Society consists of a group of constructions to ...

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PublisherLink Editions2014
Born Digital is a benefit auction and an online exhibition made to support the activities of the Link Art Center on the online auction platform Paddle8. The event—the first with this focus taking place in Europe on this scale—includes more than 50 works kindly provided by 33 artists. For two weeks long, from April 15 to April 30, 2014, people and collectors are invited to visit the works and eventually to bid to support the artists and the organizers. The Link Art Center is the first Italian organization to collaborate with Paddle8, an online auction house that partners with non-profit organizations ...

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Artists have continually questioned their status and place in society. The widespread vision of the artist as an outsider from the peripheries of social life, a utopia seeker, a celebrity selling works for millions or an erudite nonconformist who voices his or her opinions in the public debate, has spawned many myths concerning their privileges and obligations in the contemporary world. The exhibition formulates a question about the way artists define their status and position in the realm of an ever-widening economic gap: that of the possibility to reconcile dreams of social justice with the needmof artistic freedom and autonomy. At the same time, the show highlights the tension between artists’ rather ambivalent ...

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PublisherThe Club2019
“Defacement” introduces twelve contemporary artists, and presents them in context alongside the “Situationist International,” an intellectual, social and artistic organization active from 1957-1972 which included Asger Jorn and Guy Debord. The Situationists aimed to critique the evolving mass-consumerist society resulting from the globalizing force of capitalism. At the core of the exhibition is a re-reading of the strategy détournement, specifically interpreting the concept of defacement. The exhibition includes painter Jacqueline de Jong, who was one of the original members of “Situationist International,” Andy Warhol, whose use of repetition negated the concept of preciousness and posed a question to our conception ...

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PublisherDroste Effect2019
Published on occasion of Débora Delmar’s exhibition Stressed, Blessed and Coffee Obsessed at Gallleriapiù, Bologna. Starting from Débora Delmar’s portfolio, Daniel Garza Usabiaga narrates the pivotal events and turning points in the artist’s career. Narrative Portfolio is one of three formats in Droste Effect’s publication Bulletin. Narrative Portfolios are aimed at investigating the practice and personal taste of international established artists.

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PublishersLink EditionsAksioma2014
Curated by Valentina Tanni, Eternal September: The Rise of Amateur Culture is a group exhibition that explores the relationship between professional art making and the rising of amateur cultural movements through the web, an historical event that is triggering a big and fascinating shift in every field of culture, especially visual culture. The show includes the works of 15 authors (professionals and amateurs) and a series of special projects and collateral events taking place both offline and online.

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Prologue When I first proposed curating this exhibition on the subject of paranoia, it was September 2016, a little over a month before the United States presidential election. Donald Trump couldn’t possibly win, and we were about to see the momentous election of our first woman President. I had long been interested in paranoia—as an affliction, a strategy, and an ontological system. I took it seriously, very seriously, but it also felt like something outside of me, a symptom of something kept at a distance. Both during the campaign and in its aftermath, things began to swing out of control. Incidents like ...

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PublisherKent Fine Art2014
FLEX was an exhibition organized in 2014 by Orlando Tirado that placed a new sculpture and performance of mine with contemporaries Math Bass, Dan Finsel, and Molly Lowe, alongside works by historical figures Richard Artschwager, James Lee Byars, Guy de Cointet, Marcel Duchamp, Robert Morris, and Myron Stout. This folio/catalog, released in conjunction with the exhibition and printed on folded newsprint, served as a checklist for the exhibition, provided historical context, and expanded on the exhibition’s aim to provide an “alternative to presupposed identity politics, one that re-defines the body against the grain of a representational impulse.” In an in-depth ...

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PublisherSternberg Press2015
This publication accompanies FUTURE LIGHT, including the exhibitions “Escaping Transparency” at the MAK Vienna, “Pauline Boudry / Renate Lorenz. Loving, Repeating” at Kunsthalle Wien as well as four off-site commissions within the framework of the VIENNA BIENNALE 2015: IDEAS FOR CHANGE (11 June−4 October, 2015).

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PublisherJRP|Ringier2007
Showing together in Europe now for the second time, Wade Guyton, Seth Price, Josh Smith and Kelley Walker may not be the New Yorkiest band in the world, but if they were this would be their second album. Let’s call them fellow travelers and assume their grouping is at least partly a European construction. It’s their packaging and touring as Guyton, Price, Walker, Smith that allows for the production of something like a New York moment in the Kunsthalle and wherever such moments are in demand. And it could be that the objects and images on view here are not ...

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PublisherLink Editions2011
Produced as a catalogue for the exhibition Holy Fire: Art of the Digital Age (2008), this book is more than a simple catalogue. Along with the works of the 27 artists in the exhibition it features the editors’ essays along with a collective interview involving some of the most important representatives of the new media art world.
 Holy Fire is not a book on new media art, but an exploration of the contemporary art of the digital age, and a pamphlet against the new media art paradigm and the self-isolation in which these practices evolved in the last sixty years.
 In ...

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The exhibition “In the Heart of the Country” is the first comprehensive presentation of the international collection of the Museum of Modern Art in Warsaw. In a relatively short time—the Museum was established in 2005—the institution has acquired over 300 works. First and foremost, these are works purchased as part of the Ministry of Culture and National Heritage’s “International Collections of Contemporary Art” programme, as well as donations and temporary loans from artists, private individuals and businesses. Many of the collected works were commissioned by the Museum for its exhibitions and public projects (such as pieces by artists like Sanja Iveković, Zbigniew ...

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PublisherBerkeley Art Museum1980
A scan of the original type-written exhibition pamphlet accompanying Scott Burton’s 1980 performance at the University of California, Berkeley Art Museum of “Individual Behavior Tableaux” with an essay by the curator Michael Auping. Auping describes the performance, part of Burton’s “Behavior Tableaux” series, in which a single lanky naked male performer (Kent Hines) wears platform shoes and moves in slow motion with a chaise longue designed by Burton. The audience had to sit extremely close together 80 feet away from the the slow moving and silent performance, as Burton was as interested in what happened in the performance as he ...

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The intercalations: a paginated exhibition series is conceived as a curatorial-editorial space to both host and critically reflect on the collaborations among members and affiliates of the SYNAPSE International Curators’ Network of the Haus der Kulturen der Welt, Berlin, while enabling explorations of the book as a form of exhibition architecture in relation to other aesthetic practices in the Anthropocene. In addition to its function as a vehicle to document the collaborations of the SYNAPSE network, this book-as-exhibition series aims to expand the discourse of curatorial knowledge production within a broader multidisciplinary field of research and experimentation. The series gradually ...

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PublisherThe Philadelphia Museum of Art2018
It was during the late nineteenth and early twentieth centuries that many of Philadelphia’s great private collections of the fine and decorative arts were developed. The names of the ambitious individuals who formed these collections—Albert C. Barnes, George W. Elkins, John H. McFadden, and P. A. B. Widener, to name just a few—remain familiar today thanks to the generous benefactions they made to cultural institutions in this city, most prominently the Philadelphia Museum of Art. The activities of collectors deserve far more attention than they have received to date not only because they constitute a fascinating chapter in the history of ...

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PublisherFridericianum2016
The origin of the word “hybrid” can be traced etymologically to two sources: Latin hybrida (mongrel, bastard) and Greek hybris(pride, arrogance). Unions between plants, human beings, animals and technologies give rise to flexible hybrids; organic and synthetic materials mutate into amorphous, indefinite beings. Neuroscience, bioengineering and science fiction enter into tacit relationships of complicity, blurring the once clearly delineated boundary between the natural and the artificial. For her first institutional solo exhibition in Germany, Anicka Yi compacts the ground floor of the Fridericianum into an expansive installation. With sculptural and video works produced specifically for the exhibition Jungle Stripe, she creates ...

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Moderna galerija, Museo Nacional Centro de Arte Reina Sofía, Museu d'Art Contemporani de Barcelona, et alMuseum van Hedendaagse Kunst Antwerpen, Muzeum Sztuki Nowoczesnej w Warszawie, SALT, Van Abbemuseum
L’Internationale is a confederation of seven modern and contemporary art institutions. L’Internationale proposes a space for art within a non-hierarchical and decentralised internationalism, based on the values of difference and horizontal exchange among a constellation of cultural agents, locally rooted and globally connected. L’Internationale brings together seven major European art institutions: Moderna galerija (MG+MSUM, Ljubljana, Slovenia); Museo Nacional Centro de Arte Reina Sofía (MNCARS, Madrid, Spain); Museu d’Art Contemporani de Barcelona (MACBA, Barcelona, Spain); Museum van Hedendaagse Kunst Antwerpen (M HKA, Antwerp, Belgium); Muzeum Sztuki Nowoczesnej w Warszawie (Warsaw, Poland), SALT (Istanbul and Ankara, Turkey) and Van Abbemuseum (VAM, Eindhoven, the ...

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PublisherA.I.R. Gallery2019
It’s funny because here we are talking about listening and four out of six people around me are wearing headphones, curating their own sound environment and blocking out others. Those parties where everyone dances and listens to the same music on wireless headphones is the closest to being “in it,” together. Plus, none of the neighbors call the cops. • Empathy is a term that appears in theories of the psychology of art, according to which visual art can make the general public experience emotions. Following this school of thought, art appreciation is not a matter of reason but of feeling. This ...

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PublisherAir de Paris2005
NEW YORK TWICE: AIR DE PARIS, PARIS May 28–June 25, 2005 and June 28–July 24, 2005 Wade Guyton, Mai-Thu Perret, Seth Price, Josh Smith, Kelley Walker Curator: Fabrice Stroun Xerox: edited by Bettina Funcke

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PublisherOpen File2011
A cumulative publication was created in collaboration with White Room Press for the Open File series at Grand Union, pages and content were added to the publication throughout the events.

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