Exhibition Catalogs

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PublisherLink Editions2015
6PM YOUR LOCAL TIME (#6pmylt) is a networked, distributed, one night contemporary art event taking place simultaneously in different locations, coordinated from one central venue and documented online via a web application. The project, conceived by Fabio Paris for the Link Art Center and developed in collaboration with Abandon Normal Devices (AND) and Gummy Industries, is an OPEN FORMAT and can be used by other organizations and individual curators to set up other #6pmylt events. The Link Art Center itself organized the first two events: 6PM Your Local Time UK, curated in collaboration with AND and coordinated from Furtherfield Commons, London, involving ...
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PublisherSculpture Center2018
74 million million million tons is an exhibition about the types of evidence that artworks can produce. Employing different methodologies to investigate, intervene, and assemble, the artists in the exhibition reveal subjects on the threshold of politics and the outskirts of legality: the robot, the refugee, the environment, the startup, and others. While their subject matter is divergent, the exhibition’s artists push against narratives put forth by corporate and government industries by producing specific knowledge and corroborative objects around un-mapped historical and political events. Directly intervening in the moments before such events coalesce into widely accepted narratives, they anticipate and ...
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PublisherSculpture Center2012
A Disagreeable Object brings together 20 artists who employ and borrow from the methods and artistic practices that the Surrealists developed in the first half of the century. This is not an exhaustive survey, nor an attempt to re-consider our understanding of Surrealism as an historical movement. Rather, the exhibition offers a view of contemporary sculpture identifying influences and attitudes that have filtered through decades of cultural production. The works in A Disagreeable Object respond to a decidedly contemporary context…
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Fokus Grupa is an artist collective based in Rijeka, Croatia, founded by Iva Kovač and Elvis Krstulović in 2009. Borrowing their name from a contested research method, used equally for independent research as for PR purposes, they point to the social, economical and political frames of the art field. Their practice is collaborative and interdisciplinary, and it includes art, design and curating. Artistic strategies they use take political shape, without becoming a representational form of ‘political art’. Fokus Grupa concentrates on the relations between art and its public manifestations, in terms of working culture, aesthetics, and social and economic exchange values. Their work investigates ...
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PublisherLisa Cooley2016
Active Ingredient brings together 22 artists working across a variety of media and disciplines to explore art’s tendency towards transformation, be it material, perceptual, or institutional. Taken from the language and practices of modern pharmacology, in which natural substances are decomposed to isolate useful properties that are then labeled and regulated once synthesized and mass-produced, Active Ingredient tests the conditions of artistic performativity, what it is that makes the work work. Insisting that spatial and institutional arrangements are at the heart of artistic meaning, artist and curator Alex Fleming takes his cue from Adrian Piper’s concept of catalysis, the insight ...
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In 2016 the Aerocene Foundation was invited to Exhibition Road for an interdisciplinary artistic project co-produced by members of the Exhibition Road Cultural Group: a partnership of the leading cultural and educational institutions in London, among them Serpentine Galleries, Imperial College London and The Natural History Museum. Between October and December 2016, the Aerocene Foundation activated a collaborative research platform between Exhibition Road members and wider communities by organizing two hackathons and the ‘Aerocene Campus’ in which participants engaged in debates on metabolic, social and environmental dimensions of the Aerocene epoch. During this period, experts as well as developers, designers, artists, ...
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PublisherAerocene Foundation2020
In September, unusual flying objects rose above the Olympiaberg, creating astonishment. The Aerocene Festival unfolded impressively within the air above Munich and with it the artistic vision of limitless, pollution-free aerial mobility. From 6-11th September 2019, it was possible to experience the floating sculptures, test the technology in Pilot Courses or predict and undertake virtual flights. Aerocene was initiated in 2015 by the Argentinian artist Tomás Saraceno, who works at the interface of art, architecture, technology and science. In the meantime, it has become an international community that seeks to achieve a transformed ecological awareness through artistic action. Aerocene stands for the ...
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PublisherDroste Effect2020
An essay on the artwork of Ivana Spinelli, published on the occasion of her solo show Contropelo at Gallleriapiù, Bologna (January 23 – March 28, 2020). “Ivana Spinelli suggests a different look into the signs that are deposited in our collective memory as decorative elements lacking of any linguistic value. All of a sudden, those inscriptions manifest themselves as a code composed by discrete elements that can be used to form words and sentences, and take concrete shape as sculptural matter.” – Claudio Musso
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PublisherSculpture Center2013
Three characters populate Agnieszka Kurant’s Cutaways, 2013, a short film premiering as part of exformation, the artist’s first exhibition in a United States museum. Played by Dick Miller, Charlotte Rampling, and Abe Vigoda, these characters were found, or more precisely reclaimed, from the cutting room, having been edited out of the final cuts of the feature films for which they were created: Pulp Fiction, Vanishing Point, and The Conversation, respectively. Kurant revives these figures not only by writing a brilliant new script for them but also by casting the original actors: twenty to forty years later, the roles are the ...
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PublisherSculpture Center2016
Ancient Egyptians regarded the balls that dung beetles diligently form as a symbol of the earth. According to Jean-Henri Fabre’s 1921 Book of Insects, the creature was admired for its cosmic synchronicity: creating microcosms by rolling up feces and dirt, it was engaged in sacred activity. However, as Fabre explains in the chapter “The Sacred Beetle,” the beetle’s balls are actually a food source: “It is not at all nice food. For the work of this Beetle is to scour the filth from the surface of the soil. The ball he rolls so carefully is made of his sweepings from ...
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PublisherSculpture Center2015
On a recent visit to an archaeology museum, I was struck by the ornate jewelry dating from the early Bronze Age—bracelets, rings, and necklaces that look remarkably contemporary in design. People have always had a taste for fine things. And of course, these were objects for the wealthy, for those of high social status who were buried with their goods. While I have become accustomed to admiring such items during museum visits, my central thought on this trip was that luxury has always existed. This prosaic musing led me to consider the problematics around luxury. It’s difficult to look at ...
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PublisherSculpture Center2015
Descartes famously believed that animals were living machines; he was said to beat, torture, and vivisect dogs simply to demonstrate that they had no feelings. He interpreted the sounds emerging from the dog’s mouth as mere physical reactions, just the mechanical result of air passing through a windpipe, not indicative of emotional self-expression. According to Descartes and many of his followers, animals were inferior to humans because they lacked the capacity for language. While scientific evidence as well as popular opinion about the emotive actuality and potential of animals has proven that they have inner lives, most do not speak ...

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