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Climatologists have confirmed it is now too late to avoid certain global warming and that a shift to a low or zero carbon economy is thus vital. This implies an urgent transition to renewable energy sources as well as radical adaptive measures, which collide against established industrial monopolies. This episode gathers several geoengineering patent applications, and through these documents presents the history of these emerging technologies and the private interests, actors, think tanks, and corporations behind them.
Within the debate of climate change mitigation, geoengineering—the technological management of weather patterns and carbon capture processes—occupies an especially politicized place. It has slowly ...
It is the summer of 2013. Inside an empty news studio, a teleprompter rolls messages on its screen narrating the events that led to the closing of the Greek public television network (ERT) as a consequence of the European crisis and its austerity-ridden economy. It reads: “ERT may have been the last television channel to ever broadcast, the first and last television signal to be interrupted.” With the shutdown, 2,700 ERT employees were sacked. ERT’s ending was broadcast live, an its last report was an image of the people that had gathered outside the station, protesting against its closure.
At the ...
City Rising from metahaven on Vimeo.
This short video is about “the internet” and the global spread of affective, precarious labor, captured in the notion of love. It is also an homage to Constant Nieuwenhuys, architect of New Babylon. New Babylon was a utopian city for which Constant developed models, plans, and writings throughout the 1950s, 1960s and early 1970s. New Babylon would give free reign to a life of play, as people would be liberated from the obligation to perform productive and manual labor. Models of New Babylon were filmed as bizarre, beautiful shapes in the foreground of the image.
Now ...
The YouTube Commentary Project invites artist to reflect on existing videos
NY based artists Nina Katchadourian comments on a freehand drawing of a perfect circle
West Africa’s Guinea-Bissau declared unilaterally independence in 1973 and was recognized internationally in 1975 along with the other former Portuguese colonies. Luta ca caba inda (The Struggle Is Not Over Yet) is the title of a documentary film on the country’s post-independence left unfinished in 1980. Even in its fragmentary form, it is but one of several testimonies of a decade of militant cinema in the country, as part of the people’s struggle for independence from Portuguese colonialism, between 1963 and 1974, and the subsequent nation-building.
The remains of this period of politically-engaged cinema, including finished and unfinished Guinean films, audio ...
Publisher2015
Finding Fanon 2 from David Blandy on Vimeo.
Finding Fanon 2, made by Larry Achiampong and David Blandy, uses the Grand Theft Auto 5 in-game video editor.
Finding Fanon 2 was commissioned by Brighton Digital Festival 2015, supported by Arts Council England.
The Finding Fanon series is inspired by the lost plays of Frantz Fanon, (1925-1961) a politically radical humanist whose practice dealt with the psychopathology of colonisation and the social and cultural consequences of decolonisation.
For An Oil Free Future is a mini-series of protest videos against fossil fuel prospection and extraction (oil and natural gas) off the Portuguese coast (offshore) and in land (onshore) through fracking.
Synopsis: In a dystopian future in which oil extraction has become a catastrophic reality in Portugal, a citizen-journalist looks back and questions how it was possible to go ahead with such plans.
Over the last few years, and particularly in 2015 under the former PSD/CDS-PP right-wing government, several contracts were signed between the Portuguese State and major oil companies (Galp, Partex, Repsol, Eni, Australis, Cosmos and the controversial Portfuel). The matter ...
This video of the Henderson House inspired me to get in touch with Mark Voelker to take a tour. The house was build by Girard Henderson (the former director of Avon) in 1978 and was a model residence for his company “Underground World Homes”. Voelker is part of the Alcor Life Extension Foundation, a group that purchased the Henderson House to entice High Net Worth individuals to sign up to be frozen. When he was showing me around the 15,200 square foot suburban luxury bunker, he explained that the only things they have added to the space are a demonstration ...
This episode, set within the context of inhabitants’s collaboration with Contour Biennale 8, weighs the fiction of allegorical images against the concept of the legal fictitious person. In particular, it puts in perspective the abstract body of Justice in relation to the status attributed to corporations for juridical purpose under the United States code of law.
Set to the tone of feminist post-punk bands and composers, we draw on a recent US Supreme Court legal case that granted religious rights to a corporation called Hobby Lobby, which allowed it to deny its federal obligation to provide contraceptive healthcare to its female employees. ...
Holly Herndon – Home [Official Video] from RVNG Intl. on Vimeo.
Collaboration with Metahaven & Mathew Dryhurst. Released on RVNG Intl.
For my debut album Movement, I communicated an intimacy with my laptop. It is my instrument, memory, and window to most people that I love. It is my Home.
The ongoing NSA revelations have fundamentally changed this relationship. I entrusted so much in my device. To learn this intimacy had been compromised felt like a grand betrayal. Is everything done privately on my laptop to be considered a public performance?
In “Home”, I address that invisible audience. It is a love song for ...
“If you see something, film it.”
Citizen-shot footage distributed through social media has galvanized social movements, in the demand for transparency and accountability. As a political tool, such videos have reverted surveillance against itself, proposing instead a record that comes from below; in other words, a type of vigilance led by citizens against power and abuse, in what has been called “sousveillance”. Yet, beyond our newsfeeds, how does citizen-shot video actually become evidence? How does it perform in the courtroom? Do most of these videos have legal value?
Images that have truth-value in the court of public opinion may not in reality ...
‘Incinerator’, Yeah You (2014)
Family noise duo responsible for many awe-generating performances posted
on Vimeo with no viewers. This one is unparalleled in its purity
however, as they drive to Tesco making a gargantuan yowl. Dashboard cam
sociopathic adolescent girl freakout knows no barriers except to bang
and scratch (check out the other videos). My new mid-life favourite band.
Information skies is a poetic psychodrama about VR, written and directed by metahaven in 2016. A combination of live action and animation, the film is a sequel to metahaven’s film project “The Sprawl (Propaganda about Propaganda)”. This new film, released online at informationskies.com, is overlaid with subtitles in different languages, and with interfacial ruins that are distinct for the online environment.
Inhabitants is an online channel for exploratory video and documentary reporting. We produce and stream short-form videos intended for online distribution, with each episode focusing on a different topic. We have collaborated with institutions such as Haus der Kulturen Der Welt and the Max Planck Institute for the History of Science (Berlin), Museu Colecção Berado (Lisbon), Contour8 biennale (Belgium), and are currently collaborating with TBA21 for a video series on Deep Sea Mining. We are actively engaged with both artists and political agents on the ground, and are open to any inquires and suggestions.
Our videos are free and intended for ...
Inhabitants is an online channel for exploratory video and documentary reporting. We produce and stream short-form videos intended for online distribution, with each episode focusing on a different topic. We have collaborated with institutions such as Haus der Kulturen Der Welt and the Max Planck Institute for the History of Science (Berlin), Museu Colecção Berado (Lisbon), Contour8 biennale (Belgium), and are currently collaborating with TBA21 for a video series on Deep Sea Mining. We are actively engaged with both artists and political agents on the ground, and are open to any inquires and suggestions.
Our videos are free and intended for ...
Mining for Ringwoodite compares the 2014 geological discovery of “fossilized” water – termed Ringwoodite – found in the interior of a diamond in Brazil, with the prospects of mining on the moon or asteroids as announced by private companies in recent years. Ringwoodite, which holds water in the form of hydrogen and oxygen bound together, can only be found in the earth’s transition zone, between 410 and 660 kilometers below the earth’s surface. Until now, it had only been artificially created in laboratory or found in asteroid rocks. In the meantime, seismic wave analysis has suggested the presence of a ...
Mommy is a portrait of the director’s mother before and after her unexpected death. Returning to her childhood home to renovate and sell the house, Maggie discovers secret artifacts from her mother’s life.
This entry was included in Library Stack as part of a collection by Howie Chen.
To create, for me, is to come up with something new as opposed to destroying,” explains Nairobi-born, Brooklyn-based artist Wangechi Mutu, whose brightly hued collages, films and installations provoke both aesthetic pleasure and a sense of chaos. “I want to make something in which the viewer can lose themselves, away from the hardness and banality of life, and see what it’s like to be human.”
Stephen Vitiello + Steve Roden – One Island Dreams Another from ROOM40 on Vimeo.
Recorded as part of their joint residency on Governor’s Island in New York, this edition documents their installation work created for the unique acoustics of the Cornelius Chapel. Like many of the recordings that populate their solo discographies, The Spaces Contained In Each, dwells in a zone of rich textural soundscapes.
Distant bells toll at the edges of perception, field recordings flutter amid bursts of modular synth and other electronics. The sound field is constantly evolving and unfolding as layer upon layer of sound draws you deeper into ...
When artist Frances Stark and Snapchat developer David Kravitz discussed the idea of having sex on stage during a public presentation at the New Museum last spring, it wasn’t entirely surprising.
This proposal came as part of Rhizome’s Seven on Seven Conference, which pairs artists and technologists for a one-day collaboration with the prompt to “make something” and then present it to the public the following day. During their presentation, neither of their bodies was on view on stage (Kravitz came up alone for the Q&A). Instead, they appeared onscreen via a live iMessage conversation.
Soon, Kravitz was telling Stark about his ...
Paganini’s 5th Caprice (spliced together from a few hundred Youtube guitar instructional videos).
Three virtual shapes rendered by an unseen animator attain sentience. This project considers the building of thought and improv comedy.
In computer animation, “primitives” are building blocks for complex shapes. In “Primitive Games”, some simple shapes recently acquired consciousness. This artificial intelligence is neither a romantic projection nor a threat to our way of life. Rather, these bits of code struggle to understand bodies. And love. “Primitive Games” is an abstract, improvised and animated comedy.
Real Flow is an ongoing collaboration between Diann Bauer, Victoria Ivanova, Christopher Kulendran-Thomas and Suhail Malik. We do R&D of finance and art.
Real Flow offers tailor-made financial solutions for contemporary art by crossing the now wholly permeable and artificially-maintained barriers between art’s markets, markets in general, and art’s flexible and porous semantics. Re-engineering the artwork’s commodity form, this venture tactically integrates art into its diverse channels of exhibition, circulation, and marketization. Financialization’s futurity is operationalized by Real Flow to reconstitute art’s future present and open up new vistas through and beyond capital.
The first iteration of it as a project is the inaugural exhibition at K. (formerly P!) at 334 Broome st ...
Seth Price: “Sister Ray,” 2004, feat. Fia Backstrom. from Seth Price on Vimeo.
I made the music in 2002. A Sequential Circuits and a Korg. In ’04 I recorded Fia Backström singing some lyrics adapted from the song ‘Sister Ray,’ cut up her vocals and added them to the track in a way that sounded OK. That was supposedly for a Reena Spaulings record, but it never made the cut. Added it to the Army Jacket LP when I reissued it.
How (and why?) do you decorate for the end of the world? At Terravivos it depends on your market audience. They are currently selling space in a luxury bunker in Europe that features wall-sized screens, a salon and a massive pool. The already dated looking suburban style communal living shelter in Indiana is almost completely booked. And their most recent option is a repurposed military facility called X-Point in South Dakota. X-Point features $25,000 bunkers situated in an “epic, secure, off-grid, high-altitude survival community” with what is described as “like-minded” people. Their shelters are marketed with the language and graphics ...
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