Pamphlets

PublisherPrinted Matter2008
Thesis: The field of sound is the site and the means of the Militant Sound Investigation. Regardless whether analogue or digital, the record gives object form to an undifferentiated field of sound. Through both magnetic particles and binary code, experience enters into the record and becomes available to be repeated and analyzed. What initially sounded like undifferentiated registers acquires through repetition and analysis a different texture of audibility. It is as if need, demand, desire have been rendered concrete. Militant Sound Investigation, simply put, derives from a practice of listening that intervenes upon the presumed fidelity of the audio recording. ...

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People sometimes get irritated if you ask them the same question again, especially if it happens in the same conversation. Yet sometimes they provide different answers immediately, or let’s say two minutes after the first (think of the Oracle in The Matrix, or Bill Clinton during his trial). However, when there are forty years in between two identical questions, there’s a big chance of getting the same answer. This does not a priori mean that nothing has changed or that things have remained the same…

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Sahar Muradi and Zohra Saed are two Afghan American poets. This is a lyrical conversation between Sahar who returned to retrace footsteps in Afghanistan and Zohra who remained ensconced in longing for mythic cities of her birth.   As a prelude to the 2012 exhibition, dOCUMENTA (13) and Hatje Cantz published a series of notebooks, 100 Notes – 100 Thoughts, that comprised facsimiles of existing notebooks, commissioned essays, collaborations, and conversations. A note is a trace, a word, a drawing that all of a sudden becomes part of thinking, and is transformed into an idea. This publication project follows that path, presenting the mind ...

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PublisherdOCUMENTA (13)2012
There is no such thing as voice in literature. That is, we assign chimerical properties to characters’ voices; fictions based on voices we have heard in relation to the description of the characters’ personalities; identities we want to confer on the characters. Whilst we read and listen to this voice, it is neither true nor false. It is the product of a careful assembly of traces and features we believe represent a person – more physically even than their own body….

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Dear David I have been re-reading our letters. And what an interesting discussion we had this week, about the writing that one does for a singular reader; the ‘one other’ with whom one is thinking. So there has been much dialogue about representation; about performance, and sentiment and sincerity, each thinking to the self through thinking with a companion. And our question returns, often enough, to this: what limits are placed on thought, in the moment that it aspires to be understood from outside itself? This is not a lover’s discourse; it is though interested, and it is interested in the ...

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PublisherRivet2013
A conversation with Diedrich Diederichsen about non-human labor, time and value. Made in the context of Resonance at Goethe-Institut in New York. (fall 2013)

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PublisherFall Semester2014
Clouds It was the year 1954 when the “Department of Tropical Architecture“ was founded at the Architectural Association (AA) London, by Maxwell Fry, Jane Drew and their colleague James Cubbitt. Tropical architecture had been a topic before the study programs foundation, large conferences like the “Conference on tropical architecture” March 1953 at University College, London or two years before in Venezuela had established the issue internationally. The AA Tropical Architecture study program ran till 1971 and was afterwards transferred to the University of London and proceeded there as the “Development Planning Unit” that is active till today. The AA program included lectures ...

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PublisherPrinted Matter2011
The time clock is a device for the material worker. It ticks away, minute by minute, hour by hour over the course of each and every day. In the olden days the work completed was equal to the material proof at the end of eight hours. Today, the immaterial worker does not have the same symbiotic relationship with the time clock. The time clock for the immaterial worker is irrelevant because they work continually. And they work on what is most expected of them: the constant flow of ideas. Their time is not measured in concrete things. It is measured ...

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PublisherAsia Art Archive2017
AAA Public Programmes Curator Ingrid Chu explored the international phenomenon of the ‘art book bag’ in a short history of the art book bag (and the things that go in them). Using the last 15 years as a guide, the exhibition featured ‘the things that go in them’—art publications, magazines, and related ephemera—alongside a vast array of these popular totes in the AAA Library. Chu invited artists, curators, art book fair organisers, and print and online publishers to provide insight into the changing modes of knowledge production and circulation, and their influence on recent art of Asia. An associated public talk, ...

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PublisherAsia Art Archive2017
Hong Kong–based artist Samson Young moved through various locations in and around AAA by way of a roving sound station— doubling as a bookmobile and deejay booth—to generate a series of public broadcasts. His project AAAFM99.3 invoked classic radio programmes with news announcements, interview segments, and commercials incorporating ambient noise sourced from AAA’s audio collection.

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PublisherLisa Cooley2016
Active Ingredient brings together 22 artists working across a variety of media and disciplines to explore art’s tendency towards transformation, be it material, perceptual, or institutional. Taken from the language and practices of modern pharmacology, in which natural substances are decomposed to isolate useful properties that are then labeled and regulated once synthesized and mass-produced, Active Ingredient tests the conditions of artistic performativity, what it is that makes the work work. Insisting that spatial and institutional arrangements are at the heart of artistic meaning, artist and curator Alex Fleming takes his cue from Adrian Piper’s concept of catalysis, the insight ...

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PublisherIrena Haiduk2013
Two figures go out into this world and traverse it: the explorer and the imposter. The explorer stands on terra firma, surveying the horizon that magnetically pulls him. Sometimes Fernweh (in German, “yearning for the faraway”) produces an explorer who never returns, but his traveling is still made possible by the knowledge that he could return at any time. e image of the explorer appends a few basic corollaries to the nature of the Western image and the way it renders history. is Western image is weightless, infinitely thin, hovering above everything, including history. It is reproducible on all channels, ...

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Printed Matter, Gesso Foundation
As part of our publishing program engaged with social activism, Printed Matter published the Artists & Activists Pamphlet Series between 2008 and 2012. Inspired by the legacy of the political pamphlet, these modest format publications offered artists and collectives a space to address some of the social and political concerns of our time and critically examine the concept of art and activism. Twenty pamphlets were created in total, and they were distributed for free at the Printed Matter storefront and included in mail-order packages. Printed Matter is now making the entire series available for free download through our website.

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The Bare Prison of Santo Stefano is the seventh issue of a new series of publications issued by Wilfried Lentz Rotterdam. Published as an accompaniment to the presentation at Frieze Art Fair 2011 from 13 october to 16 October 2011 by Wilfried Lentz Gallery. This publication is signed and numbered in an edition of 250 by Rossella Biscotti.

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PublisherStylus2017
This unspeakable horror was prepared by Stylus, a “global innovation research and advisory firm, which works with businesses to stimulate innovation and growth”. Full of quotes like “Globally, 69% of UHNWIs have become more conscious about displaying their wealth in public over the past decade,” it’s a guide to trends in maintaining wealth and well-being while assuring nobody resents you for it. There are suggestions for how luxury brands can stand out through charity or “meaningful minimalism” and coerce the desired UHNWI’s to their brands. Also included are tips for where and how to hide when society crumbles. In times ...

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PublisherRadio Web Macba2009
The conversations which form the basis for this interview took place in March 2002 (email interview by Anna Ramos) and July 2008, during Yasunao Tone’s visit to Barcelona, coinciding with his performance at MACBA, and were continued by email with Tone, Fell, Hecker and Held during February-March 2009. Tone’s work has also been featured on issues 1 and 7 of the Ràdio Web MACBA programme Lines of Sight.

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PublisherFall Semester2014
The Stack we have means: borderlines are rewritten, dashed, curved, erased, automated; algorithms count as continental divides; the opposition of chthonic versus geometric territory is collapsed by computation; interfaces upon interfaces accumulate into networks, which accumulate into territories, which accumulate into geoscapes (territories comprising territories, made and so entered into, not entered into and so made); the embedded is mobilized and the liquid is tethered down into shelter and infrastructure; the flat, looping planes of jurisdiction multiply and overlap into towered, interwoven stacks; the opaque is transcribed and the transparent is staged, dramatized, and artificialized; irregular allegiances are formalized (the enclave and ...

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Gustave de Kervern, Benoît Delépine, Erkko Kivikoski, et alHippolyte-Prosper-Olivier Lissagaray, Jeanne Neton, Peter Åström, Full Unemployment Cinema
CONTENTS: 1/ About on the lms 2/ How One Can Still Put Forward Demands When No Demands Can Be Satis ed by Jeanne Neton and Peter Åström 3/ Lissagaray: History of the Paris Commune of 1871 Chapter XVII, Women of the Commune and the opposing armies 4/(in between) excerpts from: http://libcom.org/news/french-workers-continue-bossnapping-26072009, http://www.guardian.co.uk and http://hrlori.com/bossnapping/

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Contemporary art almost invariably presents ideas and aesthetics on a symbolic, referential level, particularly when it concerns itself with ecological issues. What this means is that it tells a story that does not include its material realities in that story. The effect this has is that the artwork hides its own material use, social impact, energy use, and other conditions necessary for its production and reception. We need to understand what is at stake when an artwork’s primary form and mode of communication replicates the very problems of a society it reflects on.

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The third BKDN BKDN workbook is for facilitating Deep Listening sonic meditations with others to individually and collectively experience immersive ecological entanglement. The publication is a tool for sinking in to relationships you have with the world around you, helping to bypass the ways you have been taught to limit or ignore the subtleties of the more-than-human world you are immersed in. This workbook has been developed over the past decade through many experiments in Deep Listening sessions that I have facilitated. Since first being exposed to Deep Listening, I was interested in how it could create empathies with the ...

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PublisherMikrotext2017
In a playful conversation with the artist Jonas Mekas, John Lennon and Yoko Ono give insights into their artistic practices, such as singing, influencing each other, and collaborating in films such as Legs which shows the naked legs of the New York artistic community. ——— December 1970, Regency Hotel, New York City: After a spontaneous film festival in the Elgin theatre for which Yoko Ono and John Lennon had produced two new films in only two weeks, the organiser Jonas Mekas and the two artists sat together, exhausted and probably also very happy. They talk about how the audience received the films ...

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PublisherAsia Art Archive2017
Jaffna-based visual artist and art educator Thamotharampillai Shanaathanan responded to the AAA collection by drawing parallels between methods of archiving and art making, while delving into the idea of ‘home’ within the context of ethnic conflict.

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Publisher2014
There has been many things written about the urban transformations of Paris orchestrated by Napoleon III’s prefect, the “Baron” Haussmann; many of which address the militarized causes of these transformations, as I often did myself. This aspect of the transformations is admitted by Haussmann himself in his memoirs as part of the strategy. The first part of the 19th-century saw many insurrections and revolutions happening in Paris (1830 revolution, 1832 insurrection, 1848 revolution, etc.) and Napoleon III, after his 1851 coup, was certainly eager to transform Paris to be able to control it. The large avenues and boulevards were thus ...

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PublisherChristine Sun Kim2015
In Christine Sun Kim’s video Close Readings, she compiled a selection of film clips and invited deaf friends to provide captions providing possible additions to the films, resulting in a flipping of the typical power dynamic between filmic experience and deaf audiences, where the meaning of the film is dependent on how it is captioned. Here, the hearing viewer is subjected to the captioning of the deaf viewers. Sun Kim has provided us with 11 stills from this video, and a rekindling of our fondest memories of the CEL’s 2013 collaboration with her, “Seeing Voice: The Seven Tone Color Spectrum” ...

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PublisherFall Semester2014
In this brief essay I reflect on the interactions between the real and the unreal, with a particular emphasis on comics and the city. Comics originate in the emerging city of modernity, and are shot through with both actual cities (in their sites of production and, often, consumption) and virtual ones. Further, few media are as useful for considering the role of the unreal, the held back, the around-the-corner-but-never-in-view, as comics. This reticence is productive, not only of narratives but also of the subjects who read them. Practices of reading comics, when applied to the city itself, highlight the unreal ...

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