Pamphlets

PublisherPrinted Matter2008
Thesis: The field of sound is the site and the means of the Militant Sound Investigation. Regardless whether analogue or digital, the record gives object form to an undifferentiated field of sound. Through both magnetic particles and binary code, experience enters into the record and becomes available to be repeated and analyzed. What initially sounded like undifferentiated registers acquires through repetition and analysis a different texture of audibility. It is as if need, demand, desire have been rendered concrete. Militant Sound Investigation, simply put, derives from a practice of listening that intervenes upon the presumed fidelity of the audio recording. ...
People sometimes get irritated if you ask them the same question again, especially if it happens in the same conversation. Yet sometimes they provide different answers immediately, or let’s say two minutes after the first (think of the Oracle in The Matrix, or Bill Clinton during his trial). However, when there are forty years in between two identical questions, there’s a big chance of getting the same answer. This does not a priori mean that nothing has changed or that things have remained the same…
Sahar Muradi and Zohra Saed are two Afghan American poets. This is a lyrical conversation between Sahar who returned to retrace footsteps in Afghanistan and Zohra who remained ensconced in longing for mythic cities of her birth. As a prelude to the 2012 exhibition, dOCUMENTA (13) and Hatje Cantz published a series of notebooks, 100 Notes – 100 Thoughts, that comprised facsimiles of existing notebooks, commissioned essays, collaborations, and conversations. A note is a trace, a word, a drawing that all of a sudden becomes part of thinking, and is transformed into an idea. This publication project follows that path, presenting the ...
PublisherdOCUMENTA (13)2012
There is no such thing as voice in literature. That is, we assign chimerical properties to characters’ voices; fictions based on voices we have heard in relation to the description of the characters’ personalities; identities we want to confer on the characters. Whilst we read and listen to this voice, it is neither true nor false. It is the product of a careful assembly of traces and features we believe represent a person – more physically even than their own body….
Dear David I have been re-reading our letters. And what an interesting discussion we had this week, about the writing that one does for a singular reader; the ‘one other’ with whom one is thinking. So there has been much dialogue about representation; about performance, and sentiment and sincerity, each thinking to the self through thinking with a companion. And our question returns, often enough, to this: what limits are placed on thought, in the moment that it aspires to be understood from outside itself? This is not a lover’s discourse; it is though interested, and it is interested in the ...
PublisherRivet2013
A conversation with Diedrich Diederichsen about non-human labor, time and value. Made in the context of Resonance at Goethe-Institut in New York. (fall 2013)
PublisherFall Semester2014
Clouds It was the year 1954 when the “Department of Tropical Architecture“ was founded at the Architectural Association (AA) London, by Maxwell Fry, Jane Drew and their colleague James Cubbitt. Tropical architecture had been a topic before the study programs foundation, large conferences like the “Conference on tropical architecture” March 1953 at University College, London or two years before in Venezuela had established the issue internationally. The AA Tropical Architecture study program ran till 1971 and was afterwards transferred to the University of London and proceeded there as the “Development Planning Unit” that is active till today. The AA program included lectures ...
PublisherPrinted Matter2011
The time clock is a device for the material worker. It ticks away, minute by minute, hour by hour over the course of each and every day. In the olden days the work completed was equal to the material proof at the end of eight hours. Today, the immaterial worker does not have the same symbiotic relationship with the time clock. The time clock for the immaterial worker is irrelevant because they work continually. And they work on what is most expected of them: the constant flow of ideas. Their time is not measured in concrete things. It is measured ...
PublisherAsia Art Archive2017
AAA Public Programmes Curator Ingrid Chu explored the international phenomenon of the ‘art book bag’ in a short history of the art book bag (and the things that go in them). Using the last 15 years as a guide, the exhibition featured ‘the things that go in them’—art publications, magazines, and related ephemera—alongside a vast array of these popular totes in the AAA Library. Chu invited artists, curators, art book fair organisers, and print and online publishers to provide insight into the changing modes of knowledge production and circulation, and their influence on recent art of Asia. An associated public talk, ...
PublisherAsia Art Archive2017
Hong Kong–based artist Samson Young moved through various locations in and around AAA by way of a roving sound station— doubling as a bookmobile and deejay booth—to generate a series of public broadcasts. His project AAAFM99.3 invoked classic radio programmes with news announcements, interview segments, and commercials incorporating ambient noise sourced from AAA’s audio collection.
PublisherRecess2019
Accessibility in the Arts: A Promise and a Practice is an accessibility guide geared toward small-scale arts nonprofits and the potentially expansive publics these organizations serve. It details specific ways in which disabled people are excluded from cultural spaces and offers possible solutions to those barriers. Moving away from historical and juridical definitions of accessibility, this guide considers the unique capacity of small scale arts organizations to meet the needs of disabled communities. It engages principles of disability justice to think through what can urgently be done to create more equitable and accessible arts spaces…
PublisherLisa Cooley2016
Active Ingredient brings together 22 artists working across a variety of media and disciplines to explore art’s tendency towards transformation, be it material, perceptual, or institutional. Taken from the language and practices of modern pharmacology, in which natural substances are decomposed to isolate useful properties that are then labeled and regulated once synthesized and mass-produced, Active Ingredient tests the conditions of artistic performativity, what it is that makes the work work. Insisting that spatial and institutional arrangements are at the heart of artistic meaning, artist and curator Alex Fleming takes his cue from Adrian Piper’s concept of catalysis, the insight ...

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