Screenplays

The film charts the journey of an artist–filmmaker who is led astray from her attempts to make a documentary in Los Angeles by the mysterious history of a deceased male artist named Amboy. Amboy’s storyline is expressed with a disorienting array of cinematic strategies taken from feature films,documentaries, B–movies, and home–video style recordings. The conflation of these approaches takes place in an exhibition environment: one that includes photographic prints and readymade objects taken from the actual site of Amboy, a ghost town in the Mojave desert that serves as the central location of the film. Scholz, a painter and filmmaker, edited, ...

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PublisherLibrary Stack2019
MILTON FANGLINN: My name is Milton Fanglinn. I don’t teach, no. I work in the antiquities industry as a kind of. . . well let’s say a freelance scholar. I run a small consulting business, first out of New York but now from London, authenticating and researching the provenance of ancient objects in the field. Most of these don’t things have paper- work, or known owners, and are probably never going to be seen by the public. I have worked discreetly for many of the finest museums in the world, none of which would ever want its competitors to know ...

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PublisherFiktion2016
The young filmmaker Rene Daalder and the architecture student Rem Koolhaas wrote the screenplay to Daalder’s 1969 film De blanke slavin (The White Slave) in 1967/68. Taking inspiration from B-movies and Luis Buñuel, it is a hall of mirrors that toys with clichés and inverts them into campy provocations. A few years after the Eichmann trial, a man named Günther Unrat arrives in the Netherlands looking for “good Germans” who helped fight the Nazi occupation. He quickly gets mixed up in a nefarious organization that inspires him to follow in the footsteps of the consummate “good German” Albert Schweitzer by setting up a camp for young ...

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