Sound Recordings

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PublisherLateral Addition2016
A knife is cutting through air, relentlessly. However, it cuts very slowly, by degrees and in circles; it’s a wooden knife, not very sharp, like a butter knife but with teeth. The structure upon which this knife is attached has a light bulb resting on it, a light bulb with a rather complex metallic grid inside, vibrating softly with every degree of the knife’s turns. Then there is a strip of paper or a piece of thin cardboard, suspended; three toothpicks are leaning on and pushing this cardboard but they are not strong enough, the cardboard barely undulates. Sometimes a toothpick ...
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PublisherLateral Addition2016
Excerpts from Day Three at the Sydney Cricket Ground: Starc bowling to Saha from the Paddington end – dot ball; off-drive: boundary; dot ball; dot ball; dot ball; back-foot defence: dot ball. Watson bowling to Ashwin – edged: boundary; dot ball; dot ball; dot ball; forward defence: dot ball; forward defence: dot ball. Hazelwood bowling to Saha from the Randwick Street end – front foot defence: dot ball; back foot defence: dot ball; back foot defence: dot ball; drive to mid-on: dot ball; dot ball; off-drive: three runs. Watson bowling to Saha – forward defence: dot ball; back foot defence: dot ball; forward defence: ...
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Bureau gallery audio project series with gallery artists, begun February, 2017. http://www.bureau.audio/index.html
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PublisherBureau2017
APRIL 2017 CONSTANCE DEJONG SERIES ONE On a Street, 2015, 9:27 Jewelry, 2015, 7:53, performed by Jim Fletcher SERIES TWO Nightwriters 7, 2016, 3:03 Nightwriters 9, 2016, 3:21 SERIES THREE In a Cabin 3, 2016, 5:02 In a Cabin 7, 2016, 2:31
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PublisherBureau2017
In September of 2007 Ellie Ga joined the Tara, a research vessel drifting in the upper reaches of the Arctic. The Tara was the second boat in history constructed to purposefully drift indefinitely in the frozen sea. Ellie joined the crew of ten, as the only artist on board, for the last half-year of the expedition. She maintained a close conversation with us, reporting with sounds, images and texts via email and the occasional satellite phone call. These are some excerpts from Ga’s sound dispatches from the Arctic. Last Day of Sun, October 2007 Map Intro, October 2007 Map Part 2, October 2007 Map Part 3, October 2007 Le ...
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PublisherDJ/rupture2012
Yeah, I have tinnitus by now but it’s not so bad… I’ve DJed a lot of parties and made a lot of mixtapes over the years… And now you can listen and download most of them right here. The best place to begin is 2001’s game-changing live 3-turntable mix, Gold Teeth Thief. This influenced a lot of people & opened many ears; over a decade later, the world sounds a lot more like I was hearing/blending it back then. Here’s a list of most of my mixes in chronological order for free download as V0 mp3s. After the list you’ll find ...
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Publishercontinent2017
What would a conversation with a piece of asbestos, or a piece of plastic stranded on the shore of the Schuylkill River be like? And how could a conversation transpire, between things and researchers and other things, if they landed in the same place and found for themselves a common language? Imprinted by Philadelphia’s singular industrial and technological history, the soils, water systems, and infrastructures of the Delaware Valley tell a story of the Anthropocene, the contentious and debated terminology for this “new” and anthropocentric geological era in which human activities have forever altered Earth’s ecosystems. For the Anthropocene Campus ...
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PublisherLateral Addition2017
A conversation between Khyam Allami and Sharif Sehnaoui recorded at OneHertz Studios, Beirut, late 2017 Two musicians with very different backgrounds and itineraries in music discuss their visions and some of the ideas behind their distinct practices and methods. The conversation is set within the greater context of advancing contemporary ideas into the space of Arabic music. Here, Arabic music is not thought of as a fixed thing but rather as a historical and cultural background that lends various shades of meaning to each artist’s work. Though there was not quite enough time to fully expand upon the ideas discussed, the conversation ...
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The picture above is a display of the parameters used by the Haskins SineWave Synthesizer (SWS) in experiments that study the temporal aspects of speech. The horizontal axis shows time in milliseconds; the vertical axis shows frequency in Hz. The pattern is a graph of frequency and amplitude variations of three sinusoids. Height in the plane indicates frequency; the thickness of each tracing indicates amplitude. The properties of tonal analogs of speech vary over time. Accordingly, the tones rise and fall in frequency and amplitude in imitation of the frequency and amplitude variations of vocal resonances over the course of ...
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PublisherLateral Addition2013
Field recordings, MP3 compression 2013 Recordings often ask you to listen out-of-body by immersing yourself in the stereo image that the medium is reproducing. As if music were a window whose objects you could only perceive by imagining yourself on the other side. Immersion Loop asks you to stay where you are, to view the surface of the window and feel its effects in your space. The music is immersed, not the listener. Go about your business as though this sound is equal to all others: chatter, wind, traffic, footsteps, radios, appliance noise, etc. – JTP
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PublisherLateral Addition2013
EL: soo first in terms of editing, mix of the track any thoughts? Me: I just listened through again and was wondering about the order of the question sets EL: ok Me: like what if we move the first question set to after the talking set? Me: it’s hard to say though if that would make any difference as it stands it’s not too bad it’s just really austere in the beginning and a little silly at the end EL: hah Me: though the pink noise helps actually quite a bit after the describing food section EL: its a cleanser Me: totally a palate cleanser …
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PublisherLateral Addition2015
Aaron Harbour of Et Al. interviews Ginger Wolfe-Suarez, expounding on her exhibition at Diane Rosenstein gallery, A Thing Repeated Is Not Always The Same. August 31, 2015 – EL

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