Sound Recordings

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PublisherGauss PDF2011
“241508.pdf” is a generic, noise-based post-book reading environment. It is an effortless translation of the text Seven Controlled Vocabularies by the poet Tan Lin into an mp3 file. As a record that obscures the legibility of its source material, it is best put on and forgotten about or used as source material for further derivations. It is a book alternately compressed or decompressed to roughly 1 hour and 6 minutes and written as it is listened to. Originally downloaded freely from Lulu.com, a self-publishing platform, SCV appears to currently only be freely available as a Chinese [Google] translation (at http://is.gd/bP4Ys) ...
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PublisherLateral Addition2016
A knife is cutting through air, relentlessly. However, it cuts very slowly, by degrees and in circles; it’s a wooden knife, not very sharp, like a butter knife but with teeth. The structure upon which this knife is attached has a light bulb resting on it, a light bulb with a rather complex metallic grid inside, vibrating softly with every degree of the knife’s turns. Then there is a strip of paper or a piece of thin cardboard, suspended; three toothpicks are leaning on and pushing this cardboard but they are not strong enough, the cardboard barely undulates. Sometimes a toothpick ...
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PublisherLateral Addition2016
Excerpts from Day Three at the Sydney Cricket Ground: Starc bowling to Saha from the Paddington end – dot ball; off-drive: boundary; dot ball; dot ball; dot ball; back-foot defence: dot ball. Watson bowling to Ashwin – edged: boundary; dot ball; dot ball; dot ball; forward defence: dot ball; forward defence: dot ball. Hazelwood bowling to Saha from the Randwick Street end – front foot defence: dot ball; back foot defence: dot ball; back foot defence: dot ball; drive to mid-on: dot ball; dot ball; off-drive: three runs. Watson bowling to Saha – forward defence: dot ball; back foot defence: dot ball; forward defence: ...
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PublisherBureau2018
AUGUST 2018 AKI SASAMOTO Talking in Circles in Talking (Ice Sound), 11 min. 25 sec. Sound of the installation Talking in Circles in Talking with ice melting over bowls, amplified via homemade microphones.
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PublisherBureau2018
MARCH 2018 ALISON KNOWLES California Sandals, from the album Frijoles Canyon, 1992-2001, 4 min. 59 sec. Edited and published by Alison Knowles with collaboration from Joshua Selman and Non Sequitur Foundation.
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PublisherBureau2018
JANUARY 2018 AMELIA SADDINGTON Open Topic, 2015 Ursula Ofbeats, 2016 Savoir Faire, 2017 More for Cats, 2016 Bergen Bells, 2015 Grosik, 2015
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OOR Saloon & Killjoys invited four musical and per- formative positions to collaborate in a collective sound performance. The performance-session took place at the publication-launch of Sabian Baumann, Karin Michalski: An Unhappy Archive at the Gallery Mark Müller in Zurich… An Unhappy Evening followed the invitation of the publication to create shared spaces for bad queer feelings and offered an experimental, performative listening-setting, which allowed failures, differences, pauses and interruptions to take place. An Unhappy Evening wanted to find out, how we can listen closely to each other and interact with one another through sonic and performative practices, but without erasing ...
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PublisherUntitled, Radio2019
This episode features a panel that was broadcast live from San Francisco’s The Battery on November 7, 2018. The panel—hosted by Untitled, Art’s curator of Special Projects and Books & Editions, Juana Berrío—invites Robin Wright (co-founder, RITE Editions), Margaret Tedesco (founder, 2nd floor projects), and Vee Moran (co-founder, Owl Cave Books) to join in conversation about books that were created within the context of art. The episode also features a reading of Virginia Woolf by artist and bookmaker Brook Hsu.
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PublisherUntitled, Radio2020
Visual artist Binta Oxossi Ayofemi creates urban forms inspired by black abstraction through sound, movement, and space. Her first building as artwork, COMMONS, opens in Oakland in 2020, in collaboration with renowned architect Bonnie Bridges of Studio BBA. Studio BBA transforms buildings with historic fragments into contemporary buildings. COMMONS began with Oxossi’s strategic cuts into the building as performance, next shaped as an opening or flow between form and function in dialogue with Studio BBA. The space transforms a formerly vacant music building in downtown Oakland, into a portal for gathering, sound, and sustenance. Inspired by both Black Panthers and Black ...
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