A project in which diamond dust is scattered over the gallery floors beneath the diamond vault ceilings of the architectural museum in Oslo, a former bank. The tiny diamonds will be spread by visitors, sticking to their soles, dispersing the dust throughout the building, streets and town, investigating ideas of economic inequality, de-luxuriation and commodification of capital. A musical composition will be composed which will appear as a hummed performance by the curators. It is a scattered score that needs to be assembled by the audience, consciously or sub-consciously. The resulting music will be installed in the spaces where the diamond ...

after.video realizes the world through moving images and reassembles theory after video. Extending the formats of ‘theory’, it reflects a new situation in which world and video have grown together. This is an edited collection of assembled and annotated video essays living in two instantiations: an online version – located on the web at http://after.video/assemblages, and an offline version – stored on a server inside a VHS (Video Home System) case. This is both a digital and analog object: manifested, in a scholarly gesture, as a ‘video book’.

A screening and conversation with artist, writer, and filmmaker Renée Green. This program highlights Renée Green’s two recent short films, “Americas : Veritas (2018)”, and “Commemorative Toile: Mise-en-scène (2020)”. “Americas : Veritas” features Le Corbusier’s only two structures built in the American continent–Harvard University’s Carpenter Center for the Visual Arts, in Cambridge, Massachusetts, and Casa Curutchet, in La Plata, Argentina–while “Commemorative Toile: Mise-en-scène” revisits a homonymous wallpaper and textile installation made by Green in 1991/1993, which focused on the history of a pervasive textile and its motifs, as well as the artist’s interpretation of them. Tracing an arch that connects a European ...

A presentation by artist E.T. Chong followed by a discussion focusing on interrogating dominant ideas of “position” in terms of sexuality, race, and power, including the history of Asian subjects and bodies in relation to White supremacy. The presentation will include projects such as his recent “Asian Tops White Bottoms” performance at Recess, social deconditioning hypnosis treatments, and research into the troubled figure of Black Panther Richard Aoki. E.T. Chong E.T. Chong is an activist, artist, and community builder focused on creating platforms for marginalized communities. His current practice creates safe spaces for queer and non-gender binary minorities within the Asian Pacific Islander ...

When first launched the Biosphere 2 was sold by the media to an eager public as crucial scientific research that would save us when the earth became uninhabitable.  This was easier then explaining the complicated fact that many of its central ideas had come from an avant-garde theater troupe. But these performative roots were mirrored by Barbara T. Smiths “21st Century Odyssey.”  When Smith’s boyfriend, Dr. Roy Walford, went into the Biosphere for two years she traveled around the world doing performances and communicating with him through then cutting-edge tech like faxes and video chat. While he and the other ...

“Between Sky and Belief: Cosmological Uprisings”, a conversation between Alice Sparkly Kat and Ying Liu. The program consists of individual presentations on practices and research that take a critical approach to astrology, divination and other frameworks that decode futurity. The conversation dissects the historical and contemporary applications of astrology to narrate our current sociopolitical reality and to fathom our universe. Alice Sparkly Kat Alice Sparkly Kat is a queer, PoC astrologer. They use astrology to re-chart a history of the subconscious, redefine the body in world, and reimagine history as collective memory. Their astrological work has inhabited MoMA, Philadelphia Museum of Art, ...

A conversation with Maia Ruth Lee and Guadalupe Rosales about making reparative and discursive space for others and the importance (and tensions) of cultural representation. Maia Ruth Lee Maia Ruth Lee is a New York based artist and educator born in Busan, South Korea. Lee’s first solo exhibition in New York was at Eli Ping Frances Perkins in 2016, followed by her solo exhibition at Jack Hanley Gallery two years later. She has participated in numerous group exhibitions including at CANADA gallery (New York), Salon 94 (New York), Roberts & Tilton Gallery (Los Angeles), and Parisian Laundry Gallery (Montreal). Lee participated ...

Screening with filmmaker Suneil Sanzgiri followed by a conversation on the relationship between diasporic agency and filmmaking as an unenclosed practice of solidarity and revolt. The program includes Sanzgiri’s film ‘At Home But Not At Home’ (2019), featuring interviews with his father growing up under Portugese colonialism in India, utilizes modes of seeing at a distance to question the construction of memory, identity, and anti-colonial solidarity across continents. It will be followed by a trailer for his upcoming ‘Letter From Your Far-off Country’. Suneil Sanzgiri Suneil Sanzgiri is an artist, researcher, and filmmaker working to understand how systems of oppression are informed ...

Screenings with researcher Bora Erden of SITU Research followed by a discussion focusing on liberatory applications of forensic spatial technology to counter the repression of public assembly. Drawing from three recent projects, the screenings include research on the death of a protestor (‘Euromaidan Event Reconstruction – I.F. Dmytriv case’, Ukraine 2014), dangers and police abuse of tear gas weapons (‘Choking Dissent’ commissioned by Amnesty International), and reconstruction of police violence against BLM protestors at Barclays Center in June. Bora Erden Bora Erden is a spatial researcher with a background in computer vision. At SITU Research, he applies architectural, geospatial and computational techniques to ...

Organized by designer and improvisor Emily Smith, this participatory presentation, conversation, and group improvisation explored the architecture of online communications, movement, digital space, and dissonance. Featuring special guests Christa Cocciole, Christoph Knoth, Jeremiah Day, Josepha Conrad, Keyna Eleison, and others. ——

A reading event with artist A.L. Steiner and collaborator/translator Noura Wedell with a discussion on the legacy of Françoise d’Eaubonne’s activist work and original ecofeminist writing as part of an inquiry into its current-day viability as a call to action, and a recourse to mutation. During the development of French second-wave Eurocentric feminism arose the writings of Françoise d’Eaubonne, who coined the term ‘ecofeminism’ in 1974 as part of her 274-page tract Le Féminisme ou la mort. (Feminism or death.). Unsurprisingly, although regretfully, this critical text – along with the breadth of her prolific writings – has yet to receive English ...