Karachi Biennale 2019 seeks to understand the context of visual art biennials in postcolonial South Asian countries, such as Pakistan, Bangladesh and India. It examines the relationship between art organizations and the social status quo through an analysis of Adeela Suleman’s installation Killing Fields of Karachi (2019). The work was subject to censorship during the opening of the Karachi Biennale in 2019.