Two art and technology critics, Nora Khan and Mike Pepi, discuss pushing for a rigorous critical discourse in a creative field that can flatten evaluative distinctions in favor of zealotry for invention. “Criticism of a tool that’s presented as neutral when it really is a piece of social engineering is incredibly hard to do, and there really isn’t a model for criticism in this space,” says Khan. In this far-ranging discussion that touches on the critical distance and yet humanism required of writing on the internet, surveillance, and AI, Khan and Pepi assert that tools aren’t divorced from their makers, and artwork is never post-human – nor post-critique.
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