Version Space: Liz Magic Laser in conversation with Julia Schäfer

The following conversation between Liz Magic Laser and Julia Schäfer occurred via Zoom on Thursday, 17 September, 2020, at 11:00 New York/17:00 Amsterdam with an audience of students from the Sandberg Instituut, the Yale School of Art, and the Werkplaats Typografie. This is the first publication of Version Space, a series of pamphlets transcribing conversations among artists and graduate students in visual art regarding Artificial Intelligence and related topics, produced in collaboration with Library Stack and funded by the Artistic Research program of the Sandberg Instituut.

Feminism Under Corona: There is More than One Community

This sixth episode There is more than one community is based on a conversation with Australian-born and New York-based writer and scholar McKenzie Wark, who is known for her writings on critical theory and new media. Her latest book Reverse Cowgirl has been published by Semiotext(e) in 2020. Somehow, reading books starts always in reverse. We turn them over with our hands, looking for answers in advance on the back cover. However, Reverse Cowgirl is not a book made to satisfy questions, not even those of the author herself regarding her own biography. The conversation with McKenzie Wark does not provide ...

Astroturfs of Offense Glossary

Contributors S.U.S., New Models
Astroturfs of Offense is a diagram and glossary of terms related to the topic of astroturfing. The project is a collaboration between the New Models community and Shifting Uncertain Situations (S.U.S.). S.U.S. is an agency that seeks out public discussions and intervenes to produce documents that sow productive suspicion and ambiguity into wider conversations and unsettle ingrained patterns of thought. The agency encourages protesters to download and distribute their flyer at grassroots and astroturfed events.

The Serving Library Annual 2020/2021

This year’s Annual is published in tandem with a long-term installation of The Serving Library’s collection of (mostly) framed objects at 019, an artist-run exhibition, performance and work space in a former welding factory in Ghent, Belgium. Apparently, the sole common denominator of the objects in the collection — which range from paintings, photographs, and record sleeves, to a can of green paint, a German car license plate, and an ouija board — is to have appeared as illustrations in an issue of The Serving Library Annual or one of its immediate antecedents, Bulletins of The Serving Library or Dot Dot ...

The Black Catatonic Scream

Contributor Harmony Holiday
“Now we have to learn to listen to the speechless ruins.” A meditation on Black silence.

The Society of the Friends of the Virus, Vol. 4

CENTRE PARRHÈSIA LITERATURE SOCIÉTÉ DES AMIS DE LA PARRHÈSIA SOCIÉTÉ DES AMIES DU VIRUS

Interstitial EP043: Modern Architecture and Climate

Managing adverse climatic conditions was a significant part of the project of architectural modernism before the proliferation of air conditioning. Daniel Barber traces the conceptualization of the normative thermal interior space—and highlights the rich history of alternative models.

Larissa Pham

Contributors Harry Gassel, Larissa Pham
In this weeks episode I talk to the great writer and artist Larissa Pham. Larissa writes for, among others, The Nation and The Paris Review. She’s also written a novella “Fantasian, a New Lovers” published by Paul Chan’s imprint, Badlands Unlimited and is soon coming out with what she calls a mixtape of personal writing and essays, “How to Run Away” to be published by Catapult. Here we get into her thoughts on the rise and need for the personal in writing and when it goes too far, how art helps the artist to both express and disguise personal vulnerability, ...

Synth

Contributor Lisa Radon
Synth is a reader for now. a staking out of possibilities for an expanded imaginary and practice drawing from revolutionary poets, feminists, anarchists, witches, theorists, and polemicists from the 70s to the present engaging political, anti-capitalist, and anti-racist action, cyberfeminism, technofeminism, xenofeminism, information wanting to be free, dreamz of a free web, the virtual, hyperstitions, and fiction as method.

Contemporary Art Biennials – Our Hegemonic Machines in Times of Emergency

Biennials are each in their own way a complex constellation of different economical and geopolitical, and representational cultural aspects within its own power relations. With all their underlying deficiencies (canonical, hegemonic, colonialist, hot money-funded, politically influenced, hierarchical), biennials tend to establish international discourse, at best, rooted in local cultural specificities and contexts. With this edition of the journal, we wanted to include a variety of cases and research areas, not ordered along a historical trajectory, but rather, ordered by theme. With a mix of over sixty new contributions and reprints of important articles for the biennale discourse this issue is ...

Americas : Veritas

A screening and conversation with artist, writer, and filmmaker Renée Green. This program highlights Renée Green’s two recent short films, “Americas : Veritas (2018)”, and “Commemorative Toile: Mise-en-scène (2020)”. “Americas : Veritas” features Le Corbusier’s only two structures built in the American continent–Harvard University’s Carpenter Center for the Visual Arts, in Cambridge, Massachusetts, and Casa Curutchet, in La Plata, Argentina–while “Commemorative Toile: Mise-en-scène” revisits a homonymous wallpaper and textile installation made by Green in 1991/1993, which focused on the history of a pervasive textile and its motifs, as well as the artist’s interpretation of them. Tracing an arch that connects a European ...

Action at a Distance

The mediality of transmission and the materiality of communication result today more than ever in “acting at a distance” – an action whose agency lies in a medium. This book provides an overview into this crucial phenomenon, thereby introducing urgent questions of human interaction, the binding and breaking of time and space, and the entanglement of the material and the immaterial. Three vivid inquiries deal with histories and theories of mediality and materiality.

Corona Under the Ocean: Underwater Projections

The sixth episode, with writer, lecturer, and curator Filipa Ramos is an approach to cinema from the ocean and to the ocean from cinema. Beyond the production of underwater images, there is a political relationship between cinema and the underwater world. As vision devices, the projection room and the tank or aquarium are related in their production of the fiction of a safe environment for the human being. Moreover, there are aquatic creatures capable of producing cinematic images, allowing an expansion of the concept of cinema beyond its own history and human history. This podcast is the result of a ...

Inflight Magazine #5

The figure of the woman on aeroplanes summons the idea of the itinerary of stopovers—in London, Bombay, Calcutta, Accra, Colombo, Paris, Port-au-Prince and Washington DC—that not only speaks of the insufficiency of historiography but requires thinking through the relations between the international, the intra-national and the transnational. Women on Aeroplanes confronts us with the intermittent transmission of interrupted networks that sustain the negotiation between inter, intra- and trans-nationalisms. To turn towards magazines and publications is to think through the implications of world form entailed by periodicals that seek to thematize the work of collectivisation. We turn to magazines so as ...

New Models Podcast EP 28: TAKE IT, IT'S YOURS

We are joined by UC Davis professor of literature and critical theory, JOSHUA CLOVER, who is also a communist and the author of several books including RIOT STRIKE RIOT: THE NEW ERA OF UPRISINGS (Verso, 2016). This conversation begins with the street protests that have erupted across the US in response to the murders of George Floyd, Breonna Taylor and so many other black Americans at the hands of the police. It then expands to encompass digital platforms, definitions of violence and property, the promise of communes, and the caveats of UBI, giving a trans-historical view of revolutionary resistance at the ...

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