Paper News Special Edition: Women in Print

Although the history of photography and the history of photo and artists’ books is widely documented, collected, exhibited, and discussed, the legacy of women using photography in print is underdocumented, cursory, fragmentary and too often, inaccurate. Women were always at the forefront of innovation and the political debate on photography, despite the harsh conditions in which they often lived and worked, but their voices and their historical contribution are still marginalised. As the feminist art historian Linda Nochlin asked, what are the implications of this rejection and what elements of these practices do we need to reevaluate? And why does ...

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DATA Browser 06: Executing Practices

This collection brings together artists, curators, programmers, theorists and heavy internet browsers whose practices make critical intervention into the broad concept of execution. It draws attention to their political strategies, asking: who and what is involved with those practices, and for whom or what are these practices performed, and how? From the contestable politics of emoji modifier mechanisms and micro-temporalities of computational processes to genomic exploitation and the curating of digital content, the chapters account for gendered, racialised, spatial, violent, erotic, artistic and other embedded forms of execution. Together they highlight a range of ways in which execution emerges and ...

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Failed Architecture Podcast 08

Albert Speer is one of the most infamous architects in history. During his time working for the Nazi Party he was responsible for designing the Reich Chancellery and the Zeppelinfeld stadium in which the Nuremberg rallies took place, as well as being in charge of Germany’s war production during the Second World War and being slated to plan the massive reconstruction Berlin as Germania. Yet by emphasising his detachment from the general conditions he was able to avoid the death sentence after the war. While his is an extreme example, it offers a compelling jumping off point to explore the wider ...

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New Models Podcast 10: LOOSE CLIMATE CHANGE

Christine Lariviere works at the intersection of climate change and media. In this episode, she helps us render a massive map of the anthropocene (and humanity’s fate therein) while exploring why the word “systems” belies the incomprehensibly vast matrix of networks our changing climate is set to effect. If you make it past the hour mark, stay locked for some hot local foraging tips.

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On the Steady State

It is a regrettable honor to introduce this essay by Herman Daly. The honor comes from the importance of Daly’s thought, which is fundamental. The overused word is apt here: Daly has supplied a new foundation for economic thought and practice. In a civilization describable as global capitalism, few intellectual contributions are—or, rather, ought to be—of more consequence. As Karl Polanyi pointed out long ago, capitalism represents a new kind society in the span 0f human history; for us, the economy a k a the market hosts the society, rather than the other way around. Daly’s work in ecological economics ...

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Untitled, Art, Podcast: Artist Books & Editions

This episode features a panel that was broadcast live from San Francisco’s The Battery on November 7, 2018. The panel –hosted by Untitled Art’s curator of Special Projects and Books & Editions, Juana Berrío– invites Robin Wright (co-founder, RITE Editions), Margaret Tedesco (founder, 2nd floor projects), and Vee Moran (co-founder, Owl Cave Books) to join in conversation about books that were created within the context of art. The episode also features a reading of Virginia Woolf by artist and bookmaker Brook Hsu.

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Machine Eden

MILTON FANGLINN: My name is Milton Fanglinn. I don’t teach, no. I work in the antiquities industry as a kind of. . . well let’s say a freelance scholar. I run a small consulting business, first out of New York but now from London, authenticating and researching the provenance of ancient objects in the field. Most of these don’t things have paper- work, or known owners, and are probably never going to be seen by the public. I have worked discreetly for many of the finest museums in the world, none of which would ever want its competitors to know ...

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Seth Price: Social Synthetic

Social Synthetic is the first comprehensive publication on the varied oeuvre of Seth Price (born 1973). How can art explore the self under technological pressure? In Price’s work, this is often expressed in terms of the “skins” of surface, packaging and wrapping: he has made photographic studies of a person’s skin obtained through the technologies Google employs for mapping, vacuum-formed plastic reliefs presenting a body part stranded in plastic and large wall sculptures depicting the negative space between two people engaged in intimate action, greatly enlarged from a tiny internet jpeg. Price’s work offers a fascinating engagement with our technologically ...

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Urbanomic Document 034: Reengineering Philosophy

Reza Negarestani expands upon the major themes of his new book Intelligence and Spirit in this edited and expanded version of his conversation with Robin Mackay at the launch of the book in New York in November 2018. ——— Robin Mackay: Before I invite Reza to discuss some of the themes and ambitions of Intelligence and Spirit, I’d like to give a short, somewhat personal introduction to the book by relaying my impressions of Intelligence and Spirit as an editor and as a reader. To first give a very broad outline, Intelligence and Spirit is a painstaking interrogation of the notions of intelligence ...

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e-flux #94

Masaccio painted his fresco of the Expulsion of Adam and Eve from Eden (c. 1424–28) just about 600 years before 2030, which is the current cutoff point for humans to curb global temperature rise, or risk quicker extinction. In Masaccio’s rendering, the expelled pair walk together from the green valley crying with open-mouthed agony. Caught in this moment during their walk of shame, their lips, especially Eve’s, surround gaping dark ovals: Where are their teeth?

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Pattern Discrimination

Algorithmic identity politics reinstate old forms of social segregation—in a digital world, identity politics is pattern discrimination. It is by recognizing patterns in input data that Artificial Intelligence algorithms create bias and practice racial exclusions thereby inscribing power relations into media. How can we filter information out of data without reinserting racist, sexist, and classist beliefs?

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Politigram & the Post-left

Contributor Joshua Citarella
What begins as a casual engagement with funny memes can rapidly metastasize. The most common path for this particular group seems to arrive at something called Cyber-nihilism, a blend of Landian techno-pessimism, Primitivist anxiety and Transhumanist detachment. Enough time spent in this space culminates in a type of ideological Stockholm syndrome. Many of these ideas already exist on a continuum tilted towards nihilism; joining a doom cult is not too far a leap.

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Section 39_Index XXXVII: Traboulsi

Following his 2014 residency at AAA, New York-based artist Walid Raad developed Section 39_Index XXXVII: Traboulsi. The project stemmed from his research into AAA’s Ha Bik Chuen Archive and consisted of several ‘sculptural spaces’ built by Raad’s fictional collaborator, Suha Traboulsi, who creates reproductions of canonical modern paintings by Arab artists.

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How Do You Use The Internet Mindfully?

More than ever, creative people find their attention pulled in many directions by digital and networked technologies. Staying up-to-date and responsive to so many forms of online communication often feels mandatory in order to keep working. But, it can be both exhausting and dispiriting to build a creative practice while “extremely online.” With this compilation of essays produced in collaboration with Are.na, the platform for connecting ideas, we asked artists to share their approaches to using the internet more mindfully and creatively.

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Momus: The Podcast Episode 07

In Momus: The Podcast‘s 7th episode, we have brought together a group of artists, curators, and scholars to update the conversation around Artist-Run Culture in Canada. It’s a well-known history, one approaching legend, in this country: the emergence of artist-run centers seeking to address a lack of options for artist representation while forming a network across a vast geography; and then their professionalization, one approaching an institutionalization that mirrors the very thing they were made to contravene. Now, in a moment of large shifts across the arts sector, with a recent change to our country’s funding models, and a refocusing of ...

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