Iteration · December 8–10, 2012 · Philadelphia

Counter-variation · Strict partial order · Samples · Apartment · Two rooms subdivided into four sections, connected by another · Two to four doorways · Peavey bass amp · Water · Vans

Outline/blurb assigned numbered coordinates · Comments referencing room sections, objects occasioned, faulty time coding: · Lament metanalysis

Nonrandomized domestic recordings: four linear tracks, seven breaks · Contingent irregularities — exception: three guests arrive · Additive objects and/or surfaces substitute, account for one another’s duration — obfuscatory spatial treatments · Per lack of attention, nonproportional proximity the rooms the podcast · Admeasure · Aural minimalism in lieu of fiction · A man hissed from behind the door · Terminology · Regressive link · Discourse: “just me walking around” inference — preemptive, unsystematized save f trials of these spaces, their interchangeability, section lengths “two arbitrary silences, facilitating sound for rec,” imposing experiences, rites, approaches · Walking to and away from · Inability to construe systematization (e.g. weather) as voiding aesthetic games, I sunk my head only a little out of disappointment · Amount

The guests annex media · Andy Martrich : Iona (BlazeVox, 2012), Once : “The Empty Deck” (N/A, 1981), Trisha Low : Purge (Troll Thread, 2012) · Discretionary approaches of interaction and abandonment — compulsive wandering, browsing, setting down of

Attempts 40 seconds 8:00-13:00 · 50 seconds 22:00-25:00 · Bonus two more eclipsed segments


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