Droste Effect

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PublisherDroste Effect2020
An essay on the artwork of Ivana Spinelli, published on the occasion of her solo show Contropelo at Gallleriapiù, Bologna (January 23 – March 28, 2020). “Ivana Spinelli suggests a different look into the signs that are deposited in our collective memory as decorative elements lacking of any linguistic value. All of a sudden, those inscriptions manifest themselves as a code composed by discrete elements that can be used to form words and sentences, and take concrete shape as sculptural matter.” – Claudio Musso
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PublisherDroste Effect2018
Robotics and soft AI are bringing everyday changes both to the work field and to our free time. How does this condition reflect itself on the artistic practice? Can we humans liberate ourselves from our anthropocentric viewpoint and accept the intellective superiority of machines? Will we be able to overcome our fear of automation? In the utopian view of a fully automated production, not only work ethics should be re-thought, but also our certainties about aesthetics.
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PublisherDroste Effect2016
“Foreword” by Matilde Soligno “About 2016. End of Year Notes” by Vincenzo Estremo, Flaka Haliti, and Studio Miessen (Berlin) “2016’s TOP 5” by Luca Panaro
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PublisherDroste Effect2016
“Of Dilemma” by Dibakar Pal (ENG) “President Erdoğan is not among the author’s FaceTime contacts” by Vincenzo Estremo (ITA)
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PublisherDroste Effect2017
Notes on what I would have liked to write and on what I only left as thoughts by Vincenzo Estremo Artist contributions by: Danilo Correale Hugo Canoilas Massimo Ricciardo Kasia Fudakowski
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PublisherDroste Effect2016
Broadcasting the Archive è un progetto che ha come scopo principale la diffusione dell’archivio di Arte Útil, al di fuori dell’istituzione che ne custodisce i materiali. Il concetto di Arte Útil è stato sviluppato dall’artista cubana Tania Bruguera in collaborazione con i curatori, curatrici e ricercatrici del Queens Museum di New York e del Van Abbemuseum di Eindhoven, in Olanda. L’archivio è stato composto da Gemma Medina Estupiñan e Alessandra Saviotti, che hanno quindi iniziato a pensare a come diffondere le potenzialità di questo strumento anche al di fuori dell’ambito artistico. Il progetto è stato pensato specificatamente per attivare e ...
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PublisherDroste Effect2016
Since the coming of image technologies (and particularly with photography, video, and the Web) contemporary culture has lost control over images, which became more and more independent from their author. Luca Panaro formulates his thesis by reinterpreting the works of theorists (Susan Sontag, Walter Benjamin, Vilém Flusser), writers (Luigi Pirandello, Italo Calvino, Penelope Lively), even film directors (Buster Keaton, Michelangelo Antonioni, Wayne Wang), and finally contemporary artists (Franco Vaccari, Douglas Gordon and Philippe Parreno, Wolfgang Staehle, Roberto Cuoghi, Carlo Zanni, Eva and Franco Mattes).
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PublisherDroste Effect2016
Since the coming of image technologies (and particularly with photography, video, and the Web) contemporary culture has lost control over images, which became more and more independent from their author. Luca Panaro formulates his thesis by reinterpreting the works of theorists (Susan Sontag, Walter Benjamin, Vilém Flusser), writers (Luigi Pirandello, Italo Calvino, Penelope Lively), even film directors (Buster Keaton, Michelangelo Antonioni, Wayne Wang), and finally contemporary artists (Franco Vaccari, Douglas Gordon and Philippe Parreno, Wolfgang Staehle, Roberto Cuoghi, Carlo Zanni, Eva and Franco Mattes).
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A new project by Droste Effect magazine, Bulletin is a monthly online publication dedicated to curated non-academic art papers. Bulletin aims to explore the diverse ways in which the complexities of being in contemporary art are expressed. It is fundamental for us to investigate the cultures around the contemporary art world, and to understand what constructs our present. Through non-academic writings from a number of disciplines in the humanities, together with contributions by artists, filmmakers, poets, and theoreticians, Bulletin aims to map the dynamic ways in which cultures use visual means to record, redefine and question once again the historical context ...
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PublisherDroste Effect2019
This paper is aimed to invoke a different direction to the crisis that digital life and the Anthropocene are forcing us to face as humanity: instead of a speculative imagination about egress, it will propose an intense recuperation of the potency of our sense of being nature, an extension of Earth, in our most immediate present. The shift that Western theory is making in order to think of an alternative to the irreversible damage we have provoked is to imagine a world-without-us. Would it be possible to imagine ways to avoid leaving our bodies, and instead to think, live, feel ...
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PublisherDroste Effect2019
Collective Çukurcuma included video works of Funa Ye and the Istanbul Queer Art Collective as part of the FLOW OUT exhibition, hosted by Bilsart, Istanbul until June 30, 2019. The program is based on the common practice of thinking, expressing and writing collectively about the present. As co-authors, they continued to write the collective essay through email exchanges — no one is the owner of the piece, whereas each of them is a participant. FLOW OUT does not belong to a place, but it refers to contemporaneity, addressing the problem of authorship in a collaboration, and experimenting with the idea ...
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PublisherDroste Effect2016
What happens when we surf the Internet from a country that exerts strong censorship? The aims of an Internet researcher might be considerably influenced by the territorialisation of their Internet surfing. The starting point in this non-academic paper is the author’s personal research on Hito Steyerl’s work. From that, he has come to provide a partial perspective of communication in Turkey’s contemporary politics. This Bulletin is focused on the accessibility of the information about Kurdish issues, and on how a new digital passport allows one to attain knowledge otherwise hidden.

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