Institut Kunst HGK FHNW

Cover art
With the third symposium Women on Earth we were seeking to understand the relations between feminism and species coexistence. The issue of nature—and of all that is naturalized or deemed unnatural by hegemonic discourses and policy—is of particular importance to gender issues, as is science. But a scientific and technical approach to the climate emergency cannot be accurate without taking into consideration how gender, racial, and economic violence foster our emergent ecocides, nor by how women—often poor and Indigenous women—are overwhelmingly at the forefront of this violence as the very first recipients of. What kind of political and cultural transformation ...
Cover art
Episode 15: Attention The two days Symposium “Women in Space” at the Art Institute HGK FHNW in Basel thematized the roles of scale, space and power in envisioning women in the art system: space is an issue for everyone, yet, it has specific resonance for those who make exhibitions and run institutions, and for women in general. How we move through space, how we claim it, how we narrate and thematize it, how we fund it, how we labor in it, how we construct and deconstruct it. In this episode Chus Martinez & Quinn Latimer are in conversation with Mareike Dittmer, ...
Cover art
Episode 1: Austerity Mareike Dittmer, Stefanie Hessler, Natascha Sadr Haghighian in conversation with Chus Martínez and Quinn Latimer. Promise No Promises is a podcasts series produced by the Women’s Center for Excellence, a research project between the Art Institute and the Instituto Susch—a joint venture with Grażyna Kulczyk and Art Stations Foundation CH. The Women’s Center for Excellence is conceived as a think tank tasked to assess, develop, and propose new social languages and methods to understand the role of women in the arts, culture, science, and technology, as well as in all knowledge areas that are interconnected with the field of culture today.
Cover art
We affirm ourselves as the center of evolution by saving it from our own destruction. Our new heroism is to keep things, at best, as bad as they are. What does good even mean? We are the joke of evolution—and nobody’s laughing. Listen to Chus Martínez in conversation with marine scientist Skye Morét and writer Ingo Niermann.
Cover art
Episode 19: Big Bang (Disputaziuns Susch, The Magicians of the Mountains) The first episode in a series of chapters from Disputaziuns Susch, an annual conference scheme hosted by Art Stations Foundation CH and Grazyna Kulczyk, has Aleksandra Mir imagining an artist and a scientist sitting on a train where a conversation ensues about objective realities, space exploration, negative space and belief. Disputaziuns Susch, from the beginning in 2017, has been a multi-disciplinary annual endeavor, bringing together scholars and artists, philosophers and authors, neuroscientists and historians – thinkers who will be asking questions and counter questions – in its 2019’s editions circling around ...
Cover art
Episode 21: Breaking the Waves (Disputaziuns Susch, The Magicians of the Mountains) The third episode in the series of chapters from Disputaziuns Susch, an annual conference scheme hosted by Art Stations Foundation CH and Grazyna Kulczyk, has Elisabeth Bronfen looking at Virginia Woolfe’s ‘Breaking the Waves’ and comparing Woolfe’s feeling of ‘walking a tightrope over nothingness’ to Heidegger’s notion of individual existences as ‘being thrown’ into the world. Also the horizon (see episode two) is returning to the debate. Disputaziuns Susch, from the beginning in 2017, has been a multi-disciplinary annual endeavor, bringing together scholars and artists, philosophers and authors, neuroscientists and ...
Cover art
Science has to generate output. Art has to cater to an audience. Could art and science join forces to free science from definite outputs and art from definite audiences? Or would art then also be measured by its outcome and science by its audience? Listen to Chus Martínez in conversation with artists Julieta Aranda, Marco Roso, and Elena Mazzi.
Cover art
“The first episode Oceanizing History, emerged from a conversation with professor and curator Greg Dvorak. Author of the book Coral and Concrete: Remembering Kwajalein Atoll Between Japan, America, and the Marshall Islands (2018), Greg teaches at Waseda University in Tokyo and researches the postcolonial histories of Japan and the USA in Oceania. His work is related to his personal biography, spending part of his childhood on a US military base in Kwajalein Atoll in the Marshall Islands. The meeting with Greg took place in mid-April 2020, when the global lockdown was already becoming a new normal. He was in Tokyo ...
Cover art
The third episode of the Corona Under the Ocean chapter, featuring anthropology professor Cynthia Chou, is dedicated to the Orang Suku Laut, a nomadic community from the Malay world sea in Southeast Asia. Thanks to more than three decades of research, Cynthia Chou’s work brings us closer to the worldview and life practices of the Orang Suku Laut, for whom humans are just another element among the many creatures that inhabit oceans and land. Continually moved by the tides, their ancestral relationship with the environment not only puts many aspects of modern societies into question, but shows that another kind ...
Cover art
The eighth episode, with professor and anthropologist Elizabeth Povinelli, begins with her idea of axioms of existence, which put in crisis the abstract and universalist condition of Western philosophy. The ocean is not far from Western epistemologies and ontologies. In fact, it is totally entangled in them thanks to their intimate—and strategically invisible—relationship with colonial history and violence. The notion of geontopower, coined by Povinelli, critically revises the Foucauldian notion of biopower. The fictional but real frontier between life and non-life is a political frontier in continuous expansion, even beyond Earth. This podcast is the result of a conversation between ...
Cover art
The seventh episode, with curator Camila Marambio is an approach to Tierra del Fuego from her personal experience with a part of the world with which she has a strong emotional connection. As she states, Tierra del Fuego, “despite its remoteness, is the center of the world”. Karokynka is the name by which this area of the world is known by the native Selk’nam people, a culture that still survives in its descendants despite its official death by the modern state of Chile. The fact of proclaiming as dead, a culture that is still very much alive, is part of ...
Cover art
The fifth episode of the Corona Under the Ocean series, featuring feminist philosopher Astrida Neimanis, puts into practice one of the author’s methodologies: “thinking with water.” As a material, water not only enables a relational ontology when thinking about the reality that bodies inhabit and produce, but also allows for an understanding of feminism that transcends the human and incorporates a planetary and intersectional scale where race, class, and gender are in constant intra-action. This podcast is the result of a conversation between Astrida Neimanis and Sonia Fernández Pan, where the Covid-19 pandemic was also a constant, an atmospheric condition ...

We use cookies to improve your experience on our site. Read our privacy policy to learn more. Accept

Join Our Mailing List