Onestar Press

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Publisheronestar press2008
ABOUT SENDING AND RECEIVING LETTERS Since I was very young, until my early thirties, I had serious problems in opening and reading any letters I received. Letters would stay on my table for weeks before I found the courage to open them, and during this time my sense of guilt would grow and grow. Most of the time, when I finally opened the letters, it was too late to answer them and my sense of guilt was worse than ever. I kept every single letter, from the first notes received from my mother, in I965, up to the time I left ...
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Publisheronestar press2013
The following was announced on the windows of a small blue house at dOCUMENTA (13): The 60 wrd/min art critic is available. ­Reviews are free of charge, and are written here on Mondays, Wednesdays and Saturdays ­between the hours of 1 and 6 p.m. Lori Waxman will spend 25 minutes ­looking at submitted work and writing a 200-word review. Thoughtful responses are guaranteed. Completed reviews will be ­published in the Hessische/­Niedersächsische­Allgemeine (HNA) weekly, and will remain on view here throughout ­dOCUMENTA (13). This book collects together all 241 reviews written during the d13 performance, with an afterword by Carolyn Christov-Bakargiev. LIST OF ARTIST ...
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Publisheronestar press2013
A children’s book on agriculture in Le Cateau brings together drawings by students from three classes at three different schools in the region to partner with Musée Matisse Le Cateau-Cambrésis, located in rural northern France. At the invitation of Carrie Pilto, director of the museum, artist Harrell Fletcher joined by Nolan Calisch and Molly Sherman proposed instructions for children to illustrate a text on the agricultural history of the region. This book traces the first meeting between these artists and the inhabitants of Le Cateau and its environs, beginning a series of participatory projects initiated by Musée Matisse Le Cateau-Cambrésis. Made on ...
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Publisheronestar press2009
Do you know that canvas you see in every permanent collection in every art museum around the world that has been slashed by an artist called Fontana? There are many of them, each a slightly different size, with a different length slash. When encountering them I peer through the slash to the dark shadow, ‘concetto spaziale’, adjusting my eyes to the light that reaches the gallery wall. I wonder how many canvasses Fontana slashed, and how they would look displayed from the longest to the shortest? The book aligns and extends these voids from page 1 to page 150. Daniel Eatock
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Publisheronestar press2004
What would it be like if one day everyone you encountered said that they were you. Would you let them assume your identification, knowing that ultimately they can only be themselves. These questions are what Carroll provokes us with in All the men that think they can be me.
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Publisheronestar press2003
Jonas Mekas’s artist book is made up of postcards, notes, drawings and letters that friends and artists have sent him over the years. It is a sequel to his filmed and written diaries.
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Publisheronestar press2011
I’m one of those ADD people. I’ve never touched art in a gallery, but that’s because it’s in a gallery, not because “it’s art”. Really good art is best appreciated by rubbing yourself all over it. So, this “I Failed as a Visitor” thing is a wee bit offensive. Modern art should be inviting visitor participation, not building up that wall of separation. posted by shii at 6:07 AM on December 9, 2009
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Publisheronestar press2006
73 expressive portraits of Michael Ballack, the superstar german footballer.The cut-outs are taken from photographs collected by the artist from daily newspapers between May 2005 and May 2006.
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Publisheronestar press2008
The Big Umbrella, twice the radius of the biggest men’s umbrella on the market, was designed to shield up to 16 people from the rain. It was a cheerful and simply idyllic structure, but did 16 people want to crowd together to avoid getting wet? Does bad weather affect people differently in different parts of the world? To find out, I took my big umbrella on the road between 2003-2004, visiting Paris, London, Dresden, Copenhagen, New York and Martinique. Traveling the world with a familiar object of uncanny proportions can have some unexpected effects. While the Big Umbrella proved useful as ...
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Publisheronestar press2003
Gwen Smith (born in the U.S.A. in 1968) lives and works along the waterfront of the East River in Greenpoint, Brooklyn. Smith’s photographs of neighborhoods and their markings recognize a psychic energy in places that are fleeting. She uses photography to observe change and questions what is permanent. Cancer is the sequel to Tropic.
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Publisheronestar press2003
When the parasite sets in, small white bubbles rise up. They are warm, transparent and may appear anywhere. Cases have been documented in Boston, Cambridge and New York and the number is increasing. The appearance is not on the skin but on the sidewalks. New York artist Michael Rakowitz is the engineer of paraSITE, a temporary living space for the homeless. We may see homeless citizens every day, but now we see them unexpectedly, living inside what looks like a space age tent. paraSITE uses the warm air that escapes buildings to inflate and to provide night-time shelter. The cities and ...
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Publisheronestar press2016
Here are some drips, splashes and pours, all accidental or intentional and all stolen from one late work by a well known master. Sometimes it takes a new type of looking in order to move forward. What do we see when we take things apart and reorganize? Really, it is open to your own interpretation but I included a photo I took to let you know how I feel.

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