Primary Information

PublisherPrimary Information2014
An Anti-Catalog was the work of the Catalog Committee of the group Artists Meeting for Cultural Change (AMCC). A landmark publication of the 1970s, its purpose was to protest the Whitney Museum of American Art’s bicentennial exhibition, which was titled “Three Centuries of American Art.” The Whitney show featured John D. Rockefeller III’s collection of mainly eighteenth and nineteenth-century American art–a collection that featured only one African American and one woman artist. The Catalog Committee, which consisted of fifteen artists and two art historians, spent almost a year producing an eighty-page book containing articles and documents. Originally conceived as a critique of art historian E.P. Richardson’s catalog for the Whitney exhibition, ...
IRL
PublisherPrimary Information2013
IRL takes the form of a mood board wrapper with an interview inside. “JEQU: When artists reject the mandate to be “critical”, they sometimes do so because it is perceived to inhibit their right to sell work and participate in the market system with a clear conscience. They think they are thus defending their right to “live well.” One strategy often employed is that of the artist who spends the first part of his or her career outside of this system in order to build avant-gardist credibility, and then later chooses at a certain point to participate in the traditional market/gallery ...
PublisherPrimary Information1968
Also known as the “Xerox Book” A book exhibition in which each of the 7 artists were asked to make a 25-page work on 8 1/2″ x 11″ paper, which was then photocopied and printed.
Primary Information and From The Nursery are pleased to announce their first collaborative release, an album by XXX MACARENA, a band comprised of Tony Conrad on violin, Jutta Koether on synthesizer, and John Miller on guitar. XXX MACARENA was recorded live at the Kunsthalle Zurich in June 2009. The performance is an entirely improvised 42-minute piece that ranges from microscopic detail to seismic wall-of-sound, full of intensities and introspection; a composition in-the-moment — like a crime, understood as somehow both premeditated and a matter of chance.

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