There is something subtly mysterious about the films and photographs of the Danish artist Ulrik Heltoft. Drawing on literary narratives or scientific sources, his works often explore the conceptual and aesthetic potentials of specific technologies. Despite his experimental use of his media, his photography evinces a uniform clear and brilliant quality. For his exhibition at the Secession, Heltoft has created a new film titled Kabinet. It is based on a piece of social critique that has been adapted for the screen many times: Charles Dickens’s novella A Christmas Carol (1843), in which the confrontation with ghosts inspires the old and stingy ...

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