Triple Canopy

PublisherTriple Canopy2019
“How could my grandmother have made millions from the antiquated traditions and ridiculous superstitions that I’d been so desperate to abandon?” An essay on the monetization of traditional Chinese medicine and failed promises of diaspora. “Aconite, My Roots,” by Henry Zhang is part of Resentment, the twenty-fifth issue of Triple Canopy, that is devoted to reclaiming—if not recuperating—resentment, especially as harbored by those who are used to fits of anger and bitterness being indicted as unproductive, petty, selfish, even pathological.
PublisherTriple Canopy2017
The Amme Talks is a conversation between poet and machine. In 2003, poet Ulf Stolterfoht and a chatbot named Amme (which means “wet nurse” in German) met in Berlin. For one week, Stolterfoht interrogated Amme: not just a chatbot, actually, but a steel-and-glass construction with a computer interface, which is connected to a glass of milk, a robotic arm that tips over the glass, and a tube that releases water, as if urinating. Stolterfoht asked Amme—the creation of artist Peter Dittmer—about the nature of authorship and the agency of language; he intended to turn the answers into an essay on poetics. ...
PublisherTriple Canopy2019
“The Does leveled a challenge: if you can’t afford Avon, move.” A contemporary witch hunt in a picturesque New England town, amid faux colonials and foreclosures. “The Devil in Connecticut” by Jacqueline Feldman is part of Resentment, the twenty-fifth issue of Triple Canopy, that is devoted to reclaiming—if not recuperating—resentment, especially as harbored by those who are used to fits of anger and bitterness being indicted as unproductive, petty, selfish, even pathological.
PublisherTriple Canopy2019
“A fence’s integrity rests on its ability to enclose what one is unwilling or unable to offer.” Views from a performance of black fatherhood. “Fences” by Saretta Morgan is part of Resentment, the twenty-fifth issue of Triple Canopy, that is devoted to reclaiming—if not recuperating—resentment, especially as harbored by those who are used to fits of anger and bitterness being indicted as unproductive, petty, selfish, even pathological.
Headless, an exhilarating murder-mystery by the elusive K. D., probes the sordid secrets and sinister deeds of powerful financiers who use Caribbean firms to conceal their fortunes. The novel begins with workaday author John Barlow agreeing to ghostwrite a novel about secretive tax havens. Barlow assumes the job will be a no-brainer. But then his eccentric employers, Swedish conceptualist artist duo Goldin+Senneby, ask him to investigate Headless Ltd., a shadowy company with possible links to the French philosopher Georges Bataille, known for his obsession with human sacrifice. Barlow travels to Nassau, Bahamas, the glitzy mecca of offshore finance, and begins ...
PublisherTriple Canopy2018
In “International Art English,” Alix Rule and David Levine describe the language of contemporary art by analyzing a corpus of press releases sent by e-flux, which is paid to do so by museums, biennials, publishers, and art fairs in order to reach a subscriber base of more than ninety thousand art professionals. The essay appeared in 2012 and soon surpassed the popularity of every other Triple Canopy publication. “International Art English” generated innumerable conversations about the relationship between language, legibility, and power in the art world: columns in the Guardian, polemics in e-flux’s online journal, debates at conferences for art ...
PublisherTriple Canopy2019
An essay on posthumous caretaking. “My Existential Limits to the Rectification of Past Wrongs, Or, So If You See Me Crying, It’s Just a Sign That I’m Still Alive” by Tiona Nekkia McClodden is part of Risk Pool, the twenty-fourth issue of Triple Canopy, that asks: how are sickness and wellness defined, and by whom? What are the effects of these definitions, these acts of naming and describing?
PublisherTriple Canopy2016
Prompted by the 2011 Egyptian uprising, this book-length essay on the cultural politics of sleep by writer and editor Anna Della Subin takes as its starting point Tawfiq al-Hakim’s 1933 play The People of the Cave. Based on the legend of the Seven Sleepers of Ephesus, which also appears in the Qur’an, the play tells the story of three Christian men and a dog who awaken in a cave after fleeing from persecution by their pagan king. Upon venturing out, the men discover that three hundred years have passed, and must come to terms with a transformed world. Though hailed ...
PublisherTriple Canopy2010
Artist Erin Shirreff’s motivation for developing Shadow, Glare, the first work she’s designed for a digital environment, stems from those moments when the screen’s material presence becomes impossible to ignore, when dust accumulations, errant smudges, and the movement of shadows and glares disturb the illusion of transparency. “In my living room the light will shift,” Shirreff explains, “and suddenly I’ll be looking at all the dust on my computer screen, or the splotches of light. That will really jar me back into my chair.” Originally from the article Shadow, Glare.
PublisherTriple Canopy2019
“Am I OK? Is there anyone around to see that I am OK?” A series of poems and letters that reflects on mortality, friendship, and psychic survival. “Wake to Dread” by Gregg Bordowitz is part of Risk Pool, the twenty-fourth issue of Triple Canopy, that asks: how are sickness and wellness defined, and by whom? What are the effects of these definitions, these acts of naming and describing?
PublisherTriple Canopy2019
“Sinister alabaster always transforms us from mermaids into monsters.” Prose, poetry, and recipes concerning the sea as a site of forced labor. “What Could I Have Said with a Mouthful of Salt” by Sean D. Henry-Smith & Imani Elizabeth Jackson is part of Resentment, the twenty-fifth issue of Triple Canopy, that is devoted to reclaiming—if not recuperating—resentment, especially as harbored by those who are used to fits of anger and bitterness being indicted as unproductive, petty, selfish, even pathological.
PublisherTriple Canopy2019
An introduction to B-ber, Triple Canopy’s new framework for creating and circulating publications as websites, EPUBs, books, and other formats.

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