Democracy

Cover art
PublisherThe Funambulist2019
Following our recent debate “Politics of Spatial Segregation” that shed light on racist Danish housing policies and the notion of structural discrimination co-hosted with CAMP – Center for Arts on Migration Politics in Copenhagen on 22 March, Margarida Waco from The Funambulist met with the two co-founders of the association Almen Modstand (Common Resistance), Fatma Tounsi and Marie Northroup, for a conversation about current legislation and the founding pillars of the association. The starting point of the conversation was a new strategy to rid Denmark of a parallel society by 2030 presented by the Danish Government in March 2018. To counteract ...
Cover art
Publisher[NAME]2017
“Police killings captured on cell-phone video or photographs have become the hallmark of United States visual culture in the twenty-first century. In this book, I examine this transformation of visual culture from the deaths of Eric Garner and Michael Brown in the summer of 2014 to the inauguration of Donald Trump in 2017. As a person designated “white” by the color line in the United States, I do so from the perspective of anti-antiblackness. I study the formation of the space of appearance, that space where we catch a glimpse of the society that is to come—the future commons or communism. ...
Cover art
PublisherStrelka Press2013
These are serious times, or so our governments keep telling us. Strangling economies with their austerity policies, they assure us that they have no choice. In a world where “there is no alternative”, how do you dissent? Once upon a time, graphic designers would have made political posters and typeset manifestos. Today, protest has new strategies. Enter the internet meme. With its Darwinian survival skills and its viral potential, the meme is a way of scaling up protest. Hackers and activists have learned to unleash the destructive force of a Rick Astley video. They have let slip the Lolcats of ...
Cover art
PublisherSternberg Press2016
“At the heart of this book is a simple and profound proposition: to ‘do’ architecture is to immerse oneself in a conflictual process of material production—participation is not a productive encounter of multiple practitioners and stakeholders, but a set of conflicts, negotiations, maneuvers, and swindles between and within a multiplicity of agents, human and nonhuman alike—equally including architects, clients, financiers, and builders, say, but also silicon, plastic, concrete, each with its conflicting aims and different material means to achieve them. Every building is thus the materialization of such encounter. So, despite the hubris of the field, none of the parties ...
Cover art
PublisherInventory Press2018
Globalization, technology, and politics have altered the definition and expectations of citizenship and the right to place. Dimensions of Citizenship documents contributions from the seven firms selected to represent the United States in the 2018 Venice Architecture Biennale. This paperback volume profiles and illustrates each of the US Pavilion contributions and contextualizes them in terms of scale. Drawing inspiration from the Eames’ Power of Ten, Dimensions of Citizenship will provide a view of belonging across seven stages starting with the individual (Citizen), then the collective (Civic, Region, Nation), and expanding to include all phases of contemporary society, real and projected (Globe, ...
Cover art
Publishere-flux2021
The Covid-19 pandemic has attacked not only our individual bodies, but our collective body as well. Through thirteen contributions by writers who are mostly from former socialist countries where the space of freedom is contracting once again, this special issue of e-flux journal asks what this collective body actually means, and what it has become. These changes are not only happening in Europe’s former socialist countries. Something similar is also occurring in Greece and Turkey, where two essays in the issue originate. This is not to say that all is well elsewhere, that democracy is thriving in Western Europe and North ...
Cover art
Publishere-flux2014
We are increasingly faced with premodern foundation myths coming from right-wing propaganda and grassroots movements alike. They tell us that some things don’t change and they ask us to think about how original communities are constituted. And we start to wonder whether these original communities are new synthetic fabrications concocted by the limits of communication and exchange, by the failed promises of a liberal democracy or a thriving economy that does not reach people who thought they were entitled to it, and who thus start to look elsewhere. Or do these communities actually contain some real claim to a historical ...
Cover art
Publishere-flux2014
In the summer of 1989, Francis Fukuyama published his infamous essay declaring the global triumph of free-market liberal democracy over communism as the end of ideology as such. Not only that, but he also claimed the world was on the cusp of realizing what Fukuyama’s mentor Alexandre Kojève called the “universal homogenous state,” which would be the climax of a particular Western idealist tradition stretching back to Hegel. It would be the endpoint of a human consciousness based in accumulative historical progress that also grounded the thinking of Marx himself, who pegged his own philosophy to a conception of time ...
Cover art
Publishere-flux2014
Francis Fukuyama, and even his mentor Alexandre Kojève before him, warned of boredom, stasis, and homogeneity being characteristics of the “universal homogenous state” that would mark the end of history. As Fukuyama put it: in the post-historical period there will be neither art nor philosophy, just the perpetual caretaking of the museum of human history. And indeed, the phase of contemporary art has also been characterized in discussions over recent years as a reformatting of time into a perpetual present. The contemporary is the now that never ends, the art that circles itself at the tail end of history looking back on defunct ideologies, archiving and polishing them ...
Cover art
Publishere-flux2015
The texts gathered in this issue of e-flux journal reflect upon the censorship of Cuban artists that has taken place in the shadow of the political negotiations between the island and the United States. They are the words of Cuban intellectuals who have chosen to respond to erasures brought about by overzealous state authority, a politics of complicity among Cuban artists, and the strategic blindness of Cuba’s enthusiasts. Editorial—“Cuba: The Fading of a Subcontinental Dream” Coco Fusco The Forbidden Symbols Ernesto Hernández Busto Letter from Prison Danilo Maldonado Machado (El Sexto) Apotheosis Now Iván de la Nuez Condemn Us, It Does Not Matter: Art Will Absolve Us Juan Carlos Cremata ...
Cover art
Publishere-flux2016
“How Much Fascism?” asked the curatorial collective WHW. Quite a bit, it would appear. As always, the prefix “neo-” can stand for many differences in the repetition, yet the noun asserts itself with all the subtle grace of an elephant in the room. Historical fascism, too, was a many-headed hydra, and scholarly struggles over exact definitions are ongoing, and will continue, for there is no Platonic Idea, but rather a set of historically grown family resemblances – revolving around tropes such as a cult of strong male leadership that will reverse a country’s decline, the identification of the cause of ...
Cover art
PublisherThe Equations Group2016
In the summer of 2016, a suite of hacking tools appeared for auction from a previously unknown group called “The Shadow Brokers”, who claimed to have hacked these tools from another secretive organization: “The Equations Group”. This folder of firewall tools (downloadable below) were released for free as proof of the hack’s overall legitimacy; The Shadow Brokers asked for one million Bitcoin (about 570 million dollars) for the rest of the tools. The free folder featured exploits (components of a larger attack that leverages security vulnerabilities), implants (covert software developed for targeted attacks on a particular device, usually for surveillance), ...

We use cookies to improve your experience on our site. Read our privacy policy to learn more. Accept

Join Our Mailing List