Economics

A Euro Is A Euro Is A Euro: Fieldwork In European Realism appears in issue 2 of Fictional Journal (online only), and is reproduced in the PROPAGANDA pdf document. As a singular embodiment of matter and representation, the Euro-skulptur is as abstract as money, as tangible as cash. An essay and animations analyse the sculpture as a material symbol of the European Union. Euro cash is European Realism, it is a representation of things as they actually are, it is the sincere, un-idealised rendition of con- temporary life in the EU. we normally look at architecture, or more broadly at the built environment, ...
PublisherThe Distance Plan2015
“…And I was like—yes it is! Part of my broader project as an artist is thinking about how the term climate change can be redefined and expanded to enable people to understand its relevance. So climate change is redefined as an issue of inequality, or social justice, and also urban design and planning. So if I go by that broader definition, I don’t see why I should exclude those things here.” Amy Howden-Chapman in conversation with the Newspaper Reading Club, 2015
Episode 1: Austerity Mareike Dittmer, Stefanie Hessler, Natascha Sadr Haghighian in conversation with Chus Martínez and Quinn Latimer. Promise No Promises is a podcasts series produced by the Women’s Center for Excellence, a research project between the Art Institute and the Instituto Susch—a joint venture with Grażyna Kulczyk and Art Stations Foundation CH. The Women’s Center for Excellence is conceived as a think tank tasked to assess, develop, and propose new social languages and methods to understand the role of women in the arts, culture, science, and technology, as well as in all knowledge areas that are interconnected with the field of culture today.
PublisherGuggenheim2015
Åzone Futures Market is a Guggenheim online exhibition that enables you to take a position on the future of a world increasingly shaped by emerging technologies. New technologies are challenging our social foundations and destabilizing the ethics, practices, institutions, and worldviews that have structured our collective experience for centuries. The accelerating rate of this flood of transformations exceeds the limits of our capacity to understand the consequences and to create the lives we want to live. We need new cultural forms to help make sense of the situation. The Guggenheim is testing a new exhibition architecture in the form of an online ...
PublisherSALT2015
Becoming Istanbul is a critical dictionary exploring the problematics of Istanbul. Made up of 152 entries focusing on transformations to the city, clichés used by observers to evaluate these transformations, and commonplace complaints and conditions, Becoming Istanbul invites the reader to question and critique popular discourses. This collection of original writings, seeking to examine Istanbul from different perspectives, has brought together a diverse selection of writers, including architects, musicians, urban planners, orchestral conductors, activists, sociologists, economists, film critics, authors, museum directors, geographers, reporters, anthropologists and historians.
PublisherWhere2015
What is BitchCoin? BitchCoin is a digital currency backed by the photography of Sarah Meyohas at a fixed exchange rate of 1 BitchCoin to 25 square inches of photographic print. This rate of exchange will not change, even if the value of the photography increases. As her work changes in value over time, so will the relative value of BitchCoin. How did BitchCoin get started? BitchCoin is the focus of “Where 6,” an exhibition on prediction at Where, a gallery and publishing house headquartered in a shipping container in Brooklyn. Where invited Sarah Meyohas to “mine” her coins in the gallery and design ...
PublisherO'Reilly Media2015
Bitcoin is starting to come into its own as a digital currency, but the blockchain technology behind it could prove to be much more significant. This book takes you beyond the currency (“Blockchain 1.0”) and smart contracts (“Blockchain 2.0”) to demonstrate how the blockchain is in position to become the fifth disruptive computing paradigm after mainframes, PCs, the Internet, and mobile/social networking. Author Melanie Swan, Founder of the Institute for Blockchain Studies, explains that the blockchain is essentially a public ledger with potential as a worldwide, decentralized record for the registration, inventory, and transfer of all assets—not just finances, but property ...
PublisherThe Funambulist2013
Daniel and I had this conversation the day after the 2013 Goldsmiths Graduate Conference, where we were both participating in a panel suitably entitled “The Sea, Shores, Islands – Territory, Sovereignty and the State.” His paper “The Construction of the End,” given that day is the starting point of our discussion, in which we discuss the legal debates about the location of the shore line in Spain, the national claims of sovereignty of a given territory based on scientific and technological criteria, as well as the various circumventions of the law that provide a form of cabinet of architectural curiosities of which ...
BULLETINS OF THE SERVING LIBRARY is a composite printed/electronic publication that follows a direct line from Dot Dot Dot, the semi-annual journal founded in 2000 and published by Dexter Sinister. The “bulletins” that make up each issue are first published online as PDFs at www.servinglibrary.org over a six-month period, then assembled, printed and distributed separately in Europe and in the U.S.A. Each collection makes up a semester’s worth of loosely-themed material, with its constituent PDFs grouped together on the website.
PublisherThe Serving Library2014
This issue loops around NUMBERS and was produced in the ambient glow of a reprogrammed electronic scoreboard clock which first appeared in Venice one year ago. Bulletins this time arrive from Angie Keefer, John Dewey and James Mclellan, James Langdon, Rosie Cooper, Mathew Kneebone, Philip Ording, David Foster Wallace, David Reinfurt, Cory Arcangel, Justin Warsh, Perrine Bailleux, Byron Cook and Tauba Auerbach, Dan Fox, Katherine Pickard, and Vincenzo Latronico.
PublisherFall Semester2014
In this brief essay I reflect on the interactions between the real and the unreal, with a particular emphasis on comics and the city. Comics originate in the emerging city of modernity, and are shot through with both actual cities (in their sites of production and, often, consumption) and virtual ones. Further, few media are as useful for considering the role of the unreal, the held back, the around-the-corner-but-never-in-view, as comics. This reticence is productive, not only of narratives but also of the subjects who read them. Practices of reading comics, when applied to the city itself, highlight the unreal ...
This collection of PDFs tracks the evolution of the graphic design of Alcor’s magazine. From the dry zine-like feeling of the mid 80s, it moves into a sci-fi head shop aesthetic in the early 2000s, and more recently settles into the feel of a drab trade publication. Each issue features a chart tracking membership, broken down by geography as well as whether they are currently alive or have been frozen. The magazine focuses on the cultural acceptance of Cryonics, recent scientific developments (like CRISPR gene editing) and an ongoing history of Alcor itself. There is something exhausting about reading Cryonics. ...

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