Economics

A Euro Is A Euro Is A Euro: Fieldwork In European Realism appears in issue 2 of Fictional Journal (online only), and is reproduced in the PROPAGANDA pdf document. As a singular embodiment of matter and representation, the Euro-skulptur is as abstract as money, as tangible as cash. An essay and animations analyse the sculpture as a material symbol of the European Union. Euro cash is European Realism, it is a representation of things as they actually are, it is the sincere, un-idealised rendition of con- temporary life in the EU. we normally look at architecture, or more broadly at the built environment, ...

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Publishersrybn.orgJeu de Paume2015
ADM XI is an independent research platform for experimental algorithmic trading engineering. The novelty and the singularity of its approach lays on the exploitation of the artist legendary vision and know-how, to create innovative and counter-intuitive strategies of investment and speculation. These uncanny strategies challenge the neoclassical economics dogma. The platform gave birth to a collection of heretic, irrational and experimental operating trading algorithms. These algorithms are released to compete with each other on a marketplace hosted and organized by RYBN.ORG. Within this contest, benefits are no longer driven by the prices and other economic instruments, but rather, by living organisms ...

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PublisherThe Distance Plan2015
“…And I was like—yes it is! Part of my broader project as an artist is thinking about how the term climate change can be redefined and expanded to enable people to understand its relevance. So climate change is redefined as an issue of inequality, or social justice, and also urban design and planning. So if I go by that broader definition, I don’t see why I should exclude those things here.” Amy Howden-Chapman in conversation with the Newspaper Reading Club, 2015

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PublisherGuggenheim2015
Åzone Futures Market is a Guggenheim online exhibition that enables you to take a position on the future of a world increasingly shaped by emerging technologies. New technologies are challenging our social foundations and destabilizing the ethics, practices, institutions, and worldviews that have structured our collective experience for centuries. The accelerating rate of this flood of transformations exceeds the limits of our capacity to understand the consequences and to create the lives we want to live. We need new cultural forms to help make sense of the situation. The Guggenheim is testing a new exhibition architecture in the form of an online ...

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PublisherSALT2015
Becoming Istanbul is a critical dictionary exploring the problematics of Istanbul. Made up of 152 entries focusing on transformations to the city, clichés used by observers to evaluate these transformations, and commonplace complaints and conditions, Becoming Istanbul invites the reader to question and critique popular discourses. This collection of original writings, seeking to examine Istanbul from different perspectives, has brought together a diverse selection of writers, including architects, musicians, urban planners, orchestral conductors, activists, sociologists, economists, film critics, authors, museum directors, geographers, reporters, anthropologists and historians.

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PublisherWhere2015
What is BitchCoin? BitchCoin is a digital currency backed by the photography of Sarah Meyohas at a fixed exchange rate of 1 BitchCoin to 25 square inches of photographic print. This rate of exchange will not change, even if the value of the photography increases. As her work changes in value over time, so will the relative value of BitchCoin. How did BitchCoin get started? BitchCoin is the focus of “Where 6,” an exhibition on prediction at Where, a gallery and publishing house headquartered in a shipping container in Brooklyn. Where invited Sarah Meyohas to “mine” her coins in the gallery and design ...

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PublisherO'Reilly Media2015
Bitcoin is starting to come into its own as a digital currency, but the blockchain technology behind it could prove to be much more significant. This book takes you beyond the currency (“Blockchain 1.0”) and smart contracts (“Blockchain 2.0”) to demonstrate how the blockchain is in position to become the fifth disruptive computing paradigm after mainframes, PCs, the Internet, and mobile/social networking. Author Melanie Swan, Founder of the Institute for Blockchain Studies, explains that the blockchain is essentially a public ledger with potential as a worldwide, decentralized record for the registration, inventory, and transfer of all assets—not just finances, but property ...

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BULLETINS OF THE SERVING LIBRARY is a composite printed/electronic publication that follows a direct line from Dot Dot Dot, the semi-annual journal founded in 2000 and published by Dexter Sinister. The “bulletins” that make up each issue are first published online as PDFs at www.servinglibrary.org over a six-month period, then assembled, printed and distributed separately in Europe and in the U.S.A. Each collection makes up a semester’s worth of loosely-themed material, with its constituent PDFs grouped together on the website.

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PublisherThe Serving Library2014
This issue loops around NUMBERS and was produced in the ambient glow of a reprogrammed electronic scoreboard clock which first appeared in Venice one year ago. Bulletins this time arrive from Angie Keefer, John Dewey and James Mclellan, James Langdon, Rosie Cooper, Mathew Kneebone, Philip Ording, David Foster Wallace, David Reinfurt, Cory Arcangel, Justin Warsh, Perrine Bailleux, Byron Cook and Tauba Auerbach, Dan Fox, Katherine Pickard, and Vincenzo Latronico.

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PublisherFall Semester2014
In this brief essay I reflect on the interactions between the real and the unreal, with a particular emphasis on comics and the city. Comics originate in the emerging city of modernity, and are shot through with both actual cities (in their sites of production and, often, consumption) and virtual ones. Further, few media are as useful for considering the role of the unreal, the held back, the around-the-corner-but-never-in-view, as comics. This reticence is productive, not only of narratives but also of the subjects who read them. Practices of reading comics, when applied to the city itself, highlight the unreal ...

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This collection of PDFs tracks the evolution of the graphic design of Alcor’s magazine. From the dry zine-like feeling of the mid 80s, it moves into a sci-fi head shop aesthetic in the early 2000s, and more recently settles into the feel of a drab trade publication. Each issue features a chart tracking membership, broken down by geography as well as whether they are currently alive or have been frozen. The magazine focuses on the cultural acceptance of Cryonics, recent scientific developments (like CRISPR gene editing) and an ongoing history of Alcor itself. There is something exhausting about reading Cryonics. ...

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PublisherAm Nuden Da2017
Resonator with assumed responsibility of Tyler Coburn & Byron Peters Da is published by Am Nuden Da. It takes its name after the magazine Da founded by Isidore Isou and Serge Moscovici in 1944.

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PublisherData Arbitrage2015
DataArbitrage was a program that generated money by selling personal data and using that money to purchase fake social media accounts. DataArbitrage then sold the data from the fake social media accounts, bought new social media accounts and commenced a process of data arbitrage whose result was the dilution of useful data due to the overabundance of fake personal information. … Through DataArbitrage, we can undermine the value of data, until it becomes too uncertain and too costly for companies to collect and understand. When the cost to collect a terabyte of data surpasses its value, then the data economy will stop running. Our analysts have ...

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Publishere-flux2017
Indentured to the past, we drag our inherited identities through a forest of networks bursting with mysterious intellectual fruit. We’re not sure which concepts are poisonous and which are safe. History is like a mistranslated phrasebook full of old-fashioned illustrations which everyone makes fun of on the internet. Attempts at organization feel fanciful and absurd: eclectic inventories of apocalypse-kitsch. In “A Palace of Unsaids,” Rob Goyanes considers the work of mourning under twenty-first century conditions. Does it matter if we show up to the wrong shift at the memorial-factory as long as we do our time? Those that insist on mourning ...

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Publishere-flux2017
The modern arrives when the boundaries dividing old and new become sites of struggle in the way that the divide between the sacred and the profane was previously. These distinctions—old/new, sacred/profane—are strategic: they refer to one embedded position in the life-world relative to another. In the October 2017 issue of e-flux journal, Noemi Smolik shows how, within Russia, the deployment of modernizing iconoclasm against the belief systems of Russia’s rural poor confounded distinctions between old and new, sacred and profane, even before the October Revolution and the Russian avant-garde. Aleksandra Shatskikh diagnoses a contemporary symptom of this misrecognition in the attribution ...

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Founded in Miami in Summer 2013, Fall Semester brings together a diverse group of theorists, critics, researchers, and interested individuals to engage in multifaceted discourse on contemporary society and culture available across multiple platforms. Fall Semester is the project of artists Felice Grodin, Odalis Valdivieso, Angela Valella, Marcos Valella, and Antonia Wright. Collectively they have developed an organizational strategy to unite the contributors’ discussions into a cohesive program providing a platform for both speakers and attendees. The project arose from their concerns with global issues which have influenced their individual practice and research. Testing what can be achieved in a sped-up production ...

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Publishercontinent2017
What would a conversation with a piece of asbestos, or a piece of plastic stranded on the shore of the Schuylkill River be like? And how could a conversation transpire, between things and researchers and other things, if they landed in the same place and found for themselves a common language? Imprinted by Philadelphia’s singular industrial and technological history, the soils, water systems, and infrastructures of the Delaware Valley tell a story of the Anthropocene, the contentious and debated terminology for this “new” and anthropocentric geological era in which human activities have forever altered Earth’s ecosystems. For the Anthropocene Campus Philadelphia ...

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PublisherFall Semester2016
I have a seventeen-month-old son. Since becoming a mother, my day in Shanghai, where we are based, will start with turning on a computer, checking Shanghai’s air quality index and then decide how to continue a day with my kid. On a regular day, the air quality pollution index in Shanghai is usually around 150 PM 2.5 which is not recommended for taking such a small kid outdoors. Since the end of July this year air quality has been noticeably better so that we can actually see the clouds in the sky when we look out of a window. Maybe this ...

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Inhabitants is an online channel for exploratory video and documentary reporting. We produce and stream short-form videos intended for online distribution, with each episode focusing on a different topic. We have collaborated with institutions such as Haus der Kulturen Der Welt and the Max Planck Institute for the History of Science (Berlin), Museu Colecção Berado (Lisbon), Contour8 biennale (Belgium), and are currently collaborating with TBA21 for a video series on Deep Sea Mining. We are actively engaged with both artists and political agents on the ground, and are open to any inquires and suggestions. Our videos are free and intended for ...

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PublisherVerso2015
A major new manifesto for a high-tech future free from work Neoliberalism isn’t working. Austerity is forcing millions into poverty and many more into precarious work, while the left remains trapped in stagnant political practices that offer no respite. Inventing the Future is a bold new manifest0 for life after capitalism. Against the confused understanding of our high-tech world by both the right and the left, this book claims that the emancipatory and future-oriented possibilities of our society can be reclaimed. Instead of running from a complex future, Nick Srnicek and Alex Williams demand a postcapitaiist economy capable of advancing standards, ...

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PublisherK-Hole2015
“Seeing the future ≠ changing the future.”

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The two essays of Mammoths, Inc. look into the workings of public debt: a ghostly, spectral technology foundational to the liberal state and modern capitalism alike. These two essays are part of a three-volume study, titled Ancestralities, on the relationship between architecture, public debt, and sovereignty in the last four centuries.

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PublisherInhabitants2016
Mining for Ringwoodite compares the 2014 geological discovery of “fossilized” water – termed Ringwoodite – found in the interior of a diamond in Brazil, with the prospects of mining on the moon or asteroids as announced by private companies in recent years. Ringwoodite, which holds water in the form of hydrogen and oxygen bound together, can only be found in the earth’s transition zone, between 410 and 660 kilometers below the earth’s surface. Until now, it had only been artificially created in laboratory or found in asteroid rocks. In the meantime, seismic wave analysis has suggested the presence of a ...

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PublisherFall Semester2016
A super-computational grid overlaying the earth’s surface, an all-seeing, oating ecosystem, an Uber-planet, an internet of things in which the things are us, is recording and storing our every movement. We subscribe to it—willingly providing it with our data. By the same token, our immersion in the permanence of the informational mayhem is flooding us with fictions. On the one hand, theoretically, the permanent input channel of billions of facts per second—GPS coordinates, heartbeats, selfies, currency fluctuations, etc.— into the super-computational megastructure, is always pushing for a transparent world. In that world “truth” would cease to be a word because there would be ...

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On Discipline is the sixth issue of a neW series Of publications issued by Wilfried Lentz Rotterdam. Published as an accompaniment to the show ‘On Discipline’. from 19 march to 23 april 2011 at Wilfried Lentz gallery. This publication is signed and numbered in an edition of 250 by Josef Dabernig.

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