Field Recording

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PublisherGruenrekorder2021
Eight years since its last issue Field Notes returns with a new design, and for the first time also accompanied by two (freely available) audio releases. In this all-new collection we present the writings and “audio-textual” contributions of Janko Hanushevsky (on the meaning behind every-day sounds and how they do play into his artistic work), Aleksandar Vejnovic (sharing memories about his ears capturing sounds from afar and how the microphone shapes the recording artist’s experience and work), Eli Neuman-Hammond (exploring the microphone-recorder as a creative tool and its role as a descriptive apparatus), and Ludwig Berger (on a long-form field ...
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PublisherGruenrekorder2023
We gladly present our 5th issue of Field Notes that across 5 articles (with two accompanying audio works) explore the vast sound world of the Anthropocene. Starting with the collection “Meters” by Angus Carlyle who measures with heightened poetic senses through 20 years of his recordings in the field. Adam Diller augments his project “28 Outfalls” – an internationally exhibited short film about New York City’s sewer overflows – by an illustrated article and a 4-track audio work that is hereby published for the first time. With “United Detachment: Recording Spaces in the Anthropocene” we extend our unconventional trip through New York City by accompanying author cory ryan kasprzyk who reflects on ...
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PublisherBureau2018
MARCH 2018 ALISON KNOWLES California Sandals, from the album Frijoles Canyon, 1992-2001, 4 min. 59 sec. Edited and published by Alison Knowles with collaboration from Joshua Selman and Non Sequitur Foundation.
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PublisherEBM(T)2019
We unexpectedly came across a map of pre-sand Egypt, a pre-historic time when Egypt was green. This had to be about 7,500 B.C. or earlier. Where the desert meets the sea, the sea loses some of its distinctiveness: a beautiful green lake, a sky blue [bleu célèste]. We enter into it all together, together for the first time in the history of humanity. After the storm is over we will tell you the whole story. What we can tell you is that in _____ there’s a dimensional jump hole. Ever noticed the green parakeets flying around Rome?
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PublisherEBM(T)2014
What you are hearing right now, if you’re at 1:48 of my recording, which I did via my iPhone’s “Voice Memos” function, is me typing the words you’re currently reading. I’m in Bobst Library, which is New York University’s library. I’m in a computer lab with 24 Apple computers. I’ve probably been in this computer lab 2000+ times. Besides me, there are 6 people in here. I haven’t counted the number of computers or estimated the amount of days I’ve been in here—that I can remember at the moment—until today, and I’ve been using this computer lab for something like ...
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PublisherLateral Addition2021
Northampton, MA One afternoon in May 2021, amidst rising temperatures and vaccination rates, I went to Child’s Park with my wav recorder. That week, I was feeling stuck and unsure of what to do with my free time and creative projects. I chose the park because it was a place where activity concentrated, which I had noticed during my frequent visits there that spring. Individual people and groups posted up on the grass at sufficient distances from each other to afford some sense of safety, comfort, and privacy, values which everyone’s body language and choice of grassy spot seemed to assert. ...
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Publisheronestar press2009
The Chill of Lonesome is the title of a bluegrass album by Ernie Thacker. Ernie, his family and friends are amazing bluegrass musicians. They live in Clinchco, Virginia. Back in 2006, I suggested to Mélanie Scarciglia, my partner, Chris Hoover, our Good Samaritan (and producer) and Garret Linn, movie director (two of my good friends from New York), to go visit Ernie Thacker and his band, Route 23, and make a film about bluegrass music. Our destination was the small town of Clinchco, Virginia. We drove the 14 hours from NYC to Clinchco without knowing what we would find there. I ...
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PublisherTalk is Cheap2019
Here Chris shares his music based in iPhone recorded found sounds, and talk about how this might act as testing ground for his visual practice.
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PublisherBureau2018
OCTOBER 2018 CHRISTINE SUN KIM Roux 1, July 2018, 2 min. 44 sec. Berlin, Germany This is an unedited recording of my one-year old making drumming sounds as my partner cooks in the background. This file is essentially her first audio recording that I’ve decided to make public, which is akin to putting her first photo online. As a Deaf mother, sharing these sounds is a very personal gesture.
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‘Eavesdropping: A Reader’ addresses the capture and control of our sonic world by state and corporate interests, alongside strategies of resistance. For editors James Parker (Melbourne Law School) and Joel Stern (Liquid Architecture), eavesdropping isn’t necessarily malicious. We cannot help but hear too much, more than we mean to. Eavesdropping is a condition of social life. And the question is not whether to eavesdrop, therefore, but how. Published by City Gallery Wellington in association with Liquid Architecture and Melbourne Law School, on the occasion of the exhibition Eavesdropping, curated by James Parker and Joel Stern, at City Gallery Wellington, 17 August–17 ...
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PublisherBureau2017
MAY 2017 ELLIE GA In September of 2007 Ellie Ga joined the Tara, a research vessel drifting in the upper reaches of the Arctic. The Tara was the second boat in history constructed to purposefully drift indefinitely in the frozen sea. Ellie joined the crew of ten, as the only artist on board, for the last half-year of the expedition. She maintained a close conversation with us, reporting with sounds, images and texts via email and the occasional satellite phone call. These are some excerpts from Ga’s sound dispatches from the Arctic. Last Day of Sun, October 2007 Map Intro, October 2007 Map Part 2, ...
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PublisherBureau2019
JANUARY 2019 EMILIE PISCHEDDA Tamales, 2019 20 min. 11 sec. Tamales is a cross between the real and the existing. Recordings from journeys, sound wanderings, like a perpetual road-trip in which sometimes the radio interferes and lets us discover pieces of music. We find ourselves more precisely in Mexico with Tamales, between street vendors, police, weavers and blind singing between nod to jazz, techno and interlope genres. A trip in a car with open windows rolling towards nowhere in particular, just moving. Tracklist Mr Tc – Soundtrack for Strangers Plankton Wat – Song of Winter Death Rabih Abou-Khalil – The Sphinx And I SOAP KILLS – Galbi All other sounds are ...

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